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Author: Mark J. Davis Publisher: BuzzGig LLC ISBN: 0615336868 Category : Law Languages : en Pages : 207
Book Description
Do you know the answers to these questions? (You had better, if you want to survive in the music business.) * What can I copyright? * Why will a Poor Man copyright keep me poor? * Can I sell my copyright? Give it to my kids? * What is infringement? * What is Fair Use? (it is not what you think it is) * How do songwriters get paid? * What does a music publisher do? Do I need one? * Who are ASCAP, BMI, and SESAC? * How do cover songs work? * What is the difference between a parody and infringement? * What is in a record deal? * We are putting out our own album, what do we do? * What do all those legal terms mean? * How do recording artists get paid? * Am I recouped yet? Mark J. Davis is an attorney, university lecturer, and former arbitrator for the US Copyright Office. His students have gone on to careers in the music industry after taking his classes. Rely on his 30 years of experience in entertainment law.
Author: Hayleigh Bosher Publisher: Edward Elgar Publishing ISBN: 183910127X Category : Law Languages : en Pages : 272
Book Description
This must-have book is a comprehensive yet accessible guide to copyright and related rights in the music industry, illustrated with relevant cases and real world examples. Key features include: • An engaging and approachable writing style • A practical orientation for those in the industry and their advisors • The impact of social media on copyright infringement, management and remedies • Accessible explanations of key concepts in copyright and related rights, as well as commonly misunderstood topics such as sampling and fair use.
Author: Jim Jesse Publisher: Bookbaby ISBN: 9781098342944 Category : Languages : en Pages : 286
Book Description
The Music Copyright Manual (2nd ed.) is the essential guide to Music Copyright Law in this digital age. The book is divided in four main sections. In section one, you will learn what is copyright and how to establish one, along with copyright duration and transfer, and what is music publishing. In section two, you will learn all the exclusive rights you get with a copyright and the money streams associated with those rights and how to take advantage of those. You will also learn the keys to joint authorship and what a work-for-hire is and how to retain full ownership of your songs. Section three covers the new realities of the digital music world, including the most recent right of digital audio transmission. You will learn about the revenue sources from music streaming, Youtube, and master recordings. In the final section, music copyright infringement is discussed. You will learn what a plaintiff must prove, defenses, damages, and how to avoid being sued for copyright infringement.
Author: Mark J. Davis Publisher: BuzzGig LLC ISBN: 0615336868 Category : Law Languages : en Pages : 207
Book Description
Do you know the answers to these questions? (You had better, if you want to survive in the music business.) * What can I copyright? * Why will a Poor Man copyright keep me poor? * Can I sell my copyright? Give it to my kids? * What is infringement? * What is Fair Use? (it is not what you think it is) * How do songwriters get paid? * What does a music publisher do? Do I need one? * Who are ASCAP, BMI, and SESAC? * How do cover songs work? * What is the difference between a parody and infringement? * What is in a record deal? * We are putting out our own album, what do we do? * What do all those legal terms mean? * How do recording artists get paid? * Am I recouped yet? Mark J. Davis is an attorney, university lecturer, and former arbitrator for the US Copyright Office. His students have gone on to careers in the music industry after taking his classes. Rely on his 30 years of experience in entertainment law.
Author: United States United States Copyright Office Publisher: Createspace Independent Publishing Platform ISBN: 9781522852155 Category : Languages : en Pages : 208
Book Description
The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.
Author: Casey Rae Publisher: Rowman & Littlefield Publishers ISBN: 9781538104835 Category : Languages : en Pages : 160
Book Description
With behind-the-scenes anecdotes from the halls of power, real-world case studies, and tips from successful industry players, this book equips readers with the tools they need to navigate the complex world of music copyright, showing how creator, technology, and communities can work together to support a healthier music ecosystem.
Author: JULIE L.. HUPPE ROSS (MICHAEL J.) Publisher: West Academic Publishing ISBN: 9781684676125 Category : Languages : en Pages : 786
Book Description
About the Book: This textbook is designed to inspire debate and discussion about the past, present, and future of the music industry--blending insights from legal, business, and policy perspectives. Students are introduced to the history of music as property in commerce; key technological and business milestones affecting all aspects of the creative process; legal protections for those who create music, those who own it, and those who want to use it; the competing (and recurring) policy debates from the past century that have influenced the way creative participants interact with one another; and the challenges and opportunities presented by the digital age. About the Authors: Julie Ross has been a full-time faculty member at Georgetown Law since 1998, where she has taught courses focusing on legal practice and music law. Her scholarship focuses on music copyright and writing pedagogy. She is a graduate of Hamilton College and Harvard Law School and clerked for the Honorable H. Lee Sarokin in New Jersey. Before moving to academia, she practiced as a litigator in Los Angeles. Michael Huppe is President & CEO of SoundExchange, an organization at the center of many legal, policy and technology issues confronting the modern music industry. With over 20 years in the industry, he has fought on behalf of artists, songwriters, labels, publishers, and studio producers. A graduate of Harvard Law School, he was originally a commercial litigator and now focuses on the business issues affecting creators, especially those relating to music and technology.
Author: Allen Bargfrede Publisher: Hal Leonard Corporation ISBN: 1495096742 Category : Music Languages : en Pages : 195
Book Description
(Berklee Press). With the free-form exchange of music files and musical ideas online, understanding copyright laws has become essential to career success in the new music marketplace. This cutting-edge, plain-language guide shows you how copyright law drives the contemporary music industry. By looking at the law and its recent history, you will understand the new issues introduced by the digital age, as well as continuing issues of traditional copyright law. Whether you are an artist, lawyer, entertainment Web site administrator, record label executive, student, or other participant in the music industry, this book will help you understand how copyright law affects you, helping you use the law to your benefit. * How do you get fair compensation for your work and avoid making costly mistakes? * Can you control who is selling your music on their website? * Is it legal to create mash-ups? * What qualifies as fair use? * How do you clear another artist's samples to use in your own recordings? * What is the Creative Commons/Copyleft movement? * How do you clear music for use in an online music service or store? * Who decides who gets paid how much and by whom? You will learn the answers to these questions as well as: * The basics of copyright law, looking at the Copyright Act while explaining it in plain language * How revenue streams for music are generated under copyright law * The reasoning behind high-profile court decisions related to copyright violations *What licenses are needed for the legal online delivery of music * The intricacies of using music on sites like YouTube, Pandora, and Spotify * Deficiencies in current copyright law and new business model ideas
Author: Mark J. Davis
Author: Hayleigh Bosher
Author: Lee Marshall
Author: Glynn Lunney
Author: Jim Jesse
Author: David J. Moser
Author: Mark J. Davis
Author: United States United States Copyright Office
Author: Casey Rae
Author: JULIE L.. HUPPE ROSS (MICHAEL J.)
Author: Allen Bargfrede