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Author: Ian Rae Publisher: McGill-Queen's Press - MQUP ISBN: 0773574921 Category : Literary Criticism Languages : en Pages : 399
Book Description
"From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rogers argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels." "Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A. M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors' shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, and film. He argues convincingly that the authors discussed have combined disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society." --Résumé de l'éditeur.
Author: Ian Rae Publisher: McGill-Queen's Press - MQUP ISBN: 0773574921 Category : Literary Criticism Languages : en Pages : 399
Book Description
"From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rogers argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels." "Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A. M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors' shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, and film. He argues convincingly that the authors discussed have combined disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society." --Résumé de l'éditeur.
Author: Laura Jansen Publisher: Bloomsbury Publishing ISBN: 1350174777 Category : Literary Collections Languages : en Pages : 321
Book Description
From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically-oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a multi-praxis, cross-disciplinary perspective, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. Anne Carson/Antiquity collects twenty essays by poets, translators, artists, practitioners and scholars. It offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past.
Author: Allen Carson Cohen Publisher: CRC Press ISBN: 0203488695 Category : Medical Languages : en Pages : 343
Book Description
Many of the advances in entomology during the past century can be attributed to the ability to rear insects successfully on artificial diets. Reliance upon these diets dictates that we understand how and why diets work and why they fail. Insect Diets: Science and Technology explains the intricacies and dynamics of this complex and misunderstood asp
Author: Tanis MacDonald Publisher: Wilfrid Laurier Univ. Press ISBN: 1554584019 Category : Literary Criticism Languages : en Pages : 350
Book Description
The Daughter’s Way investigates negotiations of female subjectivity in twentieth-century Canadian women’s elegies with a special emphasis on the father’s death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Mouré as elegiac daughteronomies—literary artifacts of mourning that grow from the poets’ investigation into the function and limitations of elegiac convention. Some poets treat the father as a metaphor for socio-political power, while others explore more personal iterations of loss, but all the poets in The Daughter’s Way seek to redefine daughterly duty in a contemporary context by challenging elegiac tradition through questions of genre and gender. Beginning with psychoanalytical theories of filiation, inheritance, and mourning as they are complicated by feminist challenges to theories of kinship and citizenship, The Daughter’s Way debates the efficacy of the literary “work of mourning” in twentieth-century Canadian poetry. By investigating the way a daughter’s filial piety performs and sometimes reconfigures such work, and situating melancholia as a creative force in women’s elegies, the book considers how elegies inquire into the rhetoric of mourning as it is complicated by father-daughter kinship.
Author: Thomas Allen Publisher: Wilfrid Laurier Univ. Press ISBN: 1771120150 Category : Literary Criticism Languages : en Pages : 358
Book Description
Material Cultures in Canada presents the vibrant and diverse field of material culture studies in Canadian literary, artistic, and political contexts today. The first of its kind, this collection features sixteen essays by leading scholars in Canada, each of whom examines a different object of study, including the beaver, geraniums, comics, water, a musical playlist, and the human body. The book’s three sections focus, in turn, on objects that are persistently material, on things whose materiality blends into the immaterial, and on the materials of spaces. Contributors highlight some of the most exciting new developments in the field, such as the emergence of “new materialism,” affect theory, globalization studies, and environmental criticism. Although the book has a Canadian centre, the majority of its contributors consider objects that cross borders or otherwise resist national affiliation. This collection will be valuable to readers within and outside of Canada who are interested in material culture studies and, in addition, will appeal to anyone interested in the central debates taking place in Canadian political and cultural life today, such as climate change, citizenship, shifts in urban and small-town life, and the persistence of imperialism.
