Critical Perspectives on the Mahābhārata PDF Download

Author: Arjunsinh K. Parmar
Publisher: Sarup & Sons
ISBN: 9788176252737
Category : Hindu gods in literature
Languages : en
Pages : 152

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Book Description
Contributed articles.

Author: Jaydipsinh Dodiya
Publisher: Sarup & Sons
ISBN: 9788176252447
Category : Hindu literature, Sanskrit
Languages : en
Pages : 322

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Book Description
Contributed articles presented at First International Conference On Ramayana and Mahabharata, organized by the Department of Indian Studies, University of Malaya, Kuala Lumpur, Malaysia.

Author: David Williams
Publisher: Taylor & Francis
ISBN: 1000649407
Category : Drama
Languages : en
Pages : 341

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Book Description
First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook’s The Mahabharata. Written by both scholars and collaborators on Brook’s production, these essays seek not only to discuss such issues as the politics of theatre interculturalism, but to describe the nature of the working process, and detail the technical problems engendered by touring a production of this size and complexity. Furnished with a new preface by the editor, the book continues to be crucial research work devoted to unravelling the mesmerising as well as the polarising enigma known as Peter Brook’s The Mahabharata. Thoroughly heterogenous and controversially irreverent, this book will be of interest to students of theatre, performance art, literature, South Asian studies and media studies.

Author: David Bradby
Publisher: Manchester University Press
ISBN: 9780719061844
Category : Literary Criticism
Languages : en
Pages : 324

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Book Description
Theater and drama professionals and professors address the role of Paris as an international theater city and the intercultural webs of Parisian theater. Essays address Peter Brook and Le Centre International de Creations Theatrales; Jacques Lecoq and his "Ecole Internationale de Theatre" in Paris; Ariane Mnouchkine and the Theatre du Soleil; and Augusto Boal and the Theatre de l'Opprime. In the second part, the input of different national theater traditions to the internationalism of Paris is explored, including Germany, Russia, Spain, Argentina, the US, and Africa. Distributed by Palgrave. c. Book News Inc.

Author: Binita Mehta
Publisher: Bucknell University Press
ISBN: 9780838754559
Category : Drama
Languages : en
Pages : 294

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Book Description
This book analyzes how French dramatists reproduced certain images of India such as the burning widow, the lowly pariah or untouchable, and the exotic 'bayadere' or dancing girl in four plays and one ballet written from the eighteenth century through the twentieth centuries. Addressing questions of Orientalism, the book also argues that it was because the French lost their Indian colonies to the Briish in the eighteenth centuries that India became a part of the French literary imagination.

Author: Amritjit Singh
Publisher: Rowman & Littlefield
ISBN: 1498556183
Category : Social Science
Languages : en
Pages : 277

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Book Description
Critical Perspectives on Chitra Banerjee Divakaruni: Feminism and Diaspora offers insights into Chitra Banerjee Divakaruni’s provocative and popular fiction. In their engaging and comprehensive introduction, editors Amritjit Singh and Robin Field explore how Divakaruni’s short stories and novels have been shaped by her own struggles as a new immigrant and by the influences she imbibed from academic mentors and feminist writers of color. Twelve critical essays by both aspiring and experienced scholars explore Divakaruni's aesthetic of interconnectivity and wholeness as she links generations, races, ethnicities, and nations in her depictions of the diversity of religious and ethnic affiliations within the Indian diaspora. The contributors offer a range of critical perspectives on Divakaruni’s growth as a novelist of historical, mythic, and political motifs. The volume includes two extended interviews with Divakaruni, offering insights into her personal inspirations and social concerns, while also revealing her deep affection for South Asian communities, as well as an essay by Divakaruni herself—a candid expression of her artistic independence in response to the didactic expectations of her many South Asian readers.

Author: John Keefe
Publisher: Routledge
ISBN: 1134230974
Category : Performing Arts
Languages : en
Pages : 292

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Book Description
Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.

Author: Rama Kant Sharma
Publisher: Sarup & Sons
ISBN: 9788176253772
Category : Aesthetics, Indic
Languages : en
Pages : 142

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Book Description
Thomas Hardy, 1840-1928, English novelist and poet.

Author: Promatha Nath Mullick
Publisher:
ISBN: 9781258943165
Category :
Languages : en
Pages : 596

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Book Description
This is a new release of the original 1934 edition.

Author: Cláudia Tatinge Nascimento
Publisher: Routledge
ISBN: 1135858438
Category : Art
Languages : en
Pages : 195

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Book Description
A sophisticated analysis of how the intersection of technique, memory, and imagination inform performance, this book redirects the intercultural debate by focusing exclusively on the actor at work. Alongside the perspectives of other prominent intercultural actors, this study draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret). By illuminating the hidden creative processes usually unavailable to outsiders--the actor’s apprenticeship, training, character development, and rehearsals--Nascimento both reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices, and details how performance analyses and claims of appropriation fail to consider the permanent transformation of the actor’s identity that cultural transmission and embodiment represent.