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Author: Alan Golding Publisher: Univ of Wisconsin Press ISBN: 0299146030 Category : Poetry Languages : en Pages : 264
Book Description
From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: • present a history of American poetry anthologies • compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) • discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren • examine the canonizing effects of an experimental “little magazine,” Origin • trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
Author: Alan Golding Publisher: Univ of Wisconsin Press ISBN: 0299146030 Category : Poetry Languages : en Pages : 264
Book Description
From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: • present a history of American poetry anthologies • compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) • discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren • examine the canonizing effects of an experimental “little magazine,” Origin • trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
Author: Karen Holliday Tanner Publisher: University of Oklahoma Press ISBN: 0806181788 Category : Biography & Autobiography Languages : en Pages : 389
Book Description
Soft-spoken, cheerful, handsome, and well dressed, George West Musgrave “looked more like a senator than a cattle rustler.” Yet he was a cattle rustler as well as a bandit, robber, and killer, “guilty of more crimes than Billy the Kid was ever accused of.” In Last of the Old-Time Outlaws, Karen Holliday Tanner and John D. Tanner, Jr., recount the colorful life of Musgrave (1877-1947), enduring badman of the American Southwest. Musgrave was a charter member of the High Five/Black Jack gang, which was responsible for Arizona’s first bank hold-up, numerous post office and stagecoach robberies, and the largest Santa Fe Railroad heist in history. Following a decade-long hunt, he was captured and acquitted of killing a former Texas Ranger. After this near brush with prison or execution, he headed for South America, where he gained fame as the leading Gringo rustler. It wasn’t until the 1940s that Musgrave’s age and poor health brought an end to a criminal career that had spanned two continents and two centuries. Incorporating previously unknown facts about the career of this frontier outlaw, the Tanners thoroughly document Musgrave’s half-century of crime, from his childhood in the Texas brush country to his final days in Paraguay.
Author: Jesse Zuba Publisher: Princeton University Press ISBN: 1400873797 Category : Literary Criticism Languages : en Pages : 231
Book Description
"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand. Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
Author: John Lardas Publisher: University of Illinois Press ISBN: 9780252025990 Category : American literature Languages : en Pages : 340
Book Description
Lardas examines the new visions of the three artists and their Beat religiosity, wherein they lived their "religion" of real-life experience rather than faith. By rejecting the cultural tenets of postwar America, each man took on the discourse of the public theology, created physical enactments of a religious representation of the world, and through literature changed the interpretation of modern religion.
Author: David Clippinger Publisher: University of Delaware Press ISBN: 9780874139143 Category : Literary Criticism Languages : en Pages : 298
Book Description
Throughout the latter half of the twentieth century, the poet WilliamBronk (1918-1999) was a significant voice in the American literarylandscape. Even though he spent nearly all of his life in Hudson Falls, NY, Bronk was a vital presence in American poetry as evidenced byhis connections to Robert Frost, Charles Olson, George Oppen, RobertCreeley, Wallace Stevens, Susan Howe, Rosemarie Waldrop, andothers. The Mind's Landscape attempts to present a freshperspective of twentieth-century literary history as seen through thelens of Bronk's life as a writer
Author: Damian A. Carpenter Publisher: Routledge ISBN: 1317107071 Category : History Languages : en Pages : 232
Book Description
With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.
Author: Katharine Hodgson Publisher: Open Book Publishers ISBN: 1783740906 Category : Literary Criticism Languages : en Pages : 512
Book Description
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin’s second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition – "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground. Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date.
Author: Alex Davis Publisher: Cambridge University Press ISBN: 1107038677 Category : Literary Criticism Languages : en Pages : 571
Book Description
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
Author: Adam McKible Publisher: Routledge ISBN: 1351921886 Category : Language Arts & Disciplines Languages : en Pages : 426
Book Description
Little magazines made modernism happen. These pioneering enterprises were typically founded by individuals or small groups intent on publishing the experimental works or radical opinions of untried, unpopular, or underrepresented writers. Recently, little magazines have re-emerged as an important critical tool for examining the local and material conditions that shaped modernism. This volume reflects the diversity of Anglo-American modernism, with essays on avant-garde, literary, political, regional, and African American little magazines. It also presents a diversity of approaches to these magazines: discussions of material practices and relations; analyses of the relationship between little magazines and popular or elite audiences; examinations of correspondences between texts and images; feminist modifications of the traditional canon or histories; and reflections on the emerging field of periodical studies. All emphasize the primacy and materiality of little magazines. With a preface by Mark Morrisson, an afterword by Robert Scholes, and an extensive bibliography of little magazine resources, the collection serves both as an introduction to little magazines and a reconsideration of their integral role in the development of modernism.
Author: Matt Theado Publisher: Liverpool University Press ISBN: 1949979946 Category : Literary Criticism Languages : en Pages : 344
Book Description
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
Author: Alan Golding
Author: Alan Golding
Author: Karen Holliday Tanner
Author: Jesse Zuba
Author: John Lardas
Author: David Clippinger
Author: Damian A. Carpenter
Author: Katharine Hodgson
Author: Alex Davis
Author: Adam McKible
Author: Matt Theado