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Author: Barbara Geilhorn Publisher: Routledge ISBN: 1317208390 Category : Social Science Languages : en Pages : 246
Book Description
The natural and man-made cataclysmic events of the 11 March 2011 disaster, or 3.11, have dramatically altered the status quo of contemporary Japanese society. While much has been written about the social, political, economic, and technical aspects of the disaster, this volume represents one of the first in-depth explorations of the cultural responses to the devastating tsunami, and in particular the ongoing nuclear disaster of Fukushima. This book explores a wide range of cultural responses to the Fukushima nuclear calamity by analyzing examples from literature, poetry, manga, theatre, art photography, documentary and fiction film, and popular music. Individual chapters examine the changing positionality of post-3.11 northeastern Japan and the fear-driven conflation of time and space in near-but-far urban centers; explore the political subversion and nostalgia surrounding the Fukushima disaster; expose the ambiguous effects of highly gendered representations of fear of nuclear threat; analyze the musical and poetic responses to disaster; and explore the political potentialities of theatrical performances. By scrutinizing various media narratives and taking into account national and local perspectives, the book sheds light on cultural texts of power, politics, and space. Providing an insight into the post-disaster Zeitgeist as expressed through a variety of media genres, this book will be of interest to students and scholars of Japanese Studies, Japanese Culture, Popular Culture, and Literature Studies.
Author: Barbara Geilhorn Publisher: Routledge ISBN: 1317208390 Category : Social Science Languages : en Pages : 246
Book Description
The natural and man-made cataclysmic events of the 11 March 2011 disaster, or 3.11, have dramatically altered the status quo of contemporary Japanese society. While much has been written about the social, political, economic, and technical aspects of the disaster, this volume represents one of the first in-depth explorations of the cultural responses to the devastating tsunami, and in particular the ongoing nuclear disaster of Fukushima. This book explores a wide range of cultural responses to the Fukushima nuclear calamity by analyzing examples from literature, poetry, manga, theatre, art photography, documentary and fiction film, and popular music. Individual chapters examine the changing positionality of post-3.11 northeastern Japan and the fear-driven conflation of time and space in near-but-far urban centers; explore the political subversion and nostalgia surrounding the Fukushima disaster; expose the ambiguous effects of highly gendered representations of fear of nuclear threat; analyze the musical and poetic responses to disaster; and explore the political potentialities of theatrical performances. By scrutinizing various media narratives and taking into account national and local perspectives, the book sheds light on cultural texts of power, politics, and space. Providing an insight into the post-disaster Zeitgeist as expressed through a variety of media genres, this book will be of interest to students and scholars of Japanese Studies, Japanese Culture, Popular Culture, and Literature Studies.
Author: Eiko Otake Publisher: Wesleyan University Press ISBN: 0819580252 Category : Performing Arts Languages : en Pages : 289
Book Description
On March 11, 2011 the most powerful earthquakes in Japan's recorded history devastated the north east of Japan, triggering a massive tsunami with waves as high as 130 feet and traveled as far as six miles inland. As a result, three reactors in the Fukushima Daiichi Nuclear Power Plant complex experienced level seven meltdowns. The triple disaster, known as 3.11, had 15,899 confirmed deaths with 3529 people still missing. On five separate journeys, Japanese-born performer and dancer Eiko Otake and historian and photographer William Johnston, visited multiple locations across the Fukushima prefecture. The powerful photographs, selected from tens of thousands that Otake and Johnston created, document the irradiated landscape and how Eiko placed her lone body in those spaces. Each photograph is a performance across time and space, rewarding a viewer's intent gaze. The book includes essays and commentary reflecting on art, disaster, grief, and violated dignity of an irradiated Fukushima.
Author: David Pilling Publisher: Penguin ISBN: 0143126954 Category : History Languages : en Pages : 418
Book Description
“[A]n excellent book...” —The Economist Financial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan. Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified. Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people. The Financial Times “David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.” The Telegraph (UK) “Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.” Publishers Weekly (starred): "A probing and insightful portrait of contemporary Japan."
Author: Nikolaus Hirsch Publisher: National Geographic Books ISBN: 3956795687 Category : Art Languages : en Pages : 0
Book Description
Documenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone. The twelfth volume of the Critical Spatial Practices series focuses on “Don’t Follow the Wind,” the acclaimed collaborative project situated in Fukushima’s radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public—the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades—a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers. This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don’t Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva & Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch & Jorge Otero-Pailos, Meiro Koizumi, Eva & Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet Öğüt, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.
