Objects of Desire PDF Download

Author: José de la Colina
Publisher: Marsilio Pub
ISBN: 9780941419697
Category :
Languages : en
Pages : 280

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Author: Luis Buñuel
Publisher:
ISBN: 9782866425005
Category : Motion picture producers and directors
Languages : fr
Pages : 253

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Book Description
Ce livre d'entretiens réalisés par José de la Colina et Tomàs Pérez Turrent - qui porte, film par film, sur toute l'œuvre de Bunuel, du Chien andalou à Cet obscur objet du désir - dément la réputation du cinéaste qui n'aimait guère être interrogé sur le pourquoi et le comment de ses films. Il est vrai qu'il ne faut pas compter sur Bunuel pour expliquer et commenter son œuvre, l'homme ayant toujours refusé d'alimenter le discours critique en lui offrant des clés, des grilles de lecture. Ses films, comme il le dit dans cet ouvrage, sont parsemés de " bons symboles de rien ". D'où le danger à vouloir se pencher au-dedans car, à ce petit jeu, on risque de tomber de haut. Dans cet univers à clés, on oublie trop souvent de voir que les portes sont toujours ouvertes. Inutile par conséquent d'enfoncer le clou de l'interprétation, il suffit de se donner la peine d'entrer. En revanche, on découvre un Bunuel qui parle comme il n'a jamais parlé : de lui, de ses films, de ses personnages, moins pour les justifier que pour mettre à jour la relation qu'il entretient avec eux. C'est sous cet angle-là, à partir de ce fil rouge (mesurer la distance complexe entre l'auteur et ses personnages), que les propos de Bunuel se révèlent passionnants, et enrichissent la connaissance de l'œuvre. El, est-ce bien lui (le personnage) ou un autre (l'auteur) ? C'est aussi de ce secret dont cet ouvrage, à sa manière, nous entretient.

Author: Max Aub
Publisher: McFarland
ISBN: 147662755X
Category : Performing Arts
Languages : en
Pages : 301

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This book features extended conversations with Spanish filmmaker Luis Bunuel (1900-1983) and interviews with his family members, friends and colleagues--including Salvador Dali, Louis Aragon and Fernando Rey--conducted by Max Aub in the late 1960s and early 1970s. Notorious for inventing fanciful versions of his life and his creative output, Bunuel was hard put to deceive the astute Max Aub, who shared Bunuel's background in Spain, in Paris during the Spanish Civil War, and in Mexico, where they were friends and collaborators. Originally published in Spain in 1985, this translated (the first in English) and expanded edition (with several significant interviews and a detailed index not found in the original) provides a detailed picture of Bunuel's life and art. Extensive notes contextualize the conversations and acknowledge the discoveries of recent studies on Bunuel.

Author: Luis Buñuel
Publisher: Rizzoli International Publications
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 310

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From 1975 to 1977, Bunuel agreed to undertake a film-by-film examination of his life and work through a series of interviews conducted with two old friends. This is revised and edited by the author himself just before his death.

Author: Pedro Almodóvar
Publisher:
ISBN: 9781578065684
Category : Performing Arts
Languages : en
Pages : 212

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A collection of interviews that documents the 22-year long cinematic career of the most internationally celebrated Spanish art-film director since Luís Buñuel

Author: Bill Krohn
Publisher: Taschen America Llc
ISBN: 9783822833759
Category : Performing Arts
Languages : en
Pages : 192

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Book Description
Cinema has been a fortunate art form. It has the immense good fortune to seduce Luis Buñuel, one of the most brilliant representatives of the surrealist movement, into making films and continue making them with unflagging fidelity to his principle for 50 years.

Author: José de la Colina
Publisher:
ISBN:
Category :
Languages : es
Pages : 262

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Author: Carlos Saura
Publisher: Univ. Press of Mississippi
ISBN: 9781578064939
Category : Biography & Autobiography
Languages : en
Pages : 2

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Collected interviews with the Spanish filmmaker of Mama Turns a Hundred, Carmen, and Tango

Author: James Egan
Publisher: Univ. Press of Mississippi
ISBN: 1617031828
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali’s Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what’s different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters’s career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters’s early films, his star Divine would consistently challenge gender definitions. With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters’s commercial breakthrough, Hairspray, told the story of Baltimore’s televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.

Author: Julian Daniel Gutierrez-Albill
Publisher: Bloomsbury Publishing
ISBN: 0857716018
Category : Social Science
Languages : en
Pages : 256

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Book Description
As the father of cinematic Surrealism, extensive critical attention has been devoted to Luis Bunuel's cinema. Much has been written about his first Surrealist films of the 1920s and 1930s and the French art movies of the 1960s and 1970s. However, here for the first time is a queer re-reading of Bunuel's Spanish-language films allowing us to view Bunuel's cinema through a lens of queer spectatorship. Focusing on the films Bunuel produced in Mexico and Spain during the 1950s and 1960s, Julian Daniel Gutierrez-Albilla argues not that Bunuel's films have a homosexual subplot, but that there are multiple forms of identity, subjectivity and sexuality present in these films."Queering Bunuel" brings together the fields of film studies, feminist and queer theory, Hispanic studies, psychoanalysis and art theory. Gutierrez-Albilla succeeds in reconceptualizing Bunuel's Mexican and Spanish films beyond geographical, historical and disciplinary boundaries, questioning not just how we see Bunuel, but also how we see cinema.