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Author: Petru Golban Publisher: Transnational Press London ISBN: 1912997940 Category : Literary Collections Languages : en Pages : 153
Book Description
It appears that literary work possesses eternal temporal validity due to its autonomous aesthetic value, whereas criticism provides points of view having temporary and transitory significance. Despite such claims, the vector of methodology in our series of books, dealing with the history of English literature, relies on Viktor Shklovsky, T. S. Eliot, Mikhail Bakhtin, and especially Yuri Tynyanov, whose main reasoning would be that literature is a system of dominant, central and peripheral, marginalized elements – to us, “tradition” (centre) versus “innovation” (margin) engaged in a “battle” for supremacy, demarginalization, and the right to form a new literary system – and the development or historical advancement of literature is the substitution of systems. Roman Jakobson and French structuralism, on the whole, later Linda Hutcheon, with her “system” and “constant”, and Bran Nicol with the “dominant”, to say nothing about Itamar Even-Zohar and his theory of polysystem, to a certain extent Julia Kristeva, and even Homi Bhabha – as well as our humble contribution, by means of the books in the present series, we would like to believe – maintain Tynyanov’s line of thinking and concepts alive, which have developed and emerged nowadays more like a kind of “neo-formalism”.
Author: Petru Golban Publisher: Transnational Press London ISBN: 1912997940 Category : Literary Collections Languages : en Pages : 153
Book Description
It appears that literary work possesses eternal temporal validity due to its autonomous aesthetic value, whereas criticism provides points of view having temporary and transitory significance. Despite such claims, the vector of methodology in our series of books, dealing with the history of English literature, relies on Viktor Shklovsky, T. S. Eliot, Mikhail Bakhtin, and especially Yuri Tynyanov, whose main reasoning would be that literature is a system of dominant, central and peripheral, marginalized elements – to us, “tradition” (centre) versus “innovation” (margin) engaged in a “battle” for supremacy, demarginalization, and the right to form a new literary system – and the development or historical advancement of literature is the substitution of systems. Roman Jakobson and French structuralism, on the whole, later Linda Hutcheon, with her “system” and “constant”, and Bran Nicol with the “dominant”, to say nothing about Itamar Even-Zohar and his theory of polysystem, to a certain extent Julia Kristeva, and even Homi Bhabha – as well as our humble contribution, by means of the books in the present series, we would like to believe – maintain Tynyanov’s line of thinking and concepts alive, which have developed and emerged nowadays more like a kind of “neo-formalism”.
Author: J. E. Luebering Manager and Senior Editor, Literature Publisher: The Rosen Publishing Group, Inc ISBN: 1615301100 Category : Juvenile Nonfiction Languages : en Pages : 267
Book Description
Details the evolution of literature during a period representing a staggering amount of change, moving from one-dimensional action stories and religious lessons to stories with subtleties of plot and character development.
Author: Robert D. Fulk Publisher: John Wiley & Sons ISBN: 0470692839 Category : Literary Criticism Languages : en Pages : 360
Book Description
This timely introduction to Old English literature focuses on the production and reception of Old English texts, and on their relation to Anglo-Saxon history and culture. Introduces Old English texts and considers their relation to Anglo-Saxon culture. Responds to renewed emphasis on historical and cultural contexts in the field of medieval studies. Treats virtually the entire range of textual types preserved in Old English. Considers the production, reception and uses of Old English texts. Integrates the Anglo-Latin backgrounds crucial to understanding Old English literature. Offers very extensive bibliographical guidance. Demonstrates that Anglo-Saxon studies is uniquely placed to contribute to current literary debates.
Author: R. M. Wilson Publisher: Routledge ISBN: 0429536933 Category : Literary Criticism Languages : en Pages : 229
Book Description
Originally published in 1939, Early Middle English Literature is a comprehensive overview of various aspects of early Middle English literature. The book examines authorship and provenance and the effect this had upon the literature of the period. This text examines literature from the period of 1066 to 1300 and addresses the transition between Old and Middle English and looks at the effect the transition of language during this period from Anglo-French to English, had on the literature of the time.
Author: Stanley B. Greenfield Publisher: NYU Press ISBN: 0814732623 Category : Literary Criticism Languages : en Pages : 388
Book Description
Anglo-Saxon prose and poetry is, without question, the major literary achievement of the early Middle Ages (c. 700-1100). In no other vernacular language does such a vast store of verbal treasures exist for so extended a period of time. For twenty years the definitive guide to that literature has been Stanley B. Greenfield's 1965 Critical History of Old English Literature. Now this classic has been extensively revised and updated to make it more valuable than ever to both the student and scholar.
Author: Malcolm Godden Publisher: Cambridge University Press ISBN: 110746921X Category : Literary Criticism Languages : en Pages : 376
Book Description
This Companion has been thoroughly revised to take account of recent scholarship and to provide a clear and accessible introduction for those encountering Old English literature for the first time. Including seventeen essays by distinguished scholars, this new edition provides a discussion of the literature of the period 600 to 1066 in the context of how Anglo-Saxon society functioned. New chapters cover topics including preaching and teaching, Beowulf and literacy, and a further five chapters have been revised and updated, including those on the Old English language, perceptions of eternity and Anglo-Saxon learning. An additional concluding chapter on Old English after 1066 offers an overview of the study and cultural influences of Old English literature to the present day. Finally, the further reading list has been overhauled to incorporate the most up-to-date scholarship in the field and the latest electronic resources for students.
