Author: Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1208
Book Description
Exhibitors Daily Review
Author: Exhibitors Daily Review
Author: Exhibitors Daily Review
Author: Moving Picture Review & Theatre Management
Author: Publisher:
ISBN:
Category : Motion picture theaters
Languages : en
Pages : 824
Book Description
Hollywood on the Hudson
Author: Richard KoszarskiPublisher: Rutgers University Press
ISBN: 9780813542935
Category : Motion picture industry
Languages : en
Pages : 592
Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
The Fox Film Corporation, 1915äóñ1935
Author: Aubrey SolomonPublisher: McFarland
ISBN: 0786486104
Category : Performing Arts
Languages : en
Pages : 390
Book Description
In 1929, Hollywood mogul William Fox (1879–1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck’s flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox’s biggest successes and failures, and a detailed filmogaphy of the studio’s 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.
Ink-Stained Hollywood
Author: Eric HoytPublisher: Univ of California Press
ISBN: 0520383702
Category : Performing Arts
Languages : en
Pages : 280
Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.
The Film Daily Year Book
Author: Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 1020
Book Description
Becoming Nick and Nora
Author: Rob KozlowskiPublisher: Rowman & Littlefield
ISBN: 1493062867
Category : Performing Arts
Languages : en
Pages : 253
Book Description
As Nick and Nora Charles in the six Thin Man movies from 1934 to 1947, the team of William Powell and Myrna Loy showed that marriage didn’t have to mean the end of the romantic comedy. From the comedic delight that was the initial The Thin Man through its five sequels as well as eight other films (including the Oscar-winning The Great Ziegfeld and Manhattan Melodrama), Powell and Loy were cemented in the public imagination as Hollywood’s happiest married couple. In Becoming Nick and Nora, comedy writer and Hollywood historian Rob Kozlowski follows the winding path that Powell and Loy’s screen personas took over their careers. Studios originally cultivated the two as villains in the silent era: Powell as a mustachioed, swashbuckling fiend and Loy as an “exotic” adversary. With the rise of talkies, the two managed to broaden their range beyond villainous stereotypes, but it took several false starts before they achieved their lasting legacy as Nick and Nora. Packed with behind-the-scenes details and memorable characters, this is a lively look at two tinseltown icons and a film series that remains beloved nearly a century later.
A Van Beuren Production
Author: Hal EricksonPublisher: McFarland
ISBN: 147664098X
Category : Performing Arts
Languages : en
Pages : 252
Book Description
Prolific American film producer Amedee J. Van Beuren (1879-1938) did not start out in the film industry. After a decade spent in business and advertising, Van Beuren turned his intellect and creativity towards acquiring a foothold in film and began building his empire. He is best known to animation fans for his bizarre cartoons of the 1920s and 1930s, featuring such zanies as Molly Moo Cow, Cubby Bear and Tom and Jerry (not the cat-and-mouse duo). But the majority of the 1,499 films produced by Van Beuren between 1918 and 1937 were live-action short subjects--travelogues, comedies, musicals, sports reels and more. His roster of star performers included Bert Lahr, Shemp Howard, Ethel Waters and (indirectly) Charlie Chaplin. Van Beuren also made several feature films starring legendary big-game hunter Frank Buck, and a 12-episode serial headlining horror icon Lon Chaney, Jr. Capped by a complete list of his films, this engrossing chronicle of Amedee Van Beuren's vast output is the first all-inclusive history of one of moviedom's most successful and least-known filmmakers.