European Art and the Wider World 1350–1550 PDF Download

Author: Kathleen Christian
Publisher: Manchester University Press
ISBN: 152612291X
Category : Art
Languages : en
Pages : 438

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Book Description
Focuses on issues of assimilation, translation and misunderstanding as art objects moved between cultures, either literally or imaginatively, and considers how visual culture expresses the increasing contact between Europe and the rest of the world in this era.

Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040

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Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

Author: Emma Barker
Publisher: Art and its Global Histories
ISBN: 9781526122926
Category : Architecture
Languages : en
Pages : 200

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Book Description
Art, Commerce and Colonialism 1600-1800 examines European art, architecture and design of the seventeenth and eighteenth centuries in the light of the continent's growing engagement with the rest of the world. In a series of case studies spanning the globe from Asia to the Americas, it shows how the expansion of intercontinental trade and the proliferation of colonial ventures gave rise to new and diverse forms of visual and material culture. Among the examples discussed are ornate altarpieces in the cathedrals of colonial Latin America, Dutch still-life paintings of exotic luxury imports, English interior decoration in the Chinoiserie style and the architecture of plantation houses in North America and the Caribbean. Drawing on a wide range of recent scholarship, the book proposes a new history of European art 1600-1800, which should appeal to undergraduate students as well as to a general readership

Author: Diana Newall
Publisher: Manchester University Press
ISBN: 1526119935
Category : Art
Languages : en
Pages : 347

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Book Description
The reader Art and its global histories represents an invaluable teaching tool, offering content ranging from academic essays and excerpts, new translations, interviews with curators and artists, to art criticism. The introduction sets out the state of art history today as it undergoes the profound shift of a 'global turn'. Particular focus is given to British India, which represents a shift from the usual attention paid to Orientalism and French art in this period. The sources and debates on this topic have never before been brought together in a satisfactory way and this book will represent a particularly significant and valuable contribution for postgraduate and undergraduate art history teaching.

Author: Jeremy Howard
Publisher: Oxford University Press, USA
ISBN: 9780192842244
Category : Art
Languages : en
Pages : 0

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Book Description
Written by leading scholars at the forefront of new thinking, many of whom are rising stars in their fields, the Oxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. This groundbreaking series makes use of new research and methodologies, as well as newly accessible and non-canonical works, to offer comprehensive coverage of the art world. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art. The latest addition to the series is a pioneering overview of the visual cultures of Eastern Europe in the modern age. Here, art historian Jeremy Howard challenges traditional definitions of what constitutes "European" art and embraces the whole spectrum of art creation, including painting, sculpture, architecture, the applied arts, photography, and performance. Avoiding conventional art historical divisions, Howard focuses on the many hidden relationships between the different art forms and artistic cultures that flourished in the vast region known as Eastern Europe, and how these cultures inter-related with the wider world. In addition to the rise and fall of the two great art academies in Vienna and St. Petersburg, Howard examines the blending of migratory and sedentary cultures in the region, the role of women, and the political manipulation of the image. He brings to the fore many overlooked artists and concentrates on neglected elements of work by better-known figures. Throughout, he reveals how the Habsburg, Romanov, and Ottoman empires vied with one another through art and how individuals and nations strove to maintain and realize their voice through visual language. Bringing light to a woefully neglected subject, Howard has produced a work that will prove essential reading for lovers of art history and Eastern European culture.

Author: Geraldine Heng
Publisher: Modern Language Association
ISBN: 1603295194
Category : Language Arts & Disciplines
Languages : en
Pages : 263

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Book Description
While globalization is a modern phenomenon, premodern people were also interconnected in early forms of globalism, sharing merchandise, technology, languages, and stories over long distances. Looking across civilizations, this volume takes a broad view of the Middle Ages in order to foster new habits of thinking and develop a multilayered, critical sense of the past. The essays in this volume reach across disciplinary lines to bring insights from music, theater, religion, ecology, museums, and the history of disease into the literature classroom. The contributors provide guidance on texts such as the Thousand and One Nights, Sunjata, Benjamin of Tudela's Book of Travels, and the Malay Annals and on topics such as hotels, maps, and camels. They propose syllabus recommendations, present numerous digital resources, and offer engaging class activities and discussion questions. Ultimately, they provide tools that will help students evaluate popular representations of the Middle Ages and engage with the dynamics of past, present, and future world relationships.

Author:
Publisher: BRILL
ISBN: 9004513930
Category : Art
Languages : en
Pages : 277

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Book Description
This book presents case studies of collectors, patrons, and agents whose activities redefined collecting and the art market during a period when the status of the artist, rise of connoisseurship, and patterns of consumption established new models for collecting and display.

Author: Florian Dobmeier
Publisher: Cambridge Scholars Publishing
ISBN: 1527544680
Category : Art
Languages : en
Pages : 220

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Book Description
To celebrate the first ten years of the international forum Collecting and Display, as well as the launch of a dedicated series of publications “Collecting Histories”, in 2014, a conference dedicated to new directions in terms of collecting, display, visitor experience and the use of modern media in today’s museums was held at museums of the city of Memmingen in Bavaria. Speakers looked into whether and how the engagement with the history of collections, in their diverse permutations, has influenced and modified modern museology. This volume looks forward towards a future which oftentimes looks bleak due to funding cuts, lack of appreciation of cultural history and a sometimes dubious art trade in times of looting and vandalism. On the positive side, the future of museums and museology nonetheless offers exciting prospects as far as diverse possibilities of display, as well as museology courses taught at universities worldwide, are concerned; not to forget the rising visitor numbers at many of the great museums worldwide. Collecting and Display (www.collectinganddisplay.com) is an international forum founded by three scholars in 2004. The group has been running a research seminar at the Institute of Historical Research at the University of London since 2005 and in Florence from 2008 to 2012. The forum has organised international summer conferences in London, Ottobeuren, Florence, Irsee and Jerusalem since 2006.

Author: Emma Barker
Publisher: Manchester University Press
ISBN: 1526122936
Category : Art
Languages : en
Pages : 471

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Book Description
The book re-examines the field of Renaissance art history by exploring the art of this era in the light of global connections. It considers the movement of objects, ideas and technologies and its significance for European art and material culture, analysing images through the lens of cultural encounter and conflict.

Author: Kathleen Christian
Publisher: Manchester University Press
ISBN: 152613103X
Category : History
Languages : en
Pages : 538

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Book Description
This collection investigates the wide array of local antiquarian practices that developed across Europe in the early modern era. Breaking new ground, it explores local concepts of antiquity in a period that has been defined as a uniform 'Renaissance'. Contributors take a novel approach to the revival of the antique in different parts of Italy, as well as examining other, less widely studied antiquarian traditions in France, the Netherlands, Spain, Portugal, Britain and Poland. They consider how real or fictive ruins, inscriptions and literary works were used to demonstrate a particular idea of local origins, to rewrite history or to vaunt civic pride. In doing so, they tackle such varied subjects as municipal antiquities collections in Southern Italy and France, the antiquarian response to the pagan, Christian and Islamic past on the Iberian Peninsula, and Netherlandish interest in megalithic ruins thought to be traces of a prehistoric race of Giants.