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Author: J. D. Martinez Publisher: Taylor Trade Publications ISBN: 9780882298092 Category : Music Languages : en Pages : 226
Book Description
From the Introduction: This book outlines-in simple terms and illustrations-how to safely create the illusions of unarmed stage violence. Other fight choreographers may find in it a technique or two that is new to them and instructive, but my primary concern is for the actor, director, or stage manager who is a novice at stage violence. I sincerely hope that this simple book will help prevent injuries related to stage fights. Each technique outlined here can be executed in an infinite number of ways, for there are literally hundreds of styles of hand-to-hand combat in existence today, as well as many varied theatrical styles. However, if the reader pays particular attention to the general principles, then techniques can safely and effectively be adapted to include other movements that suit the actor and the action. Each technique is presented so as to lead the combatants step-by-step to the safe completion of the illusion. Don't fall into the trap of attempting to perform a technique too soon. Improvising during performance is dangerous. It is essential that both partners can rely on the constancy of movement and timing established during rehearsals. Also essential to safety is physical preparedness through preliminary exercise.
Author: J. D. Martinez Publisher: Taylor Trade Publications ISBN: 9780882298092 Category : Music Languages : en Pages : 226
Book Description
From the Introduction: This book outlines-in simple terms and illustrations-how to safely create the illusions of unarmed stage violence. Other fight choreographers may find in it a technique or two that is new to them and instructive, but my primary concern is for the actor, director, or stage manager who is a novice at stage violence. I sincerely hope that this simple book will help prevent injuries related to stage fights. Each technique outlined here can be executed in an infinite number of ways, for there are literally hundreds of styles of hand-to-hand combat in existence today, as well as many varied theatrical styles. However, if the reader pays particular attention to the general principles, then techniques can safely and effectively be adapted to include other movements that suit the actor and the action. Each technique is presented so as to lead the combatants step-by-step to the safe completion of the illusion. Don't fall into the trap of attempting to perform a technique too soon. Improvising during performance is dangerous. It is essential that both partners can rely on the constancy of movement and timing established during rehearsals. Also essential to safety is physical preparedness through preliminary exercise.
Author: Christopher DuVal Publisher: Bloomsbury Publishing ISBN: 1472532554 Category : Performing Arts Languages : en Pages : 304
Book Description
The art of armed and unarmed stage combat thrills actors and audiences alike the world over. This book details many of the foundational techniques used by actors studying stage combat and actor-movement disciplines. A variety of specific training exercises are described that connect the actor's imagination to a cohesive and meaningful actor-training curriculum – integrating stage combat with the actor's process of developing a fully embodied awareness of the physical life of the character. Developing physical awareness and dexterity is an essential component of an actor's training and rehearsal processes. Engagement, connection, the ability to listen and respond with authenticity, clarity, flexibility, intentionality, tactical response, variety are all helpful aspects for the actor studying combat movement. With practical exercises and expert advice, Stage Combat Arts allows the actor to further hone their emotional connection and extension, breath and voice, intention and focus, movement and freedom, and their ability to connect physically to imagery and text – disciplines that are at the foundation of actor-training – all through the art of combat movement.
Author: Michael Pedretti Publisher: Cambridge Scholars Publishing ISBN: 1527590666 Category : Performing Arts Languages : en Pages : 706
Book Description
This book tells the story of ground-breaking movement theater performers of the late twentieth century. It explores how the virtuoso stage clowns and mimes drew on all the performing arts to create and star in shows in order to reveal our deepest thoughts and feelings. They ignored taboos and busted boundaries to redefine the relationship between performer and audience, making a theater of kindness—a theater of joy. Complete with over two hundred photos, the book tells how these performers came together at the International Movement Theatre Festivals and reached American audiences with their work. It also details the author’s story, his devotion to, and love of, the art and the artists, and his sometimes-harrowing journey into non-profit management. It offers a peek behind the curtain to describe the process of engaging artists, audiences, funders, and the international press in this mission.
