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Author: Michael Benedikt Publisher: Lumen Press ISBN: Category : Architecture Languages : en Pages : 164
Book Description
A clear-sighted look at the impact of Derrida and the deconstructionists on contemporary architecture. "A terrific piece. It is a pleasure to read, very perceptive, lucid, and well argued."--Kenneth Frampton "A fine appraisal of a great work of art. The advice here is to skip Derrida and get right to Benedikt."--ABR
Author: Michael Benedikt Publisher: Lumen Press ISBN: Category : Architecture Languages : en Pages : 164
Book Description
A clear-sighted look at the impact of Derrida and the deconstructionists on contemporary architecture. "A terrific piece. It is a pleasure to read, very perceptive, lucid, and well argued."--Kenneth Frampton "A fine appraisal of a great work of art. The advice here is to skip Derrida and get right to Benedikt."--ABR
Author: Stephen Kite Publisher: Bloomsbury Publishing ISBN: 1472588118 Category : Architecture Languages : en Pages : 360
Book Description
The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. Shadow-Makers tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious. Within a chronological framework encompassing medieval, baroque, enlightenment, sublime, picturesque, and modernist movements, a wide range of topics are explored, from Hawksmoor's London churches, Japanese temple complexes and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20th century. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built.
Author: Louis I. Kahn Publisher: ISBN: 9780300179408 Category : Art museums Languages : en Pages : 0
Book Description
Originally published in 1975 as a memorial to the Kimbell Art Museum's architect, Louis I. Kahn, Light Is the Theme provides an extended expression of the major themes articulated in his design for the museum. The text consists solely of Kahn's own words and explores his innovative use of natural light and playful employment of materials, which achieve their most refined state in the Kimbell, widely regarded as the architect's crowning achievement and admired as one of the greatest museum buildings of the 20th century. Marking the 40th anniversary of the Kimbell Art Museum, this is the first time this classic book, updated with a new bibliography and a foreword by director Eric M. Lee, has been available outside of the museum. Distributed for the Kimbell Art Museum
Author: Michael Benedikt Publisher: ISBN: 9780930829056 Category : Architectural design Languages : en Pages : 0
Book Description
Michael Benedikt teaches, practices architecture, and writes in Austin, where he is a Professor of Architecture at the University of Texas. His second book, Deconstructing the Kimbell (0-930829-16-6), is also published by Lumen. "Benedikt has written a bold theoretical essay, with stirring cultural implications, that argues to restore the missing sense of reality to architecture and insists on 'the direct esthetic experience of the real.' . . . a timely manifesto. Thought-provoking and eminently quotable, it succeeds admirably in what it sets out to do: to recall architecture, and not only architecture, to those all but mute meanings so often passed over and yet inseparable from our everyday existence.--Karsten Harries "This book will still be useful when this year's round arches have all been remodeled (isn't it inevitable?) into pointed. And because it is so vividly -and thoughtfully--written, it will still be a pleasure to read."--Charles Moore "Every literate architect should take an afternoon off to read and ponder this brief and thoughtful and thoroughly engaging book. . . . Benedikt says more about some central aesthetic and philosophical issues confronting contemporary architecture than many celebrated pundits manage to squeeze into a shelfful of books. . . . He offers a straightforward account of his own struggle to understand the pleasures and responsibilities of architecture in an age when aesthetic pleasure is all but indiscernible from entertainment, and responsibility is often a cover for thoughtless conformity."--Roger Kimball, Architectural Record "Benedikt marches bravely into the philosophical thicket to find a working definition of reality. . . . In his sensibilities, he is quite transcendental, much like a Thoreau or an Emerson in a hotel lobby of potted ficus trees."--Howard Mansfield, Small Press ". . . the book of the decade in Texas architectural circles. . . "--Texas Architect
Author: Mike Christenson Publisher: Routledge ISBN: 1317751515 Category : Architecture Languages : en Pages : 211
Book Description
Beginning Design Technology introduces how design technologies work together, including tools, materials, and software, such as Adobe Photoshop, Adobe Illustrator, Autodesk AutoCAD, and others. It teaches you how to think about each design tool, whether a software program or physical modelmaking, so that you will select one for its strengths for a specific task and know when and how to combine it with other tools. Topics include working with building information, texturing digital and physical artifacts, translating information from one form or file format to another, constructing at full-scale, and making digital and physical models. Chapter Summaries, exercises, discussion questions, a glossary, an appendix of common software commands, and an annotated bibliography will help you find what you need quickly and put the information into practice.
