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Author: Chris Barton Publisher: Millbrook Press TM ISBN: 1728476259 Category : Juvenile Nonfiction Languages : en Pages : 44
Book Description
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! A visually stunning look at innovative and eye-popping measures used to protect ships during World War I. During World War I, British and American ships were painted with bold colors and crazy patterns from bow to stern. Why would anyone put such eye-catching designs on ships? Desperate to protect ships from German torpedo attacks, British lieutenant-commander Norman Wilkinson proposed what became known as dazzle. These stunning patterns and colors were meant to confuse the enemy about a ship's speed and direction. By the end of the war, more than four thousand ships had been painted with these mesmerizing designs. Author Chris Barton and illustrator Victo Ngai vividly bring to life this little-known story of how the unlikely and the improbable became just plain dazzling. "[A] conversational, compelling, and visually arresting story . . ."—starred, Publishers Weekly "Barton's lively text is matched by Ngai's engrossing artwork, which employs dazzle techniques throughout her inventive spreads."—The Bulletin of the Center for Children's Books New York Public Library Best Books for Kids Children's Book Committee at Bank Street College Best Children's Book of the Year
Author: Chris Barton Publisher: Millbrook Press TM ISBN: 1728476259 Category : Juvenile Nonfiction Languages : en Pages : 44
Book Description
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! A visually stunning look at innovative and eye-popping measures used to protect ships during World War I. During World War I, British and American ships were painted with bold colors and crazy patterns from bow to stern. Why would anyone put such eye-catching designs on ships? Desperate to protect ships from German torpedo attacks, British lieutenant-commander Norman Wilkinson proposed what became known as dazzle. These stunning patterns and colors were meant to confuse the enemy about a ship's speed and direction. By the end of the war, more than four thousand ships had been painted with these mesmerizing designs. Author Chris Barton and illustrator Victo Ngai vividly bring to life this little-known story of how the unlikely and the improbable became just plain dazzling. "[A] conversational, compelling, and visually arresting story . . ."—starred, Publishers Weekly "Barton's lively text is matched by Ngai's engrossing artwork, which employs dazzle techniques throughout her inventive spreads."—The Bulletin of the Center for Children's Books New York Public Library Best Books for Kids Children's Book Committee at Bank Street College Best Children's Book of the Year
Author: Roy R. Behrens Publisher: ISBN: 9780971324473 Category : History Languages : en Pages : 376
Book Description
This is an anthology of twenty-seven World War I-era essays, by various authors, on ship camouflage from that time period. It focuses primarily on American and British camouflage, and especially on "dazzle camouflage," a counter-intuitive method in which brightly colored abstract shapes were applied to the ship's surface. The purpose of such camouflage was not low visibility, but to make it difficult to aim a torpedo at a distant, moving ship from a submerged submarine (U-boat), while peering through a periscope. The book includes 275 drawings, diagrams and vintage photographs, and a 40-page camouflage bibiliography, the largest ever.
Author: Roy R. Behrens Publisher: ISBN: Category : Art and camouflage Languages : en Pages : 468
Book Description
An encyclopedic sourcebook for camouflage enthusiasts in all research areas who want to explore the history and development of camouflage (artistic, biological and military) since the 19th century. Richly illustrated with historic photographs, diagrams and drawings. Includes subject timeline, bibliography and index.
Author: Jamie Sharpe Publisher: ECW Press ISBN: 1773050087 Category : Poetry Languages : en Pages : 80
Book Description
Poems that challenge the depths of perception Dazzle camouflage, at the beginning of the 20th century, was an attempt to answer the question, How do we hide those things that are too big to hide? Ships, often containing thousands of soldiers, were done up in a confusing array of lines to perplex and distort the viewer’s perspective (in this case, German submarines). “Razzle dazzle” was art attempting to hide life. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Jamie Sharpe’s Dazzle Ships is also concerned with art’s relationship to life. It questions how we build poems from the material of mass culture. And in asking whether authentic modes of expression can be found in an increasingly automated world, Sharpe creates a poetry that is at once as disturbing as it is hilarious and as deeply profound as it is subtle.
Author: Chris Bowman Publisher: Bellwether Media ISBN: 1612118658 Category : Juvenile Nonfiction Languages : en Pages : 24
Book Description
Measuring 1,300 feet long, the worldÕs biggest ships are more than 300 feet longer than the famed Titanic! These shipping vessels are so big their loads of containers, stacked on end, would reach 29 miles into the skyÑnear the edge of space! Learn more about these monster boats in this title for young learners.
Author: Lynn Margulis Publisher: Chelsea Green Publishing ISBN: 1603581367 Category : Science Languages : en Pages : 282
Book Description
At the crossroads of philosophy and science, the sometimes-dry topics of evolution and ecology come alive in this new collection of essays--many never before anthologized. Learn how technology may be a sort of second nature, how the systemic human fungus Candida albicans can lead to cravings for carrot cake and beer, how the presence of life may be why there's water on Earth, and many other fascinating facts. The essay "Metametazoa" presents perspectives on biology in a philosophical context, demonstrating how the intellectual librarian, pornographer, and political agitator Georges Bataille was influenced by Russian mineralogist Vladimir Vernadsky and how this led to his notion of the absence of meaning in the face of the sun--which later influenced Jacques Derrida, thereby establishing a causal chain of influence from the hard sciences to topics as abstract as deconstruction and post-modernism. In "Spirochetes Awake" the bizarre connection between syphilis and genius in the life of Friedrich Nietzsche is traced. The astonishing similarities of the Acquired-Immune-Deficiency-Syndrome symptoms with those of chronic spirochete infection, it is argued, contrast sharply with the lack of evidence that "HIV is the cause of AIDS". Throughout these readings we are dazzled by the intimacy and necessity of relationships between us and our other planetmates. In our ignorance as "civilized" people we dismiss, disdain, and deny our kinship with the only productive life forms that sustain this living planet.
Author: Eileen A. Joy Publisher: punctum books ISBN: 1947447084 Category : Art Languages : en Pages : 85
Book Description
Christina McPhee's 'commonplace book' draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art - all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her 'open-work' practice. Christina McPhee's images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This 'commonplace book' develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and 'post-natural' community. The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward. "McPhee's drawing, extended to and infiltrated with digital video, seems to outline a different and stranger project: that of creating as yet unknown material composites by aligning the rapid time-processing of our nervous systems with the emergent natures at actual sites of energy production or extraction." Ina Blom Christina McPhee's work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. She lives and works in California, and you can see more of her work at: http: //www.christinamcphee.net/.
Author: Chris Barton
Author: Chris Barton
Author: Roy R. Behrens
Author: Roy R. Behrens
Author: Masha D'yans
Author: Glyn L. Evans
Author: Jamie Sharpe
Author: Forrest Lee Mitchell
Author: Chris Bowman
Author: Lynn Margulis
Author: Eileen A. Joy