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Author: Cullen Murphy Publisher: ISBN: 0374298556 Category : Art Languages : en Pages : 273
Book Description
A history of the cartoonists and illustrators from the Connecticut School, written by the son of the artist behind the popular strips "Prince Valiant" and "Big Ben Bolt, " explores the achievements and pop-culture influence of these artists in the aftermath of World War II.
Author: Cullen Murphy Publisher: ISBN: 0374298556 Category : Art Languages : en Pages : 273
Book Description
A history of the cartoonists and illustrators from the Connecticut School, written by the son of the artist behind the popular strips "Prince Valiant" and "Big Ben Bolt, " explores the achievements and pop-culture influence of these artists in the aftermath of World War II.
Author: Cullen Murphy Publisher: Farrar, Straus and Giroux ISBN: 0374713049 Category : Biography & Autobiography Languages : en Pages : 272
Book Description
A poignant history of the cartoonists and illustrators from the Connecticut School For a period of about fifty years, right in the middle of the American Century, many of the the nation’s top comic-strip cartoonists, gag cartoonists, and magazine illustrators lived within a stone’s throw of one another in the southwestern corner of Connecticut—a bit of bohemia in the middle of those men in their gray flannel suits. Cullen Murphy’s father, John Cullen Murphy, drew the wildly popular comic strips Prince Valiant and Big Ben Bolt, and was the heart of this artistic milieu. Comic strips and gag cartoons read by hundreds of millions were created in this tight-knit group—Superman, Beetle Bailey, Snuffy Smith, Rip Kirby, Hagar the Horrible, Hi and Lois, Nancy, Sam & Silo, Amy, The Wizard of Id, The Heart of Juliet Jones, Family Circus, Joe Palooka, and The Lockhorns, among others. Cartoonists and their art were a pop-cultural force in a way that few today remember. Anarchic and deeply creative, the cartoonists were independent spirits whose artistic talents had mainly been forged during service in World War II. Illustrated with never-before-seen photographs, cartoons, and drawings, Cartoon County brings the postwar American era alive, told through the relationship of a son to his father, an extraordinarily talented and generous man who had been trained by Norman Rockwell. Cartoon County gives us a glimpse into a very special community—and of an America that used to be.
Author: Malcolm Mitchell Publisher: Scholastic Inc. ISBN: 1338633325 Category : Juvenile Fiction Languages : en Pages : 36
Book Description
From Super Bowl champion and literacy crusader Malcolm Mitchell comes an exciting new story that shows even reluctant readers that there is a book out there for everyone! Meet Henley, an all-around good kid, who hates to read. When he's supposed to be reading, he would rather do anything else. But one day, he gets the scariest homework assignment in the world: find your favorite book to share with the class tomorrow.What's a kid to do? How can Henley find a story that speaks to everything inside of him?Malcolm Mitchell, best-selling author of The Magician's Hat, pulls from his own literary triumph to deliver another hilarous and empowering picture book for readers of all abilities. Through his advocacy and his books, Malcolm imparts the important message that every story has the potential to become a favorite.
Author: Thomas Giddens Publisher: Univ. Press of Mississippi ISBN: 1496829034 Category : Literary Criticism Languages : en Pages : 323
Book Description
Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Peter Goodrich, Maggie Gray, Matthew J. A. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki Recent decades have seen comics studies blossom, but within the ecosystems of this growth, dominant assumptions have taken root—assumptions around the particular methods used to approach the comics form, the ways we should read comics, how its “system” works, and the disciplinary relationships that surround this evolving area of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguistics and the tools of English and cultural studies in the examination and understanding of comics. In this edited collection, scholars from a variety of disciplines examine comics by addressing materiality and form as well as the wider economic and political contexts of comics’ creation and reception. Through this lens, influenced by poststructuralist theories, contributors explore and elaborate other possibilities for working with comics as a critical resource, consolidating the emergence of these alternative modes of engagement in a single text. This opens comics studies to a wider array of resources, perspectives, and modes of engagement. Included in this volume are essays on a range of comics and illustrations as well as considerations of such popular comics as Deadpool, Daredevil, and V for Vendetta, and analyses of comics production, medical illustrations, and original comics. Some contributions even unfold in the form of comics panels.
Author: Berkeley Breathed Publisher: Penguin ISBN: 0399546782 Category : Juvenile Fiction Languages : en Pages : 44
Book Description
The Pulitzer Prize-winning creator of the hilarious "Bloom County" comic strip is back! To help celebrate, here is the first ever Bloom County picture book, featuring fan-favorite Bill the Cat in an origin story. (Ack ack!) The perfect gift for Bloomers old and new. An Amazon Best Book of the Year and NY Times bestseller! Almost thirty-five years ago Berkeley Breathed launched a little-known yet laugh-inducing comic strip called "Bloom County" that was full of characters who instantly entered the public consciousness--none more so than Opus (the penguin) and Bill the Cat. Bloom County's popularity soared, it was soon syndicated nationally, had millions of daily readers, and before long its creator was awarded a Pulitzer Prize. Then, nine years later, "Bloom County" sadly came to a close. It had simply ceased being fun for Berkeley Breathed. Now, more than twenty-five years after it ended, "Bloom County" has returned in full force and humor online, with an ever-growing fanbase every bit as zealous as it was in the strip's heyday. For the comic's youngest fans, and for those who never stopped wishing for its return, here is an all-new, kid-friendly story for anyone who ever wanted to know the origin story of Bill the Cat. "Bloom County" has never been more fun! Praise for The Bill the Cat Story "The illustrations, a mixture of cartoons, eye-popping virtual paintings, and pencil sketches, will pull inquisitive audiences of all ages into the story."--Booklist "[E]xtravagantly rendered artwork in luscious color."--Publishers Weekly
Author: Nicola Streeten Publisher: Springer Nature ISBN: 3030363007 Category : Comics & Graphic Novels Languages : en Pages : 286
Book Description
This book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book highlights the relevance of humour and provides a comparative British perspective. The time frame is 1970 to 2019, chosen as representative of a significant historical period for the development of feminist cartoon and comics activity and of feminist theory and practice. Research methods include archival data collection, complemented by interviews with selected cartoonists. Visual and textual analysis of specific examples draws on literature from humour theory, comics studies and feminist theory. Examples are also considered as responses to the economic, social and political contexts in which they were produced.
Author: Kim A. Munson Publisher: Univ. Press of Mississippi ISBN: 1496828089 Category : Literary Criticism Languages : en Pages : 402
Book Description
Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.
Author: Cullen Murphy
Author: Cullen Murphy
Author: Cullen Murphy
Author: Malcolm Mitchell
Author: E.G. Storke
Author: Thomas Giddens
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Author: Berkeley Breathed
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Author: Nicola Streeten
Author: Kim A. Munson