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Author: Gaku Iwai Publisher: Taylor & Francis ISBN: 1040022758 Category : Literary Criticism Languages : en Pages : 219
Book Description
D. H. Lawrence is renowned for his scathing criticism of the ruling class, industrialisation of the country and wartime patriotism. However, his texts bear the imprint of contemporary dominant ideologies and discourses of the period. Comparing Lawrence’s texts to various major and minor contemporary novels, journal articles, political pamphlets and history books, this book aims to demonstrate that Lawrence’s texts are ambivalent: his texts harbour the dynamism of conflicting power struggles between the subversive and the reactionary. For example, in some apparently apolitical texts such as The White Peacock and Movements in European History, reactionary ideologies and wartime propaganda are embedded. Some texts like Lady Chatterley’s Lover are intended to be a radical critique of the period wherein it was composed, but they also bear discernible traces of the contemporary frame of reference that they intend to subvert. Focusing on Lawrence’s stories and novels set in the mining countryside and the works composed under the impact of the First World War, this book establishes that Lawrence’s texts in fact consist of multiple layers that are often in conflict with each other, serving as a testimony to the age of modernity.
Author: Gaku Iwai Publisher: Taylor & Francis ISBN: 1040022758 Category : Literary Criticism Languages : en Pages : 219
Book Description
D. H. Lawrence is renowned for his scathing criticism of the ruling class, industrialisation of the country and wartime patriotism. However, his texts bear the imprint of contemporary dominant ideologies and discourses of the period. Comparing Lawrence’s texts to various major and minor contemporary novels, journal articles, political pamphlets and history books, this book aims to demonstrate that Lawrence’s texts are ambivalent: his texts harbour the dynamism of conflicting power struggles between the subversive and the reactionary. For example, in some apparently apolitical texts such as The White Peacock and Movements in European History, reactionary ideologies and wartime propaganda are embedded. Some texts like Lady Chatterley’s Lover are intended to be a radical critique of the period wherein it was composed, but they also bear discernible traces of the contemporary frame of reference that they intend to subvert. Focusing on Lawrence’s stories and novels set in the mining countryside and the works composed under the impact of the First World War, this book establishes that Lawrence’s texts in fact consist of multiple layers that are often in conflict with each other, serving as a testimony to the age of modernity.
Author: Adrian van den Hoven Publisher: Taylor & Francis ISBN: 1040100791 Category : Literary Criticism Languages : en Pages : 181
Book Description
An Analysis of Jean-Paul Sartre’s Plays in Théâtre complet is the first volume to propose a critical analysis of all of Jean-Paul Sartre’s plays as published in the Bibliothèque de la Pléiade, Paris, Gallimard, 2005. Viewing the plays in the context of Sartre’s philosophy, his prose writings and works by other philosophers, novelists, and playwrights, this comprehensive volume is essential reading for students of French literature, theatre, and existentialist philosophy.
Author: Susan Reid Publisher: Springer ISBN: 303004999X Category : Literary Criticism Languages : en Pages : 243
Book Description
This first book-length study of D. H. Lawrence’s lifelong engagement with music surveys his extensive musical interests and how these permeate his writing, while also situating Lawrence within a growing body of work on music and modernism. A twin focus considers the music that shaped Lawrence’s novels and poetry, as well as contemporary developments in music that parallel his quest for new forms of expression. Comparisons are made with the music of Debussy, Schoenberg, Stravinsky, Wagner, and British composers, including Bax, Holst and Vaughan Williams, and with the musical writings of Forster, Hardy, Hueffer (Ford), Nietzsche and Pound. Above all, by exploring Lawrence and music in historical context, this study aims to open up new areas for study and a place for Lawrence within the field of music and modernism.
Author: Luke Thurston Publisher: Taylor & Francis ISBN: 1040035868 Category : Literary Criticism Languages : en Pages : 212
Book Description
What is at stake in Freud’s enduring preoccupation with a process supposedly diverting sexuality into cultural activity? In this study, a leading scholar of psychoanalysis and literature re-opens the old question of sublimation in a critical reading that explores one of the last remaining puzzles of Freudian thought. Using the rigorous framework provided by Jean Laplanche, Luke Thurston resituates sublimation as an unfinished Freudian concept bound up with a much wider history of philosophical and literary reflection. Exploring the misunderstanding and reinvention of sublimation both in accounts of cultural history and in Lacan’s celebrated reading of Antigone, Thurston challenges some of the prevalent assumptions still seen in contemporary “theory.” Thurston links his critical investigation of psychoanalysis to modernist literature, discovering both parallels and alternatives to Freud’s idea of sublimation in little-known works by May Sinclair and David Jones. The study concludes by arguing that these modernist artists, both of whom were significantly affected by trauma during the First World War, produced work radically at odds with the established canons of representation, and that this “anti-hermeneutic” art can be linked to a “Copernican” sublimation, a process not controlled by the ego but vitalizing it and decentring its habitual structure.