Author: Kazuto Tatsuta Publisher: Kodansha Comics ISBN: 1682336050 Category : Comics & Graphic Novels Languages : en Pages : 566
Book Description
On March 11, 2011, Japan suffered the largest earthquake in its modern history. The 9.0-magnitude quake threw up a devastating tsunami that wiped away entire towns, and caused, in the months afterward, three nuclear meltdowns at the Fukushima Daiichi Nuclear Plant. Altogether, it was the costliest natural disaster in human history. This is not the story of that disaster. This is the story of a man who took a job. Kazuto Tatsuta was an amateur artist who signed onto the dangerous task of cleaning up the Fukushima Daiichi Nuclear Plant, which the workers came to call "Ichi-F." This is the story of that challenging work, of the trials faced by the local citizens, and of the unique camaraderie that built up between the mostly blue-collar workers who had to face the devious and invisible threat of radiation on a daily basis. After six months, Tatsuta’s body had absorbed the maximum annual dose of radiation allowed by regulations, and he was forced to take a break from the work crew, giving him the time to create this unprecedented, unauthorized, award-winning view of daily life at Fukushima Daiichi.
Author: Ele Carpenter Publisher: Black Dog Press ISBN: 9781911164050 Category : Art, Modern Languages : en Pages : 207
Book Description
The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book's editor, Ele Carpenter, The Nuclear Culture Source Book features contributions by over 60 artists including spectacular imagery of nuclear sites taken on artist field trips, from underground research laboratories in Japan to the Faslane Trident base. Contextualising this is a series of essays by international arts and humanities scholars and writers including: Timothy Morton writing on radiation as a hyperobject; Peter C van Wyck on the nuclear anthropocene; Kodwo Eshun and Noi Sawaragi on Fukushima; and Susan Schuppli on nuclear materiality. Published in partnership with Bildmuseet, Sweden and Arts Catalyst, London.
Author: Zelda Rhiando Publisher: Unbound Publishing ISBN: 1911586890 Category : Fiction Languages : en Pages : 242
Book Description
In 2011 a devastating tsunami hit the North-eastern coast of Japan causing a major meltdown at Fukushima - the worst nuclear disaster in the world to date. 16,000 people died that day, and tens of thousands more were displaced - their homes destroyed, their villages contaminated.Fukushima Dreams is set against the backdrop of this event. Sachiko lives with her husband and infant son Tashi in a small coastal village. They are both struggling to adapt to life with their new son. When Sachiko’s village is hit, she awakes to find her family are missing. After a fruitless search she, like many others, is forced to leave the area due to radiation fallout. She moves to Tokyo, and a different life.Harry had already planned to leave. He uses the disaster as cover, and flees to a mountain refuge. He lives there, hovering on the border of sanity and haunted by the spirit of their son. Winter sets in. Eventually he is forced to return. They must both confront the ghosts of the past.
Author: Tamaki Mihic Publisher: ANU Press ISBN: 176046354X Category : History Languages : en Pages : 175
Book Description
The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3.11’, the date of the earthquake), had a lasting impact on Japan’s identity and global image. In its immediate aftermath, mainstream media presented the country as a disciplined, resilient and composed nation, united in the face of a natural disaster. However, 3.11 also drew worldwide attention to the negative aspects of Japanese government and society, thought to have caused the unresolved situation at Fukushima. Spurred by heightened emotions following the triple disaster, the Japanese became increasingly polarised between these two views of how to represent themselves. How did literature and popular culture respond to this dilemma? Re-imagining Japan after Fukushima attempts to answer that question by analysing how Japan was portrayed in post-3.11 fiction. Texts are selected from the Japanese, English and French languages, and the portrayals are also compared with those from non-fiction discourse. This book argues that cultural responses to 3.11 had a significant role to play in re-imagining Japan after Fukushima.
Author: Barbara Geilhorn
Author: Barbara Geilhorn
Author: Eiko Otake
Author: Lisette Gebhardt
Author: David Pilling
Author: Nikolaus Hirsch
Author: Kazuto Tatsuta
Author: Doryun Chong
Author: Ele Carpenter
Author: Zelda Rhiando
Author: Tamaki Mihic