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Author: Christine Vial Kayser Publisher: Vernon Press ISBN: 1648892760 Category : Art Languages : en Pages : 330
Book Description
Installation art has modified our relationship to art for over fifty years by soliciting the whole body, demonstrating its sensitivity to space, surroundings, and the living beings with which it is constantly interacting. This book analyses this modification of perception through phenomenological approaches convoking Husserl, Heidegger, Merleau-Ponty, as well as Levinas, Depraz, and the neuroscientist Varela. This theoretical framework is implicit in the various case studies which revisit works that have become classic or emblematic by Carl Andre, Bruce Nauman, Dan Graham; inaugural experiments that remain available only through photographic and written archives by Jean-Michel Sanejouand, Philippe Parreno, as well as the influence of the mode in the realm of music. The book also examines the transference of this Western form to Asia, revealing how it resonates with ancient Asian representations and practices—often associated with the spiritual. The distinct chapters underpin the role of space as a metaframe, the common ground of the various installations. While the nature and agency of space varies—from social, historical space, leisurely or political space, inner psychological space, to shared empty space—these installations reveal the chiasm between the individual body and the outside space. The chapters bear testimony of the process in which the physical journey of the spectator’s body within a material—at times invisible—space and its structural components takes place in time, as a succession of micro-experiences. ‘Installation art as experience of self, in space and time’ adds to the existing literature of art history a level of theoretical, experiential and transcultural analysis that will make this inquiry relevant to both university students and independent researchers in the academic fields of philosophy, psychology, aesthetics, art theory and history, religious and Asian studies.
Author: Christine Vial Kayser Publisher: Vernon Press ISBN: 1648892760 Category : Art Languages : en Pages : 330
Book Description
Installation art has modified our relationship to art for over fifty years by soliciting the whole body, demonstrating its sensitivity to space, surroundings, and the living beings with which it is constantly interacting. This book analyses this modification of perception through phenomenological approaches convoking Husserl, Heidegger, Merleau-Ponty, as well as Levinas, Depraz, and the neuroscientist Varela. This theoretical framework is implicit in the various case studies which revisit works that have become classic or emblematic by Carl Andre, Bruce Nauman, Dan Graham; inaugural experiments that remain available only through photographic and written archives by Jean-Michel Sanejouand, Philippe Parreno, as well as the influence of the mode in the realm of music. The book also examines the transference of this Western form to Asia, revealing how it resonates with ancient Asian representations and practices—often associated with the spiritual. The distinct chapters underpin the role of space as a metaframe, the common ground of the various installations. While the nature and agency of space varies—from social, historical space, leisurely or political space, inner psychological space, to shared empty space—these installations reveal the chiasm between the individual body and the outside space. The chapters bear testimony of the process in which the physical journey of the spectator’s body within a material—at times invisible—space and its structural components takes place in time, as a succession of micro-experiences. ‘Installation art as experience of self, in space and time’ adds to the existing literature of art history a level of theoretical, experiential and transcultural analysis that will make this inquiry relevant to both university students and independent researchers in the academic fields of philosophy, psychology, aesthetics, art theory and history, religious and Asian studies.
Author: Christine Vial Kayser Publisher: Vernon Press ISBN: 9781648891328 Category : Art Languages : en Pages : 332
Book Description
Installation art has modified our relationship to art for over fifty years by soliciting the whole body, demonstrating its sensitivity to space, surroundings, and the living beings with which it is constantly interacting. This book analyses this modification of perception through phenomenological approaches convoking Husserl, Heidegger, Merleau-Ponty, as well as Levinas, Depraz, and the neuroscientist Varela. This theoretical framework is implicit in the various case studies which revisit works that have become classic or emblematic by Carl Andre, Bruce Nauman, Dan Graham; inaugural experiments that remain available only through photographic and written archives by Jean-Michel Sanejouand, Philippe Parreno, as well as the influence of the mode in the realm of music. The book also examines the transference of this Western form to Asia, revealing how it resonates with ancient Asian representations and practices-often associated with the spiritual. The distinct chapters underpin the role of space as a metaframe, the common ground of the various installations. While the nature and agency of space varies-from social, historical space, leisurely or political space, inner psychological space, to shared empty space-these installations reveal the chiasm between the individual body and the outside space. The chapters bear testimony of the process in which the physical journey of the spectator's body within a material-at times invisible-space and its structural components takes place in time, as a succession of micro-experiences. 'Installation art as experience of self, in space and time' adds to the existing literature of art history a level of theoretical, experiential and transcultural analysis that will make this inquiry relevant to both university students and independent researchers in the academic fields of philosophy, psychology, aesthetics, art theory and history, religious and Asian studies.
