Hollywood and the Invention of England PDF Download

Author: Jonathan Stubbs
Publisher: Bloomsbury Publishing USA
ISBN: 1501305859
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
Drawing on new archival research into Hollywood production history and detailed analysis of individual films, Hollywood and the Invention of England examines the surprising affinity for the English past in Hollywood cinema. Stubbs asks why Hollywood filmmakers have so frequently drawn on images and narratives depicting English history, and why films of this type have resonated with audiences in America. Beginning with an overview of the cultural interaction between American film and English historical culture, the book proceeds to chart the major filmmaking cycles which characterise Hollywood's engagement with the English past from the 1930s to the present, assessing the value of English-themed films in the American film industry while also placing them in a broader historical context.

Author: Mark Glancy
Publisher: Bloomsbury Publishing
ISBN: 0857723057
Category : History
Languages : en
Pages : 352

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Book Description
For 100 years, Hollywood has provided both the majority and the most popular of films shown on British screens. For many Britons, Hollywood films are not foreign films. Whether seen in the cinema, on television or the internet, they are regarded as normal screen fare and a part of everyday life. Hollywood and the Americanization of Britain is the first book to take a wide ranging view of this phenomenon, exploring the tastes and preferences of British audiences from the silent era to the present. Mark Glancy investigates the British reception of Hollywood films, ranging from The Public Enemy through film history to The Patriot and Grease. Drawing on rich original sources, his carefully researched and lively book explores Hollywood's capacity to appeal to British audiences, as well as its ability to alienate, enrage and amuse them.

Author: Rebecca Weeks
Publisher: University Press of Kentucky
ISBN: 0813195322
Category : Performing Arts
Languages : en
Pages : 258

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Book Description
The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.

Author: Mark Glancy
Publisher: Manchester University Press
ISBN: 9780719048531
Category : History
Languages : en
Pages : 292

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Book Description
When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.

Author: Anthony Slide
Publisher: Univ. Press of Mississippi
ISBN: 1628460881
Category : Performing Arts
Languages : en
Pages : 322

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Book Description
A Special Relationship provides not only a historical overview of the British in Hollywood, but also a detailed study of the contributions made by American individuals and companies to British cinema from the beginning of the twentieth century onwards. The story begins with Ohio-born Charles Urban who came to London in 1898 and deserves credit for major involvement in the creation of a British film industry. While Ireland was still a part of Britain, the New York-based Kalem Company made films there from 1910 to 1913. British producers realized the importance of American stars, and many actors, beginning with Florence Turner (who was arguably also the first American star), made numerous British films. In the 1920s, such Hollywood stars as Mae Marsh, Betty Blythe, and Dorothy Gish remained active in Britain. In the 1930s, as their careers came to a halt, more than one hundred former American stars made the trip to England, partly as a vacation and partly in the hope of reenergizing their careers. Chapters discuss American cinematographers at work in Britain in the 1920s and 1930s and the introduction of Technicolor to British films. Diversity is represented by African American performers (most notably Paul Robeson), the Chinese American star Anna May Wong, along with female filmmakers from Hollywood. With Britain's declaration of war on Germany, there were Americans who stayed, such as Bebe Daniels and Ben Lyon, contributing to the war effort. America became actively involved in British cinema after World War II, with many Hollywood studios producing films there. As the years progressed, the British film industry became an international film industry. The book concludes with the Harry Potter and James Bond series, indicative of a new international cinema, with financing and behind-the-camera talent coming from the United States, but with British locales and British stars.

Author: Rachael Low
Publisher: Routledge
ISBN: 1136206892
Category : Performing Arts
Languages : en
Pages : 468

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Book Description
This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

Author: Greg M. Colón Semenza
Publisher: Bloomsbury Publishing USA
ISBN: 1501329855
Category : Performing Arts
Languages : en
Pages : 489

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Book Description
From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.

Author: Rachael Low
Publisher: Routledge
ISBN: 113620640X
Category : Performing Arts
Languages : en
Pages : 638

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Book Description
This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

Author: I.Q. Hunter
Publisher: Taylor & Francis
ISBN: 1315392178
Category : Social Science
Languages : en
Pages : 473

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Book Description
Over 39 chapters The Routledge Companion to British Cinema History offers a comprehensive and revisionist overview of British cinema as, on the one hand, a commercial entertainment industry and, on the other, a series of institutions centred on economics, funding and relations to government. Whereas most histories of British cinema focus on directors, stars, genres and themes, this Companion explores the forces enabling and constraining the films’ production, distribution, exhibition, and reception contexts from the late nineteenth century to the present day. The contributors provide a wealth of empirical and archive-based scholarship that draws on insider perspectives of key film institutions and illuminates aspects of British film culture that have been neglected or marginalized, such as the watch committee system, the Eady Levy, the rise of the multiplex and film festivals. It also places emphasis on areas where scholarship has either been especially productive and influential, such as in early and silent cinema, or promoted new approaches, such as audience and memory studies.

Author: H. Mark Glancy
Publisher:
ISBN: 9780755698080
Category : Electronic books
Languages : en
Pages : 340

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Book Description
For nearly 100 years, Hollywood has provided not only the majority, but also the most popular of films shown on British Screens. For many Britons, Hollywood films are not considered to be foreign films. Whether seen in the cinema or on television, they are regarded as normal screen fare and a part of everyday life. Hollywood and the Americanization of Britain is the first book to take a wide ranging view of this phenomenon and to explore the impact of American films on their audiences and the reception of them by these audiences from early days to the present. Mark Glancy investigates Hollywoo.