Author: Jackson Cailah Jackson Publisher: Edinburgh University Press ISBN: 1474451500 Category : Art Languages : en Pages : 343
Book Description
Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume. Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, including Qur'ans, mirrors-for-princes, historical chronicles and Sufi works, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage.
Author: Cailah Marie Jackson Publisher: ISBN: 9781474491372 Category : Islamic civilization Languages : en Pages : 320
Book Description
Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia before the rise of the Ottoman Empire.
Author: Cailah Jackson Publisher: Edinburgh Studies in Islamic A ISBN: 9781474451482 Category : Art Languages : en Pages : 320
Book Description
Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia before the rise of the Ottoman Empire.
Author: Jackson Cailah Jackson Publisher: Edinburgh University Press ISBN: 1474451519 Category : Art Languages : en Pages : 320
Book Description
Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume. Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, including Qur'ans, mirrors-for-princes, historical chronicles and Sufi works, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage.
Author: A. C. S. Peacock Publisher: Cambridge University Press ISBN: 1108499368 Category : History Languages : en Pages : 313
Book Description
A new understanding of the transformation of Anatolia to a Muslim society in the thirteenth-fourteenth centuries based on previously unpublished sources.
Author: UNESCO Publisher: UNESCO Publishing ISBN: 9231039091 Category : Political Science Languages : en Pages : 926
Book Description
This publication examines art, the human sciences, science, philosophy, mysticism, language and literature. For this task, UNESCO has chosen scholars and experts from all over the world who belong to widely divergent cultural and religious backgrounds.--Publisher's description.
Author: Blair Sheila Blair Publisher: Edinburgh University Press ISBN: 1474464475 Category : Art Languages : en Pages : 736
Book Description
Joint Winner of the 2007 British-Kuwait Friendship Society Prize for Middle Eastern StudiesThis stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script.The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. The book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization.The argument is enhanced by the inclusion of more than 150 colour illustrations, as well as over a hundred black-and-white details that highlight the salient features of the individual scripts and hands. Examples are chosen from dated or datable examples with secure provenance, for the problem of forgeries and copies (both medieval and modern) is rampant. The illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script.This beautiful new book is an ideal reference for anyone with an interest in Islamic art.Key Features* Written by the world's leading expert on Islamic calligraphy* Includes c.150 colour illustrations* Comprehensive: covers the art of calligraphy throughout Islamic civilisation, from the 7thc. to the present* The first volume to explain this art form to modern readers, guiding them in the identification, understanding and appreciation of its varied style
Author: Umberto Bongianino Publisher: Edinburgh Studies in Islamic A ISBN: 9781474499583 Category : Art Languages : en Pages : 0
Book Description
Explores the aesthetic dimensions, cultural significance and ideological power of Maghribī manuscripts This book traces the history of manuscript production in the Islamic West, between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribī round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa. More than 200 dated manuscripts written in Maghribī round scripts - many of which have not previously been published and are of great historical significance - are presented and discussed. This allows for a reconstruction of the activity of Maghribī calligraphers, copyists, notaries and secretaries, and a better understanding of the development of their practices. A blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources paints a comprehensive and lively picture of Maghribī manuscript culture - from its beginnings under the Umayyads of Cordova up to the heyday of the Almohad caliphate. This book lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusi identity and its spread throughout the medieval Mediterranean. Key Features Exposes the richness and sophistication of Maghribī manuscript culture, including parchment- and papermaking, calligraphy, illumination, bookbinding and chancery practices Approaches social and cultural history through the study of manuscripts as artefacts Shows that calligraphy and scribal practices were a key element in the construction of political and identity discourses Includes a comprehensive catalogue of 252 dated manuscripts in Maghribī round scripts (including Qur'ans and chancery documents), the majority of which are unpublished Lavishly illustrated with over 100 colour images Umberto Bongianino is Departmental Lecturer in Islamic Art and Architecture at the Khalili Research Centre, University of Oxford.
Author: Carboni Stefano Carboni Publisher: Edinburgh University Press ISBN: 1474465633 Category : Art Languages : en Pages : 456
Book Description
The subject of this book is the so-called London Qazvini, an early 14th-century illustrated Arabic copy of al-Qazvini's The Wonders of Creation and the Oddities of Existing Things, which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of this text, the London Qazvini is lavishly illustrated, with 368 extant paintings out of the estimated original ca. 520.Its large format, ambitious illustrative cycle and the fine quality of many of the illustrations suggest that the atelier where it was produced must have been well-established and able to attract craftsmen from different parts of the Ilkhanid area. It also suggests that its patron was wealthy and curious about scientific, encyclopedic and cajA 'ib literature, and keen to experiment with the illustration of new texts like this work, which had been composed by the author only two or three decades earlier. The only centre that was capable of gathering such artistic influences ranging from Anatolia to Mesopotamia appears to have been Mosul.The London QazvA nA is an important newly surfaced document for the study of early illustrated Arabic copies of this text, representing the second earliest known surviving manuscript, as well as for the study of Ilkhanid painting. In a single and unique manuscript are gathered earlier Mesopotamian painting traditions, North Jaziran-Seljuq elements, Anatolian inspirations, the latest changes brought about after the advent of the Mongols, and a number of illustrations of extraordinary subjects which escape a proper classification.
Author: Jackson Cailah Jackson
Author: Cailah Marie Jackson
Author: Cailah Jackson
Author: Jackson Cailah Jackson
Author: A. C. S. Peacock
Author: UNESCO
Author: Blair Sheila Blair
Author: Umberto Bongianino
Author: Jonathan Green
Author: Carboni Stefano Carboni