Folk Pop Songs PDF Download

Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1540036391
Category : Music
Languages : en
Pages : 251

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Book Description
(Easy Guitar). 40 of the most memorable songs of the folk pop genre arranged for beginning guitar with notes and tablature. Includes: American Pie (Don McLean) * Big Yellow Taxi (Joni Mitchell) * Cat's in the Cradle (Harry Chapin) * Fire and Rain (James Taylor) * Hallelujah (Jeff Buckley) * Mr. Tambourine Man (Bob Dylan) * Puff the Magic Dragon (Peter, Paul & Mary) * The Sound of Silence (Simon & Garfunkel) * This Land Is Your Land (Woody Guthrie) * We Shall Overcome (Joan Baez) * Yesterday (The Beatles) * and more.

Author:
Publisher:
ISBN: 9781476874357
Category : Music
Languages : en
Pages : 0

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Book Description
Sixty-two of the most requested folk/pop songs.

Author: Howard Wallach
Publisher: Alfred Music Publishing
ISBN: 9781929395569
Category : Music
Languages : en
Pages : 52

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Book Description
A wonderful collection of 20 popular, beautiful and fun-to-play songs for beginning to intermediate guitar students. The melody, an easy strumming pattern, chord diagrams and complete lyrics are provided with each song, so students can choose to either play the melody or strum to accompany themselves as they sing. Large-sized music, TAB and diagrams make the songs easy to read, even for beginners. The 48-page book also contains a review of music reading, tablature and chord diagrams. This handy songbook is the perfect tool for guitar teachers seeking fun musical activities to keep their students happy and involved with music making.

Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386

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Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.

Author: Public Domain
Publisher: La Montagne secrète
ISBN: 2925108148
Category : Juvenile Fiction
Languages : en
Pages : 39

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Book Description
Striking illustrations, rich in color and texture offer an original interpretation of this popular traditional children’s folk song recorded by the exceptionally gifted musicians. The illustrated lyrics are followed by a recording of the featured song.

Author: Bergerac
Publisher: Courier Corporation
ISBN: 9780486288857
Category : Music
Languages : en
Pages : 52

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Book Description
Expert settings of 25 American folk classics by a well-known composer and arranger for young pianists. Includes "Amazing Grace," "Aura Lee," "Blue Tail Fly," "The Gift to Be Simple," "Go Down Moses," "Pop Goes the Weasel," "Shortnin' Bread," and "Sweet Betsy from Pike."

Author: Hal Leonard Corp.
Publisher: Hal Leonard
ISBN: 1705105645
Category : Music
Languages : en
Pages : 586

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Book Description
(Piano/Vocal/Guitar Songbook). 40 of the hottest country hits from the decade in arrangements for piano, voice and guitar. Songs include: American Honey (Lady Antebellum) * Blue Ain't Your Color (Keith Urban) * Broken Halos (Chris Stapleton) * Cruise (Florida Georgia Line) * Drinkin' Problem (Midland) * Homesick (Kane Brown) * If I Die Young (The Band Perry) * Marry Me (Thomas Rhett) * Ridin' Roads (Dustin Lynch) * Stuck like Glue (Sugarland) * Tin Man (Miranda Lambert) * Wanted (Hunter Hayes) * Yours (Russell Dickerson) * and more.

Author: Steve Roud
Publisher: Faber & Faber
ISBN: 0571309739
Category : Music
Languages : en
Pages : 612

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Book Description
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.

Author: Britta Sweers
Publisher: Oxford University Press
ISBN: 0198038984
Category : Music
Languages : en
Pages : 352

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Book Description
In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today. In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries. Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.

Author: Stephen Petrus
Publisher: Oxford University Press, USA
ISBN: 0190231025
Category : Music
Languages : en
Pages : 321

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Book Description
"'Folk City: New York and the American Folk Music Revival' was published to accompany the exhibition of the same name presented at the Museum of the City of New York from June 17-November 29, 2015."--Page 6.