Author: David Wallace Publisher: Cambridge University Press ISBN: 9780521890465 Category : Literary Criticism Languages : en Pages : 1060
Book Description
This is the first full-scale history of medieval English literature for nearly a century. Thirty-three distinguished contributors offer a collaborative account of literature composed or transmitted in England, Wales, Ireland and Scotland between the Norman conquest and the death of Henry VIII in 1547. The volume has five sections: After the Norman Conquest ; Writing in the British Isles ; Institutional Productions ; After the Black Death and Before the Reformation . It provides information on a vast range of literary texts and the conditions of their production and reception, which will serve both specialists and general readers, and also contains a chronology, full bibliography and a detailed index. This book offers the most extensive and vibrant account available of the medieval literatures so drastically reconfigured in Tudor England. It will thus prove essential reading for scholars of the Renaissance as well as medievalists, and for historians as well as literary specialists.
Author: Jennifer Jahner Publisher: Cambridge University Press ISBN: 1316732207 Category : Literary Criticism Languages : en Pages : 689
Book Description
History writing in the Middle Ages did not belong to any particular genre, language or class of texts. Its remit was wide, embracing the events of antiquity; the deeds of saints, rulers and abbots; archival practices; and contemporary reportage. This volume addresses the challenges presented by medieval historiography by using the diverse methodologies of medieval studies: legal and literary history, art history, religious studies, codicology, the history of the emotions, gender studies and critical race theory. Spanning one thousand years of historiography in England, Wales, Ireland and Scotland, the essays map historical thinking across literary genres and expose the rich veins of national mythmaking tapped into by medieval writers. Additionally, they attend to the ways in which medieval histories crossed linguistic and geographical borders. Together, they trace multiple temporalities and productive anachronisms that fuelled some of the most innovative medieval writing.
Author: Petru Golban Publisher: Transnational Press London ISBN: 1801350884 Category : Literary Criticism Languages : en Pages : 202
Book Description
The present book is third in a series of works which aim to expose the complexity and essence, power and extent of the major periods, movements, trends, genres, authors, and literary texts in the history of English literature. Following this aim, the series will consist of monographs which cover the most important ages and experiences of English literary history, including Anglo-Saxon or Old English period, the Middle Ages, the Renaissance, the Restoration, neoclassicism, romanticism, Victorian Age, and the twentieth-century and contemporary literary backgrounds. The reader of these volumes will acquire the knowledge of literary terminology along with the theoretical and critical perspectives on certain texts and textual typology belonging to different periods, movements, trends, and genres. The reader will also learn about the characteristics and conventions of these literary periods and movements, trends and genres, main writers and major works, and the literary interaction and continuity of the given periods. Apart from an important amount of reference to literary practice, some chapters on these periods include information on their philosophy, criticism, worldview, values, or episteme, in the Foucauldian sense, which means that even though the condition of the creative writing remains as the main concern, it is balanced by a focus on the condition of thought as well as theoretical and critical writing during a particular period. Preface Introduction: Approaching Literary Practice and Studying British Literature in History Preliminaries: Learning Literary Heritage through Critical Tradition or Back to Tynyanov Genre Theory for Poetry The Intellectual Background 1.1 The Period and Its Historical, Social and Cultural Implications 1.2 The Philosophical Advancement of Modernity 1.2.1 Francis Bacon and the “New Method” 1.2.2 The Advancement of Classicism: French Contribution 1.2.3 The Social and Political Philosophy: Thomas Hobbes and Leviathan 1.2.4 Rationalists and Empiricists 1.3 The Idea of Literature as a Critical Concern in the Seventeenth Century 1.3.1 The English “Battle of the Books” or “La Querelle des Anciens et des Modernes” in the European Context 1.3.2 Restoration, John Dryden and Prescribing Neoclassicism The Literary Background 2.1 The British Seventeenth Century and Its Literary Practice 2.2 Metaphysical Poetry, Its Alternatives and Aftermath 2.3 The Puritan Period and Its Literary Expression 2.4 The Restoration Period and Its Literature 2.5 The Picaresque Tradition in European and English Literature Major Literary Voices 3.1 The Metaphysical Poets I: John Donne 3.2 The Metaphysical Poets II: George Herbert 3.3 The Metaphysical Poets III: Andrew Marvell 3.4 John Milton: The Voice of the Century 3.4.1 L’Allegro and Il Penseroso 3.4.2 Lycidas and Sonnets 3.4.3 Paradise Lost and the Epic of Puritanism 3.5 John Dryden and His Critical Theory and Literary Practice Conclusion: The Literature of a Turbulent Age References and Suggestions for Further Reading Index
Author: Clare A. Lees Publisher: ISBN: 9781316170809 Category : English literature Languages : en Pages : 789
Book Description
"Informed by multicultural, multidisciplinary perspectives, The Cambridge History of Early Medieval English Literature offers a new exploration of the earliest writing in Britain and Ireland, from the end of the Roman Empire to the mid-twelfth century. Beginning with an account of writing itself, as well as of scripts and manuscript art, subsequent chapters examine the earliest texts from England, Ireland, Scotland and Wales, and the tremendous breadth of Anglo-Latin literature. Chapters on English learning and literature in the ninth century and the later formation of English poetry and prose also convey the profound cultural confidence of the period. Providing a discussion of essential texts, including Beowulf and the writings of Bede, this History captures the sheer inventiveness and vitality of early medieval literary culture through topics as diverse as the literature of English law, liturgical and devotional writing, the workings of science and the history of women's writing"--Publisher's description.
Author: Petru Golban
Author: Petru Golban
Author: J. E. Luebering Manager and Senior Editor, Literature
Author: Robert D. Fulk
Author: R. M. Wilson
Author: Stanley B. Greenfield
Author: Malcolm Godden
Author: David Wallace
Author: Jennifer Jahner
Author: Petru Golban
Author: Clare A. Lees