Author: Jenn Boughn Publisher: Simon and Schuster ISBN: 1581158254 Category : Performing Arts Languages : en Pages : 276
Book Description
The most complete guide on an essential stagecraft available! Wanna fight, buddy? This comprehensive guide covers everything performers, directors, theater teachers, fight choreographers, and others need to know to stage believable, safe action for theater and other performing arts. From basic falls, rolls, and tumbling to punches, kicks, hair pulls, and head slams, to advanced handling of weapons, Stage Combat provides in-depth instruction for realistic-looking fights and physical comedy. Grappling, slapping, pushing, choking—they were forbidden on the playground, but they’re needed for the play, and they’re all in here. So are basic drills for the quarterstaff, European rapier, and Japanese katana-style swordplay, and much more. Complete with illustrations and step-by-step directions, this book is a must-have for any actor spoiling for a fight—or the appearance of one. • Basics and more advanced techniques for the beginner and beyond • Emphasis on personal safety • Step-by-step directions and 200 illustrations for combat with and without weapons Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Annette Lust Publisher: Scarecrow Press ISBN: 9780810845930 Category : Biography & Autobiography Languages : en Pages : 420
Book Description
One of the few studies covering the historical flow of mime from its beginnings to postmodern movement theatre, this book explores the evolution of mime and pantomime from the Greeks to the 20th Century, depicting the role of mime in dance, clowning, the cinema, and verbal theatre throughout the centuries. With over sixty illustrations, this worldwide study is indispensable for the student, teacher, or fan of mime.
Author: Erick Vaughn Wolfe Publisher: Taylor & Francis ISBN: 1040003109 Category : Performing Arts Languages : en Pages : 188
Book Description
The Art of Broadsword Fighting for Stage and Screen provides historical and contemporary techniques and styles for the safe training and use of the European broadsword in a theatrical setting. This book starts with a brief breakdown of the history of broadswords, the time periods associated with their use, and the influences of historical masters and their manuscripts. After the brief history section, this book presents the basic techniques of broadsword fighting, starting with grip and body postures. Readers will then move fluidly into the basic actions of cuts, parries, blocks, and disarms. During this process, actors explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given throughout the text on techniques which need to be approached in a physically and/or mentally safe way by directors, choreographers, performers, teachers, and students. The final chapter focuses on choreographing a fight and utilizing all the material previously covered in this book, with special notes for actors, directors, and teachers about what makes a good fight, how to keep it safe, and how to create the "wow factor" in choreography. The Art of Broadsword Fighting for Stage and Screen is intended for directors, choreographers, actors, students of acting, martial artists, and enthusiasts of stage combat and historical martial arts.
Author: Annette Lust Publisher: Scarecrow Press ISBN: 0810882124 Category : Performing Arts Languages : en Pages : 365
Book Description
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style. Throughout the book and in the appendixes, Lust incorporates learning programs that cover the use of basic physical and expressive exercises for the entire body. In addition, she provides original solo and group pantomimes; improvisational exercises; examples of plays, fiction, poetry, and songs that may be interpreted with movement; a list of training centers in America and Europe; and an extensive bibliography and videography. With 15 interviews and essays by prominent stage and screen actors, mimes, clowns, dancers, and puppeteers who describe the importance of movement in their art and illustrated with dozens of photos of renowned world companies and artists, Bringing the Body to the Stage and Screen will be a valuable resource for theater teachers and students, as well as anyone engaged in the performing arts.
Author: Nicole Potter Publisher: Simon and Schuster ISBN: 1621535436 Category : Performing Arts Languages : en Pages : 376
Book Description
In this updated rich resource for actors, renowned movement teachers and directors reveal the physical skills needed for the stage and the screen. Readers will gain remarkable insights into the physical skills and techniques used in a wide variety of performance styles through ready-to-use exercises and approaches. Included in this new edition are chapters covering: Stage combat Yoga for actors Martial arts Body-mind centering Authentic movement Bartenieff fundamentals Grotowski-based movement Those who want to pursue serious training will be able to consult the appendix for listings of the best teachers and schools in the country. This inspiring collection is a must-read for all actors, directors, and teachers of theater looking for stimulation and new approaches. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: John W. Frick Publisher: University of Alabama Press ISBN: 9780817309985 Category : European drama Languages : en Pages : 148
Book Description
A collection of pieces examining the theatre's role in fostering a culture enamoured of violence. Areas covered include violence as an integral part of dramatic text and performance, facets of the staging of violence, and examples of theatrical violence at the fringes of social acceptability.
Author: J. D. Martinez
Author: J. D. Martinez
Author: J.D. Martinez
Author: Christopher DuVal
Author: Michael Pedretti
Author: Jenn Boughn
Author: Annette Lust
Author: Erick Vaughn Wolfe
Author: Annette Lust
Author: Nicole Potter
Author: John W. Frick