Gilles Deleuze and the Fabulation of Philosophy PDF Download

Author: Gregory Flaxman
Publisher: U of Minnesota Press
ISBN: 1452932751
Category :
Languages : en
Pages : 426

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Book Description
A surprising—and wide-ranging—reconsideration of Deleuze

Author: Gregory Flaxman
Publisher:
ISBN: 9780816678402
Category : Philosophy
Languages : en
Pages : 425

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Book Description
A surprising--and wide-ranging--reconsideration of Deleuze

Author: Constantin V. Boundas
Publisher: Edinburgh University Press
ISBN: 0748627197
Category : Philosophy
Languages : en
Pages : 320

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Book Description
Deleuze and Philosophy provides an exploration of the continuing philosophical relevance of Gilles Deleuze. This collection of essays uses Deleuze to move between thinkers such as Plato, Aristotle, Husserl, Hume, Locke, Kant, Foucault, Badiou and Agamben. As such the reader is left with a comprehensive understanding not just of the philosophy of Deleuze but how he can be situated within a much broader philosophical trajectory. Constantin Boundas has gathered together recent scholarship on Deleuze's philosophy by an acclaimed line-up of international contributors, all of whom seek to provide new and previously unexplored theoretical terrains that will be of interest to both the Deleuze specialist and student alike. Three of the essays are by key French Deleuzians whose work is not widely available in translation. This enticing collection is essential reading for anyone interested not just in Deleuze but in the history of philosophical ideas. Contributors include: Zsuzsa Baross, Veronique Bergen, Ronald Bogue, Bruce Baugh, Rosi Braidotti, Claire Colebrook, Bela Egyed, Philippe Mengue, Dorothea Olkowski, Davide Panagia, Daniel W. Smith, Jeremie Valentin, Arnaud Villani.

Author: Andrew Culp
Publisher: U of Minnesota Press
ISBN: 1452953120
Category : Philosophy
Languages : en
Pages : 95

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Book Description
French philosopher Gilles Deleuze is known as a thinker of creation, joyous affirmation, and rhizomatic assemblages. In this short book, Andrew Culp polemically argues that this once-radical canon of joy has lost its resistance to the present. Concepts created to defeat capitalism have been recycled into business mantras that joyously affirm “Power is vertical; potential is horizontal!” Culp recovers the Deleuze’s forgotten negativity. He unsettles the prevailing interpretation through an underground network of references to conspiracy, cruelty, the terror of the outside, and the shame of being human. Ultimately, he rekindles opposition to what is intolerable about this world. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Author: Gregory Flaxman
Publisher: U of Minnesota Press
ISBN: 9780816634477
Category : Performing Arts
Languages : en
Pages : 410

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Book Description
The first broad-ranging collection on Deleuze’s essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze’s books about cinema have proven as daunting as they are enticing—a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher’s immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze’s cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze’s cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.

Author: Gregg Lambert
Publisher: U of Minnesota Press
ISBN: 0816678030
Category : Philosophy
Languages : en
Pages : 258

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Book Description
Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this "the image of thought." Lambert's exploration begins with Deleuze's earliest exposition of the Proustian image of thought and then follows the "tangled history" of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature, The Rhizome (which serves as an introduction to Deleuze's A Thousand Plateaus), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze's studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image--particularly in The Time-Image. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy? By connecting the various appearances of the image of thought that permeate Deleuze's entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term "Deleuzian." However, Lambert argues, this aspect of the philosopher's vision has not been fully appreciated in terms of its significance for philosophy: "not only 'for today' but, to quote Nietzsche, meaning also 'for tomorrow, and for the day after tomorrow.'"

Author: Gilles Deleuze
Publisher: Columbia University Press
ISBN: 9780231138772
Category : Philosophy
Languages : en
Pages : 260

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Book Description
Demonstrates how Nietzsche initiated a new mode of philosophical thinking. First published in 1962, this landmark book is one of the first to dispute the deep-seated assumption that dialectics provides the only possible basis for radical thought.

Author: David Norman Rodowick
Publisher: Duke University Press
ISBN: 9780822319702
Category : Literary Criticism
Languages : en
Pages : 284

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Book Description
An introduction to Deleuze's theory of cinema, from a leading American film theorist.

Author: Gilles Deleuze
Publisher: Columbia University Press
ISBN: 0231530668
Category : Philosophy
Languages : en
Pages : 271

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Book Description
Called by many France's foremost philosopher, Gilles Deleuze is one of the leading thinkers in the Western World. His acclaimed works and celebrated collaborations with Félix Guattari have established him as a seminal figure in the fields of literary criticism and philosophy. The long-awaited publication of What Is Philosophy? in English marks the culmination of Deleuze's career. Deleuze and Guattari differentiate between philosophy, science, and the arts, seeing as means of confronting chaos, and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate the book, along with engaging discussions of composers, painters, writers, and architects. A milestone in Deleuze's collaboration with Guattari, What Is Philosophy? brings a new perspective to Deleuze's studies of cinema, painting, and music, while setting a brilliant capstone upon his work.

Author: Ronald Bogue
Publisher: Edinburgh University Press
ISBN: 0748641750
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
The concept of fabulation makes a late appearance in Deleuze's career and in only limited detail, but by tracing its connections to other concepts and situating them within Deleuze's general aesthetics, Ronald Bogue develops a theory of fabulation which he proposes as the guiding principle of a Deleuzian approach to literary narrative.Fabulation, he argues, entails becoming-other, experimenting on the real, legending, and inventing a people to come, as well as an understanding of time informed by Deleuze's Chronos/Aion distinction and his theory of the three passive syntheses of time. In close readings of contemporary novels by Zakes Mda, Arundhati Roy, Roberto Bolano, Assia Djebar and Richard Flanagan, he demonstrates the usefulness of fabulation as a critical tool, while exploring the problematic relationship between history and story-telling which all five novelists adopt as a central thematic concern.This is an original and exciting project by a highly respected specialist in the field.