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Author: Justine McConnell Publisher: Bloomsbury Publishing ISBN: 1474291546 Category : Literary Criticism Languages : en Pages : 209
Book Description
Throughout his career, Derek Walcott turned to the literature and cultures of ancient Greece and Rome. His book-length poem recasting the epics of Homer, Virgil and Dante in St Lucia is best-known in this regard, yet Omeros is only the pinnacle of a lengthy and lively dialogue that Walcott developed between the ancient Mediterranean and the modern Caribbean. Derek Walcott and the Creation of a Classical Caribbean explores how, in developing that discourse between ancient and modern, between Europe and the Caribbean, Walcott refuted the suggestion that to engage with literature from elsewhere was to lack originality; instead, he asserted a place for Caribbean art in a global, transhistorical canon. Drawing on Walcott's own theoretical concerns, this book explores his engagement with Graeco-Roman antiquity from three key perspectives. Firstly, that a perception of time as linear must be coupled with an understanding of it as simultaneous, thereby doing away with the oppressive power of history and confirming the 'New World' on a par with the 'Old'. Secondly, that syncretism lies at the heart of Caribbean life and art, with influences from Africa, Asia, and Europe constituting key parts of Caribbean identity alongside its indigenous cultures. Thirdly, that Caribbean literature creates the world anew without erasing the past. With these three postcolonial conceptions at the heart of his engagement with ancient Greece and Rome, Walcott revealed the reasons why classical reception has been a rich facet of Caribbean artistry.
Author: Justine McConnell Publisher: Bloomsbury Publishing ISBN: 1474291546 Category : Literary Criticism Languages : en Pages : 209
Book Description
Throughout his career, Derek Walcott turned to the literature and cultures of ancient Greece and Rome. His book-length poem recasting the epics of Homer, Virgil and Dante in St Lucia is best-known in this regard, yet Omeros is only the pinnacle of a lengthy and lively dialogue that Walcott developed between the ancient Mediterranean and the modern Caribbean. Derek Walcott and the Creation of a Classical Caribbean explores how, in developing that discourse between ancient and modern, between Europe and the Caribbean, Walcott refuted the suggestion that to engage with literature from elsewhere was to lack originality; instead, he asserted a place for Caribbean art in a global, transhistorical canon. Drawing on Walcott's own theoretical concerns, this book explores his engagement with Graeco-Roman antiquity from three key perspectives. Firstly, that a perception of time as linear must be coupled with an understanding of it as simultaneous, thereby doing away with the oppressive power of history and confirming the 'New World' on a par with the 'Old'. Secondly, that syncretism lies at the heart of Caribbean life and art, with influences from Africa, Asia, and Europe constituting key parts of Caribbean identity alongside its indigenous cultures. Thirdly, that Caribbean literature creates the world anew without erasing the past. With these three postcolonial conceptions at the heart of his engagement with ancient Greece and Rome, Walcott revealed the reasons why classical reception has been a rich facet of Caribbean artistry.
Author: Justine McConnell Publisher: Bloomsbury Publishing ISBN: 1474291538 Category : Literary Criticism Languages : en Pages : 209
Book Description
Throughout his career, Derek Walcott turned to the literature and cultures of ancient Greece and Rome. His book-length poem recasting the epics of Homer, Virgil and Dante in St Lucia is best-known in this regard, yet Omeros is only the pinnacle of a lengthy and lively dialogue that Walcott developed between the ancient Mediterranean and the modern Caribbean. Derek Walcott and the Creation of a Classical Caribbean explores how, in developing that discourse between ancient and modern, between Europe and the Caribbean, Walcott refuted the suggestion that to engage with literature from elsewhere was to lack originality; instead, he asserted a place for Caribbean art in a global, transhistorical canon. Drawing on Walcott's own theoretical concerns, this book explores his engagement with Graeco-Roman antiquity from three key perspectives. Firstly, that a perception of time as linear must be coupled with an understanding of it as simultaneous, thereby doing away with the oppressive power of history and confirming the 'New World' on a par with the 'Old'. Secondly, that syncretism lies at the heart of Caribbean life and art, with influences from Africa, Asia, and Europe constituting key parts of Caribbean identity alongside its indigenous cultures. Thirdly, that Caribbean literature creates the world anew without erasing the past. With these three postcolonial conceptions at the heart of his engagement with ancient Greece and Rome, Walcott revealed the reasons why classical reception has been a rich facet of Caribbean artistry.
Author: Rachel D. Friedman Publisher: Oxford University Press ISBN: 0192523465 Category : Literary Criticism Languages : en Pages : 352
Book Description
Derek Walcott's Encounter with Homer puts Derek Walcott's epic poem Omeros in conversation with Homer, especially the Odyssey, to show how reading them against each other changes our understanding of the poems of both poets. It explores Walcott's conscious use of the Odyssey and the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet. Walcott's ability to serve as the vessel of history for his people and their landscapes rests on his transformation into (and self-perception as) Homer's contemporary and equal. Central to the project of Omeros is thus an account of his shift from a diachronic to synchronic relationship with Homer: over the course of the poem his poetic persona, the "Poet", and Homer come to occupy the same temporality and creative space. By locating the poems of Walcott and Homer in a zone of vibrant and unexpected encounter, Rachel Friedman demonstrates how they can be seen as mutually informing texts, each made richer in the presence of the other. The argument follows two intertwined thematic threads. The first focuses on the poems' landscapes and seascapes and the ways in which Omeros reworks the Odyssey's affective geography. While the Odyssey represents the sea as a dangerous space and valorizes life on land, Walcott reverses this trajectory from sea to land, bearing witness to the painful histories carried in the St Lucian soil and relocating homecoming to the space of the Caribbean Sea, a space which accommodates diasporic histories and the imagining of fluid forms of emplacement. The second thread focuses on Walcott's poetic persona: his journey in and out of the poem and his positioning of himself as a "tribal poet" like Homer. Central to the project of Omeros is the Poet's account of the processes by which he becomes the poet who can adequately give voice to the histories of his people and the archipelago they inhabit.
