Japanese Folk Toys PDF Download

Author: Lea Baten
Publisher: Tuttle Pub
ISBN: 9784079756129
Category : Crafts & Hobbies
Languages : en
Pages : 152

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Author: Tekiho Nisizawa
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 92

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Author: Lea Baten
Publisher: Hotei Publishing
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 152

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Book Description
Lea Baten's unique and resourceful book assists in identifying the familiar and unfamiliar figurines known as ningyo, and explores the roots of the word itself: both meanings, "doll' and "human shape," are associated with play and ritual, life and death. These dolls are not necessarily just play-things with pretty faces, but range from mass-produced trivial toys to true art pieces and imposing ceremonial ornaments. Materials vary: they can be made from stone, clay, paper and wood; or brocade, ivory, pearl and lacquer. Many of the enormous variety of ningyo may be considered pieces of an unsolved puzzle that are in danger of disappearing without ever having been totally understood in the West. This book investigates the numerous meanings of the "human shape" in Japanese culture, from pre-history to the present, and explores the many, varied and subtle connotations ningyo have for the Japanese. This book not only identifies and describes ningyo, detailing their history and meaning, but also contains a comprehensive index and one of the most extensive bibliographies on the doll motif ever published in English. Scholarship, clear illustrations and a touch of humor guarantee a fresh and original approach to known and unknown ningyo.

Author: Manami Okazaki
Publisher: Tuttle Publishing
ISBN: 1462921973
Category : Antiques & Collectibles
Languages : en
Pages : 173

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Book Description
An inside look at kokeshi dolls: from the skilled woodworkers behind their design to their important cultural significance. Kokeshi are the simple and charming traditional Japanese dolls characterized by their cylindrical shape and lack of arms and legs. Historically made as children's toys in Japan's northern region of Tohoku, they have now become a popular collector's item and have even inspired famous architects and artists. In this visual guide, readers will find: An overview of the different types of dolls How kokeshi dolls are crafted, including information on tools and woods used Interviews with leading kokeshi craftspeople worldwide Detailed information about both traditional dolls and the modern ones being crafted today An exploration of the cultural significance of kokeshi dolls--both historically and for the areas of northern Japan that rebuilt themselves after their region was decimated by an earthquake and tsunami in 2011 A guide to visiting Japan's kokeshi regions Information on how to buy the dolls--either directly from Japanese artisans or stockists worldwide Filled with artist interviews, gorgeous photos and firsthand travel experience, author Manami Okazaki has created a book to be enjoyed by all--from serious collectors to woodcrafters, interior designers, architects, armchair travelers and anyone with an interest in Japanese culture and travel.

Author: 坂本一也
Publisher:
ISBN:
Category : Folk art
Languages : en
Pages : 524

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Book Description
Survey of toys as an art form from various parts of Japan. Various techniques and the materials ranging from porcelain to papier-mache are presented.

Author: Hugo Munsterberg
Publisher: Tuttle Publishing
ISBN: 146290887X
Category : Art
Languages : en
Pages : 168

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Book Description
With dozens of lovely photographs and insightful commentary, The Folk Arts of Japan deals with a rediscovered branch of Japanese art. Although these folkcraft creations have their roots in the country's ancient and colorful art tradition, their unassuming grace makes them unmistakably in harmony with modern functional design. The author, Dr. Munsterberg brings to his work the fruits of four years of study in Japan and a deep knowledge of Asian culture, making available for the first time in English a comprehensive guide and commentary on this significant branch of Japan's varied arts.

Author: Felicity Lufkin
Publisher: Lexington Books
ISBN: 1498526292
Category : History
Languages : en
Pages : 292

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Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation. In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.

Author: Yei Theodora Ozaki
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 190

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Book Description
This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore. Grateful acknowledgment is due to Mr. Y. Yasuoka, Miss Fusa Okamoto, my brother Nobumori Ozaki, Dr. Yoshihiro Takaki, and Miss Kameko Yamao, who have helped me with translations. The story which I have named “The Story of the Man who did not Wish to Die” is taken from a little book written a hundred years ago by one Shinsui Tamenaga. It is named Chosei Furo, or “Longevity.” “The Bamboo-cutter and the Moon-child” is taken from the classic “Taketari Monogatari,” and is NOT classed by the Japanese among their fairy tales, though it really belongs to this class of literature. The pictures were drawn by Mr. Kakuzo Fujiyama, a Tokio artist. In telling these stories in English I have followed my fancy in adding such touches of local color or description as they seemed to need or as pleased me, and in one or two instances I have gathered in an incident from another version. At all times, among my friends, both young and old, English or American, I have always found eager listeners to the beautiful legends and fairy tales of Japan, and in telling them I have also found that they were still unknown to the vast majority, and this has encouraged me to write them for the children of the West...FROM THE BOOKS.

Author: Frederick Starr
Publisher:
ISBN:
Category : Toys
Languages : en
Pages : 28

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Author: Joanette Van Der Veer
Publisher:
ISBN: 9789493148178
Category : Design
Languages : en
Pages : 104

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Book Description
Design in Conservative Times tackles conservatism in and around design, challenging both designer and user to actively engage with, and reflect upon their positions within our current, politically charged landscape. The focal point of this reflection at large ranges from hands-on issues within specific practices, to the broader, more fundamental motivations that fuel them. Within this book, Onomatopee wishes to explore the conservative currents and cadence in and around design(ed) culture. By inviting both graphic design and fashion design professionals to comment, reflect, promote, critique, provoke and/or contemplate on conservative culture in relation to their own visions, design practice and designed goods, we wish to lay bare the intricacies and dynamics of design(er) in society today. As a result, issues of feminism, decolonisation, queerness, engagement, ecology, production and preservation in relation to conservatism today come to the forefront of conversation.