Author: Jonas Elbousty Publisher: Taylor & Francis ISBN: 1040041019 Category : Literary Criticism Languages : en Pages : 193
Book Description
Reading Mohamed Choukri’s Narratives presents an intricate exploration into the life and literary universe of Mohamed Choukri, a towering figure in 20th-century Moroccan literature. Known primarily for his groundbreaking autobiographical work "al-Khubz al-Ḥāfī" (For Bread Alone), Choukri's literary influence extends well beyond this single work. This book seeks to cast a light on his broader body of work, examining the cultural, societal, and personal influences that shaped his unique storytelling style. Through a deep analysis of his narratives, this text aims to unfold how Choukri portrayed the harsh realities he and others encountered, giving voice to the marginalized individuals and communities in Morocco.
Author: Kate Hext Publisher: Johns Hopkins University Press ISBN: 142142942X Category : Literary Criticism Languages : en Pages : 300
Book Description
Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry
Author: Victoria Rosner Publisher: Oxford University Press ISBN: 0192583816 Category : Literary Criticism Languages : en Pages : 307
Book Description
Changes in the routines of domestic life were among the most striking social phenomena of the period between the two World Wars, when the home came into focus as a problem to be solved: re-imagined, streamlined, electrified, and generally cleaned up. Modernist writers understood themselves to be living in an epochal moment when the design and meaning of home life were reconceived. Moving among literature, architecture, design, science, and technology, Machines for Living shows how the modernization of the home led to profound changes in domestic life and relied on a set of emergent concepts, including standardization, scientific method, functionalism, efficiency science, and others, that form the basis of literary modernism and stand at the confluence of modernism and modernity. Even as modernist writers criticized the expanding reach of modernization into the home, they drew on its conceptual vocabulary to develop both the thematic and formal commitments of literary modernism. Rosner's work develops a new methodology for interdisciplinary modernist studies and shows how the reinvention of domestic life is central to modernist literature.
Author: Peter Fifield Publisher: Oxford University Press ISBN: 0192559354 Category : Literary Criticism Languages : en Pages : 273
Book Description
T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.
Author: David Shackleton Publisher: Oxford University Press ISBN: 0192672290 Category : Literary Criticism Languages : en Pages : 225
Book Description
British Modernism and the Anthropocene: Experiments with Time assesses the environmental politics of modernism in relation to the idea of the Anthropocene—a proposed geological epoch in which humans have fundamentally changed the Earth System. The early twentieth century was marked by environmental transformations that were so complex and happened on such great scales that they defied representation. Modernist novelists responded with a range of innovative narrative forms that started to make environmental crisis on a planetary scale visible. Paradoxically, however, it is their failures to represent such a crisis that achieve the greatest success. David Shackleton explores how British modernists employed types of narrative breakdown—including fragmentation and faltering passages devoid of events—to expose the limitations of human schemes of meaning, negotiate the relationship between different scales and types of time, produce knowledge of ecological risk, and register various forms of non-human agency. Situating modernism in the context of fossil fuel energy systems, plantation monocultures, climate change, and species extinctions, Shackleton traces how H.G. Wells, D.H. Lawrence, Olive Moore, Virginia Woolf, and Jean Rhys undertook experiments with time in their novels that refigure history and the historical situations into which they were thrown. Ultimately, British Modernism and the Anthropocene shows how modernist novels provide rich resources for rethinking the current environmental crisis, and cultivating new structures of environmental care and concern.
Author: Gaku Iwai
Author: Gaku Iwai
Author: Adrian van den Hoven
Author: Susan Reid
Author: Luke Thurston
Author: Jonas Elbousty
Author: Kate Hext
Author: Charles Ferrall
Author: Victoria Rosner
Author: Peter Fifield
Author: David Shackleton