Author: Mary V. Dearborn Publisher: Knopf ISBN: 0525521011 Category : Biography & Autobiography Languages : en Pages : 497
Book Description
The first major biography in more than twenty years of one of America’s greatest writers, based on newly available letters and journals V. S. Pritchett called her “a genius.” Gore Vidal described her as a “beloved novelist of singular brilliance . . . Of all the Southern writers, she is the most apt to endure . . .” And Tennessee Williams said, “The only real writer the South ever turned out, was Carson.” She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she’d been writing since she was sixteen and the influence of music was evident throughout her work. As a child, she said she’d been “born a man.” At twenty, she married Reeves McCullers, a fellow southerner, ex-soldier, and aspiring writer (“He was the best-looking man I had ever seen”). They had a fraught, tumultuous marriage lasting twelve years and ending with his suicide in 1953. Reeves was devoted to her and to her writing, and he envied her talent; she yearned for attention, mostly from women who admired her but rebuffed her sexually. Her first novel—The Heart Is a Lonely Hunter—was published in 1940, when she was twenty-three, and overnight, Carson McCullers became the most widely talked about writer of the time. While McCullers’s literary stature continues to endure, her private life has remained enigmatic and largely unexamined. Now, with unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood—and captured—the heart and longing of the outcast.
Author: Calum Gardner Publisher: Poetry and Lup ISBN: 1786941368 Category : Literary Criticism Languages : en Pages : 232
Book Description
What kinds of pleasure do we take from writing and reading? What authority has the writer over a text? What are the limits of language's ability to communicate ideas and emotions? Moreover, what are the political limitations of these questions? The work of the French cultural critic and theorist Roland Barthes (1915-80) poses these questions, and has become influential in doing so, but the precise nature of that influence is often taken for granted. This is nowhere more true than in poetry, where Barthes' concerns about pleasure and origin are assumed to be relevant, but this has seldom been closely examined. This innovative study traces the engagement with Barthes by poets writing in English, beginning in the early 1970s with one of Barthes' earliest Anglophone poet readers, Scottish poet-theorist Veronica Forrest-Thomson (194775). It goes on to examine the American poets who published in L=A=N=G=U=A=G=E and other small but influential journals of the period, and other writers who engaged with Barthes later, considering his writings' relevance to love and grief and their treatment in poetry. Finally, it surveys those writers who rejected Barthes' theory, and explores why this was. The first study to bring Barthes and poetry into such close contact, this important book illuminates both subjects with a deep contemplation of Barthes' work and a range of experimental poetries.
Author: Bill C. Malone Publisher: University of Texas Press ISBN: 1477315357 Category : Music Languages : en Pages : 769
Book Description
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
Author: Robert C. Fuller Publisher: Oxford University Press ISBN: 0190451394 Category : Psychology Languages : en Pages : 208
Book Description
It is now generally accepted that the structure and function of the human body deeply influence the nature of human thought. As a consequence, our religious experiences are at least partially determined by our sensory organs, emotional programs, sexual sensibilities, and the neural framework of our brains. In Spirituality in the Flesh, Robert C. Fuller investigates how studying the body can help us to answer the profoundest spiritual questions. Why is it that some religious traditions assign spiritual currency to pain? How do neurochemically driven emotions, such as fear, shape our religious actions? What is the relationship between chemically altered states of consciousness and religious innovation? Using recent biological research to illuminate religious beliefs and practices, Fuller delves into topics as diverse as apocalypticism, nature religion, Native American peyotism, and the sexual experimentalism of nineteenth-century communal societies, in every case seeking middle ground between the arguments currently emanating from scientists and humanists. He takes most scientific interpreters to task for failing to understand the inherently cultural aspects of embodied experience even as he chides most religion scholars for ignoring new knowledge about the biological substrates of human thought and behavior. Comfortable with the language of scientific analysis and sympathetic to the inherently subjective aspects of religious events, Fuller introduces the biological study of religion by joining together this era's unprecedented understanding of bodily states with an expert's knowledge of religious phenomena. Culling together insights from scientific observations, historical allusions, and literary references, Spirituality in the Flesh offers a bold look at the biological underpinnings of religion and opens up new and exciting agendas for understanding the nature and value of human religiosity.
Author: Ian Rae
Author: Ian Rae
Author: Laura Jansen
Author: United States. National Labor Relations Board
Author: Allen Carson Cohen
Author: Tanis MacDonald
Author: Thomas Allen
Author: Mary V. Dearborn
Author: Calum Gardner
Author: Bill C. Malone
Author: Robert C. Fuller