Author: James Patrick Werner Publisher: ISBN: 9780549082460 Category : Computer art Languages : en Pages : 224
Book Description
Technological tools available today allow for experiences of "space" to be redefined through virtual spaces in digital venues. Installation artists also create spaces that allow for the interrogation of perception, presenting the virtuality of real space. This study suggests that these types of installation spaces have developed into a genre in fine art today---Immersive Installation Art.
Author: Erika Suderburg Publisher: ISBN: 9780816631582 Category : Art Languages : en Pages : 370
Book Description
From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms. In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.
Author: Brian O'Doherty Publisher: Univ of California Press ISBN: 9780520220409 Category : Art Languages : en Pages : 128
Book Description
These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.
Author: Nadia Ferrara Publisher: McGill-Queen's Press - MQUP ISBN: 0773571981 Category : Social Science Languages : en Pages : 184
Book Description
Ferrara, who is accepted as a healer in Cree communities, shows how art therapy became a ritual for her patients, noting that Crees often associate art therapy and their experience in the bush and arguing that both constitute a place for them to re-affirm their notions of self. By including patient drawings and letting us hear Cree voices, "Healing through Art" gives us a sense of the reality of everyday Cree experience. This innovative book transcends disciplinary boundaries and makes a significant contribution to anthropology, Native Studies, and clinical psychology.
Author: Fernando Almeida e Costa Publisher: Springer ISBN: 3540749136 Category : Computers Languages : en Pages : 1218
Book Description
This book constitutes the refereed proceedings of the 9th European Conference on Artificial Life, ECAL 2007, held in Lisbon, Portugal. The 125 revised full papers cover morphogenesis and development, robotics and autonomous agents, evolutionary computation and theory, cellular automata, models of biological systems and their applications, ant colony and swarm systems, evolution of communication, simulation of social interactions, self-replication, artificial chemistry.
Author: G. Gabrielle Starr Publisher: MIT Press ISBN: 0262374188 Category : Psychology Languages : en Pages : 245
Book Description
Literature and neuroscience come together to illuminate the human experience of beauty, which unfolds in time. How does beauty exist in time? This is Gabrielle Starr’s central concern in Just in Time as she explores the experience of beauty not as an abstraction, but as the result of psychological and neurological processes in which time is central. Starr shows that aesthetic experience has temporal scale. Starr, a literary scholar and pioneer in the field and method of neuroaesthetics, which seeks the neurological basis of aesthetic experience, applies this methodology to the study of beauty in literature, considering such authors as Rita Dove, Gerard Manley Hopkins, Henry James, Toni Morrison, and Wallace Stevens, as well as the artists Dawoud Bey and Jasper Johns. Just in Time is richly informed by the methods and findings of neuroscientists, whose instruments let them investigate encounters with art down to the millisecond, but Starr goes beyond the laboratory to explore engagements with art that unfold over durations experiments cannot accommodate. In neuroaesthetics, Starr shows us, the techniques of the empirical sciences and humanistic interpretation support and complement one another. To understand the temporal quality of aesthetic experience we need both cognitive and phenomenological approaches, and this book moves boldly toward their synthesis.
Author: Mark Lawrence Rosenthal Publisher: Prestel Publishing ISBN: Category : Art Languages : en Pages : 100
Book Description
When we think of installation art we imagine enormous, perhaps bewildering, multi-media environments. In this book, Mark Rosenthal offers an historical interpretation and concise critical analyses that should help deepen readers' appreciation of this often-confusing medium.
Author: Christine Vial Kayser
Author: Christine Vial Kayser
Author: Christine Vial Kayser
Author: James Patrick Werner
Author: John Dewey 
Author: Erika Suderburg
Author: Brian O'Doherty
Author: Nadia Ferrara
Author: Fernando Almeida e Costa
Author: G. Gabrielle Starr
Author: Mark Lawrence Rosenthal