Author: Derek Walcott Publisher: Farrar, Straus and Giroux ISBN: 1466880333 Category : Drama Languages : en Pages : 336
Book Description
On a Caribbean island, the morning after a full moon, Felix Hobain tears through the market in a drunken rage. Taken away to sober up in jail, all that night he is gripped by hallucinations: the impoverished hermit believes he has become a healer, walking from village to village, tending to the sick, waiting for a sign from God. In this dream, his one companion, Moustique, wants to exploit his power. Moustique decides to impersonate a prophet himself, ignoring a coffin-maker who warns him he will die and enraging the people of the island. Hobain, half-awake in his desolate jail cell, terrorized by the specter of his friend's corruption, clings to his visionary quest. He will try to transform himself; to heal Moustique, his jailer, and his jail-mates; and to be a leader for his people. Dream on Monkey Mountain was awarded the 1971 Obie Award for a Distinguished Foreign Play when it was first presented in New York, and Edith Oliver, writing in The New Yorker, called it "a masterpiece." Three of Derek's Walcott's most popular short plays are also included in this volume: Ti-Jean and His Brothers; Malcochon, or The Six in the Rain; and The Sea at Dauphin. In an expansive introductory essay, "What the Twilight Says," the playwright explains his founding of the seminal dramatic company where these works were first performed, the Trinidad Theatre Workshop. First published in 1970, Dream on Monkey Mountain and Other Plays is an essential part of Walcott's vast and important body of work.
Author: Rachel D Friedman Publisher: Oxford University Press ISBN: 0198802544 Category : Literary Criticism Languages : en Pages : 352
Book Description
Derek Walcott's Encounter with Homer puts Walcott's epic poem Omeros in conversation with Homer to show how reading them against each other changes our understanding of both. Rachel Friedman examines Walcott's use of the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet.
Author: John Thieme Publisher: Manchester University Press ISBN: 9780719042065 Category : Literary Criticism Languages : en Pages : 278
Book Description
John Thieme here provides a comprehensive study of Derek Walcott's writing from its beginnings in the 1940s to his most recent work. Walcott's poetry and drama are set against the background of various contexts and intertexts--Caribbean, European and other--that have shaped him as a writer. The book contains a broad overview of Walcott's career for students and readers coming to the work of the 1992 Nobel Laureate for the first time.
Author: Lance Callahan Publisher: Routledge ISBN: 1135884536 Category : Literary Criticism Languages : en Pages : 263
Book Description
In the Shadows of Divine Perfection provides an examination of Derek Walcott's Omeros 1990)- the St. Lucian poet's longest work, and the piece that secured his Nobel Laureate-that reveals the deep-seated bond between the root narratives of ancient Greece to the cultural products and practices of the contemporary Caribbean. This book presents the first detailed reading of Walcott's highly controversial attempt to craft a Caribbean master narrative. This book also presents an overview of the poem's ideological orientation and a far-reaching critique of current postcolonial theory. Lance Callahan engages some of the most vexing problems of authenticity by reading Walcott's work alongside ancient Greek literature and culture.
Author: Derek Walcott Publisher: Farrar, Straus and Giroux ISBN: 1466880430 Category : Poetry Languages : en Pages : 78
Book Description
The poems in this sequence of fifty-four were written to encompass one year, from summer to summer. Their principal themes are the stasis, both stultifying and provocative, of midsummer in the tropics; the pull of the sea, family, and friendship on one whose cricumstances lead to separation; the relationship of poetry to painting; and the place of a poet between two cultures. Walcott records, with his distinctive linguistic blend of soaring imagery and plainly stated facts, the experience of a mid-lief period--in reality and in memory or the imagination. As Louis Simpson wrote on the publication of Wacott's The Fortunate Traveller, "Walcott is a spellbinder. Of how many poets can it be said that their poems are compelling--not a mere stringing together of images and ideas but language that delights in itself, rhythms that seem spontaneous, scenes that are vividly there?...The poet who can write like this is a master."
Author: Derek Walcott Publisher: Farrar, Straus and Giroux ISBN: 1466880317 Category : Poetry Languages : en Pages : 120
Book Description
Derek Walcott's eighth collection of poems, The Arkansas Testament, is divided into two parts--"Here," verse evoking the poet's native Caribbean, and "Elsewhere." It opens with six poems in quatrains whose memorable, compact lines further Walcott's continuous effort to crystallize images of the Caribbean landscape and people. For several years, Derek Walcott has lived mainly in the United States. "The Arkansas Testament," one of the book's long poems, is a powerful confrontation of changing allegiances. The poem's crisis is the taking on of an extra history, one that challenges unquestioning devotion.
Author: Justine McConnell
Author: Justine McConnell
Author: Justine McConnell
Author: Rachel D. Friedman
Author: Derek Walcott
Author: Rachel D Friedman
Author: Stewart Brown
Author: John Thieme
Author: Lance Callahan
Author: Derek Walcott
Author: Derek Walcott