Classical Music, Why Bother? PDF Download

Author: Joshua Fineberg
Publisher: Routledge
ISBN: 1136089306
Category : Music
Languages : en
Pages : 184

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Book Description
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Joshua Fineberg
Publisher: Routledge
ISBN: 1136089225
Category : Music
Languages : en
Pages : 184

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Book Description
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Author: ColinTimothy Eatock
Publisher: Routledge
ISBN: 135155848X
Category : Music
Languages : en
Pages : 278

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Book Description
This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Mendelssohn's highly successful ten trips to Britain, between 1829 and 1847, are documented and discussed in detail, as are his relationships with English musicians and a variety of prominent figures. An introductory chapter describes the musical life of England (especially London) at the time of Mendelssohn's arrival and the last two chapters deal with the composer's posthumous reception, to the end of the Victorian era. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the nineteenth century. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.

Author: Richard Taruskin
Publisher: Univ of California Press
ISBN: 0520268059
Category : Music
Languages : en
Pages : 508

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Book Description
"Roth Family Foundation music in America imprint"--Prelim. p.

Author: Chris Dromey
Publisher: Routledge
ISBN: 1315471078
Category : Business & Economics
Languages : en
Pages : 299

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Book Description
This volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright. The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today. This book examines a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.

Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520250826
Category : Music
Languages : en
Pages : 251

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Book Description
In lucid and engaging prose, the book explores the sources of classical music's power in a variety of settings, from concert performance to film and TV, from everyday life to the historical trauma of September 11. Addressed to a wide audience, this book will appeal to aficionados and skeptics alike.

Author: Michael Beckerman
Publisher: Open Book Publishers
ISBN: 1800641168
Category : Music
Languages : en
Pages : 154

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Book Description
This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical music’s defining traditions, challenges and contemporary scope. Innovative in structure and approach, the volume comprises two parts. The first provides detailed analyses of issues central to classical music in the present day, including diversity, governance, the identity and perception of classical music, and the challenges facing the achievement of financial stability in non-profit arts organizations. The second part offers case studies, from Miami to Seoul, of the innovative ways in which some arts organizations have responded to the challenges analyzed in the first part. Introductory material, as well as several of the essays, provide some preliminary thoughts about the impact of the crisis year 2020 on the world of classical music. Classical Music: Contemporary Perspectives and Challenges will be a valuable and engaging resource for all readers interested in the development of the arts and classical music, especially academics, arts administrators and organizers, and classical music practitioners and audiences.

Author: Julian Johnson
Publisher: Oxford University Press
ISBN: 019983119X
Category : Music
Languages : en
Pages : 152

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Book Description
During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.

Author: Vikram Seth
Publisher: Vintage
ISBN: 037570924X
Category : Fiction
Languages : en
Pages : 395

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Book Description
The author of the international bestseller A Suitable Boy returns with a powerful and deeply romantic tale of two gifted musicians. Michael Holme is a violinist, a member of the successful Maggiore Quartet. He has long been haunted, though, by memories of the pianist he loved and left ten years earlier, Julia McNicholl. Now Julia, married and the mother of a small child, unexpectedly reenters his life and the romance flares up once more. Against the magical backdrop of Venice and Vienna, the two lovers confront the truth about themselves and their love, about the music that both unites and divides them, and about a devastating secret that Julia must finally reveal. With poetic, evocative writing and a brilliant portrait of the international music scene, An Equal Music confirms Vikram Seth as one of the world's finest and most enticing writers.

Author: Andrew Ford
Publisher:
ISBN: 9780733315947
Category : Music
Languages : en
Pages : 190

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Book Description
Why does anyone still bother with classical music? How can the string quartets of Brahms or the symphonies of Beethoven possibly be relevant in our post-9/11 world? In this stimulating and provocative book, composer and broadcaster Andrew Ford argues that it is because we live in such discordant times that classical music is more valuable than it has ever been. Beginning with a discussion of some common cliches, he considers the nature of classical music: whether it is, for example, an international language. Then in a series of short essays, each taking as its starting point the music of a single composer including Dowland, Haydn, Berlioz, Ravel and the contemporary Finnish composer, Kaija Saariaho, he presents a composite picture of what classical music is, what it is capable of, how it works, and how it differs from other sorts of music. Finally, Ford draws on his own music as a means of explaining what goes on in a composer's mind. Classical music, says Ford, is a source not only of consolation, but of certainty. It reaffirms creativity because it has survived, he writes. It connects us to the best of civilisation at a time when we find little civilisation in our own world.