Author: Chris Brisbin Publisher: Routledge ISBN: 1317225937 Category : Architecture Languages : en Pages : 464
Book Description
The Routledge Companion to Criticality in Art, Architecture, and Design presents an in-depth exploration of criticism and criticality in theory and practice across the disciplines of art, architecture, and design. Professional criticism is a vital part of understanding the cultural significance of designed objects and environments that we engage with on a daily basis, yet there is evidence to show that this practice is changing. This edited volume investigates how practitioners, researchers, educators, and professionals engage with, think about, and value the practice of critique. With contributions from a multi-disciplinary authorship from nine countries - the UK, USA, Australia, India, Netherlands, Switzerland, South Africa, Belgium, and Denmark - this companion provides a wide range of leading perspectives evaluating the landscape of criticality and how it is being shaped by technological and social advances. Illustrated with over 60 black and white images and structured into five sections, The Routledge Companion to Criticality in Art, Architecture, and Design is a comprehensive volume for researchers, educators, and students exploring the changing role of criticism through interdisciplinary perspectives.
Author: Michael Benedikt Publisher: ORO Applied Research + Design ISBN: 9781943532896 Category : Architecture Languages : en Pages : 312
Book Description
Architecture Beyond Experience is an interdisciplinary work in the service of one goal: the bringing about of a more relational, "posthuman" and yet humanist strain in architecture. It argues against the values that currently guide much architectural production (and the larger economy's too), which is the making, marketing, and staging of ever more arresting experiences. The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. I argue that it's time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start. I use the word relational to describe an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials. Buildings are beings. When architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection. These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called "phenomenological"). Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so. Architecture Beyond Experience provides the argument and the concepts to ultimately re-center a profession.
Author: Kay Bea Jones Publisher: Routledge ISBN: 1317048040 Category : Architecture Languages : en Pages : 370
Book Description
Franco Albini’s works of architecture and design, produced between 1930 and 1977, have enjoyed a recent revival but to date have received only sporadic scholarly attention from historians and critics of the Modern Movement. A chorus of Italian voices has sung his praises, none more eloquently than his protégé, Renzo Piano. Kay Bea Jones’ illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Albini emerged from the ideology of Rationalism to produce some of Italy’s most coherent and poetic examples of modern design. He collaborated for over 25 years with Franca Helg and at a time when professional male-female partnerships were virtually unknown. His museums and installation motifs changed the way Italians displayed historic artifacts. He composed novel suspension structures for dwellings, shops, galleries and his signature INA pavilions where levity and gravity became symbolic devices for connoting his subjects. Albini clarified the vital role of tradition in modern architecture as he experimented with domestic space. His cohort defied CIAM ideologies to re-socialize postwar housing and speculate on ways of reviving Italian cities. He explored new fabrication technologies, from the scale of furniture to wide-span steel structures, yet he never abandoned the rigors of craft and detail in favor of mass-production. Suspending Modernity follows the evolution of Albini’s most important buildings and projects, even as they reveal his apprehensive attitudes about the modern condition. Jones argues here that Albini’s masterful use of materials and architectural expression mark an epic paradigm shift in the modern period.
Author: Jacques Derrida Publisher: U of Nebraska Press ISBN: 9780803298071 Category : Literary Criticism Languages : en Pages : 324
Book Description
In the English-speaking world, Jacques Derrida’s writings have most influenced the discipline of literary studies. Yet what has emerged since the initial phase of Derrida’s influence on the study of English literature, classed under the rubric of deconstruction, has often been disowned by Derrida. What, then, can Derrida teach us about literary language, about the rhetoric of literature, and about questions concerning style, form, and structure? The Derrida Reader draws together a number of Derrida’s most interesting and idiosyncratic essays that treat literary language, the idea of the literary, and questions of poetics and poetry. The essays discuss single tropes or concepts, a figure such as metaphor, the ideas of titles and signatures, proper names, and Derrida’s thinking on such subjects as undecidability or aporia. The editor’s introduction is a demonstration in practice of how Derrida reads and how he adapts the act of reading to the text or figure in question. The introduction also outlines each essay’s main points, its usefulness for reading literary texts, and its particular area of interest. The Derrida Reader thus provides students of literature with a focused, contextualized, and readily understandable volume.
Author: Michael Benedikt
Author: Michael Benedikt
Author: Stephen Kite
Author: Louis I. Kahn
Author: Michael Benedikt
Author: Mike Christenson
Author: Chris Brisbin
Author: 
Author: Michael Benedikt
Author: Kay Bea Jones
Author: Jacques Derrida