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Author: Tanya J. Tiffany Publisher: Penn State Press ISBN: 0271053798 Category : Art Languages : en Pages : 255
Book Description
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
Author: Tanya J. Tiffany Publisher: Penn State Press ISBN: 0271053798 Category : Art Languages : en Pages : 255
Book Description
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
Author: John Marciari Publisher: Yale University Press ISBN: 0300207867 Category : Art Languages : en Pages : 89
Book Description
"Published in conjunction with the exhibition El joven Velazquez: 'La educacion de la virgen' de Yale restaurada, organized by the mayor of the city of Seville and the Yale University Art Gallery."
Author: Laura Cumming Publisher: ISBN: 9780701188443 Category : Biography Languages : en Pages : 0
Book Description
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before
Author: Kevin Ingram Publisher: Springer ISBN: 3319932365 Category : History Languages : en Pages : 370
Book Description
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
Author: Agnes Lugo-Ortiz Publisher: Cambridge University Press ISBN: 1107354781 Category : History Languages : en Pages :
Book Description
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Author: Suzanne L. Stratton-Pruitt Publisher: Cambridge University Press ISBN: 9780521660464 Category : Art Languages : en Pages : 256
Book Description
The Cambridge Companion to Velázquez offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe. With contributions from art historians and those working in other disciplines, this book offers fresh approaches to the vast literature on this artist. The essays also guide the reader to an understanding of Velázquez's work--his training in his native Seville, reflections in his oeuvre of artistic currents from outside Spain, and how Velázquez's religious paintings may be understood within the religious context of Counter-Reformation Spain.
Author: Jonathan Brown Publisher: LearnVerbs.com ISBN: Category : Art Languages : en Pages : 452
Book Description
This book is a collection of 32 articles about Velázquez which appeared in scholarly journals, exhibition catalogues and newspapers and magazines between 1964 and 2006. Several are published in English for the first time. The text is the record of a lifelong engagement with the life and works of this enigmatic artist and evaluates many of the numerous attempts to solve the mysteries presented by the Spaniard’s paintings. These questions are considered in the final essay, Velázquez, today and tomorrow’, which is published here for the first time.Two themes unite the essays. Velázquez was the court painter to Philip IV, and the changing relationship between painter and patron provides the framework for interpreting the artist’s career. The centerpiece of this relationship is Velázquez’s Las Meninas, which is the subject of two long articles, the now-classic On the Meaning of Las Meninas’ (1978) and Las Meninas as a masterpiece’ (1999). The second theme is the problem of attributions and the related question of Velázquez’s innovative technique. Velázquez was not a prolific painter. As the supply of securely-attributed works is now mostly in museums, and as the price of great pictures continues to reach new heights, questions of authenticity become increasingly contentious. In this book, Brown considers the problem in its widest dimensions and participates in the debate about individual attributions.Jonathan Brown is regarded as a leading specialist on Spanish painting of the Golden Age and on the Spanish master Diego Velázquez. Among his many books are Velázquez, Painter and Courtier (1986) and Velázquez. The Technique of Genius (1998), with Carmen Garrido. His studies of art at the European courts include A Palace for a King. The Buen Retiro and the Court of Philip IV, with John H. Elliott (rev. ed. 2003). Brown is Carroll and Milton Petrie Professor of Fine Arts, Institute of Fine Arts, New York University.
Author: Tanya J. Tiffany
Author: Tanya J. Tiffany
Author: John Marciari
Author: Laura Cumming
Author: Juan Facundo Riaño
Author: Kevin Ingram
Author: Agnes Lugo-Ortiz
Author: Suzanne L. Stratton-Pruitt
Author: Diego Velázquez
Author: Jonathan Brown
Author: Brandon Ruud