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Author: Lessing Society Publisher: Wallstein Verlag ISBN: 3835341634 Category : Literary Criticism Languages : de Pages : 223
Book Description
Ausgehend von Faramerz Dabhoiwalas These der Existenz einer "ersten sexuellen Revolution" im 18. Jahrhundert enthält der Band Beiträge über die weibliche Tugendhaftigkeit in Luise Gottscheds "Panthea", die Sexualitätsproblematik in Lessings "Rettungen des Horaz", transkulturelle Sexualität bei Schnabel, Gellert und Willebrand, Geschlechterverhältnisse in Lessings frühen Lustspielen, Raum und Geschlecht in Lessings Familien-Dramen, die Disziplinierung sexuellen Verhaltens bei Rousseau und Wieland, die Thematisierung der Sexualität in englischen Übersetzungen von Goethes "Die Geschwister" und "Stella" sowie Casanovas sexuelle Geographie Europas.
Author: Lessing Society Publisher: Wallstein Verlag ISBN: 3835341634 Category : Literary Criticism Languages : de Pages : 223
Book Description
Ausgehend von Faramerz Dabhoiwalas These der Existenz einer "ersten sexuellen Revolution" im 18. Jahrhundert enthält der Band Beiträge über die weibliche Tugendhaftigkeit in Luise Gottscheds "Panthea", die Sexualitätsproblematik in Lessings "Rettungen des Horaz", transkulturelle Sexualität bei Schnabel, Gellert und Willebrand, Geschlechterverhältnisse in Lessings frühen Lustspielen, Raum und Geschlecht in Lessings Familien-Dramen, die Disziplinierung sexuellen Verhaltens bei Rousseau und Wieland, die Thematisierung der Sexualität in englischen Übersetzungen von Goethes "Die Geschwister" und "Stella" sowie Casanovas sexuelle Geographie Europas.
Author: Publisher: BRILL ISBN: 9004362215 Category : Literary Criticism Languages : en Pages : 430
Book Description
This volume investigates the impact of Radical Enlightenment thought on German culture during the eighteenth century. It takes recent work by Jonathan Israel as its point of departure and debates the precise nature of Enlightenment.
Author: Anna Albrektson Publisher: Oxford University Press ISBN: 0192884190 Category : Drama Languages : en Pages : 271
Book Description
The late-eighteenth century witnessed multiple Medeas take to the stages of Europe, in the Americas, and across the Russian empire. Performances took place in Moscow and São Paulo, in London and Lisbon, in Gotha, Stuttgart, and Venice. This lively collection of essays examines the various reasons why Medea, the ancient mother who killed her own children, attracted the attention of authors, audiences, actors, and rulers in Europe and its dominions during the pivotal period 1750 to 1800, and to what effects. As a migrant and iconoclast, Medea crosses a number of eighteenth-century borders: linguistic, cultural, national, temporal, spatial, aesthetic, ethical, and generic. Moreover, the fact that late-eighteenth-century playwrights, poets, composers, and choreographers all turned to one of the most problematic characters of Greco-Roman antiquity offers a unique opportunity to examine the remarkable flexibility of the reception process itself. Medea therefore functions as an intriguing case study, reflecting a wider context of cultural and political change within Europe and its colonies in the late-eighteenth century. By drawing together eighteenth-century specialists working across multiple languages and disciplines with the reception perspective of classical scholars, this volume brings much rare material from a range of archives across continental Europe to critical attention for the first time. Mapping Medea shows how the eighteenth century made Medea modern, and Medea helped to shape modern performance.
Author: Stefani Engelstein Publisher: Columbia University Press ISBN: 0231542712 Category : Philosophy Languages : en Pages : 381
Book Description
The sibling stands out as a ubiquitous—yet unacknowledged—conceptual touchstone across the European long nineteenth century. Beginning in the late eighteenth century, Europeans embarked on a new way of classifying the world, devising genealogies that determined degrees of relatedness by tracing heritage through common ancestry. This methodology organized historical systems into family trees in a wide array of new disciplines, transforming into siblings the closest contemporaneous terms on trees of languages, religions, races, nations, species, or individuals. In literature, a sudden proliferation of siblings—often incestuously inclined—negotiated this confluence of knowledge and identity. In all genealogical systems the sibling term, not quite same and not quite other, serves as an active fault line, necessary for and yet continuously destabilizing definition and classification. In her provocative book, Stefani Engelstein argues that this pervasive relational paradigm shaped the modern subject, life sciences, human sciences, and collective identities such as race, religion, and gender. The insecurity inherent to the sibling structure renders the systems it underwrites fluid. It therefore offers dynamic potential, but also provokes counterreactions such as isolationist theories of subjectivity, the political exclusion of sisters from fraternal equality, the tyranny of intertwined economic and kinship theories, conflicts over natural kinds and evolutionary speciation, and invidious anthropological and philological classifications of Islam and Judaism. Integrating close readings across the disciplines with panoramic intellectual history and arresting literary interpretations, Sibling Action presents a compelling new understanding of systems of knowledge and provides the foundation for less confrontational formulations of belonging, identity, and agency.
Author: Charles Batteux Publisher: Oxford University Press, USA ISBN: 019874711X Category : Philosophy Languages : en Pages : 232
Book Description
The Fine Arts Reduced to a Single Principle (1746) by Charles Batteux was arguably the most influential work on aesthetics published in the eighteenth century. It influenced every major aesthetician in the second half of the century: Diderot, Herder, Hume, Kant, Lessing, Mendelssohn, and others either adopted his views or reacted against them. It is the work generally credited with establishing the modern system of the arts: poetry, painting, music, sculpture and dance. Batteux's book is also an invaluable aid to the interpretation of the arts of eighteenth century. And yet there has never been a complete or reliable translation of The Fine Arts into English. Now James O. Young, a leading contemporary philosopher of art, has provided an eminently readable and accurate translation. It is fully annotated and comes with a comprehensive introduction that identifies the figures who influenced Batteux and the writers who were, in turn, influenced by him. The introduction also discusses the ways in which The Fine Arts has continuing philosophical interest. In particular, Young demonstrates that Batteux's work is an important contribution to aesthetic cognitivism (the view that works of art contribute importantly to knowledge) and that Batteux made a significant contribution to understanding the expressiveness of music. This book will be of interest to everyone interested in the arts of the eighteenth century, French studies, the history of European ideas, and philosophy of art.
Author: D. Medina Lasansky Publisher: didapress ISBN: 8833380114 Category : Architecture Languages : en Pages : 360
Book Description
Tuscany is a landscape whose cultural construction is complicated and multi-layered. It is this very complexity that this book seeks to untangle. By revealing hidden histories, we learn how food, landscape and architecture are intertwined, as well as the extent to which Italian design and contemporary consumption patterns form a legacy that draws upon the Romantic longings of a century before. In the process, this book reveals the extent to which Tuscany has been constructed by Anglos — and what has been distorted, idealized and even overlooked in the process.
Author: Bloomsbury Publishing Publisher: A&C Black ISBN: 1472519795 Category : History Languages : en Pages : 404
Book Description
"Universal History" is a type of history that attempts to explain the world beyond the immediate surroundings of the author. It reflects a desire to synthesise the mass of written and oral knowledge about the past and to introduce a systematic interpretation. The purpose of this collection is to re-examine the notion of Universal Historiography with a focus on its appearance in the Greek and Roman world and on the legacy that ancient authors offered to later generations. Fifteen new essays by a diverse set of international scholars tackle questions of definition, and illustrate the diversity of its forms, structures, themes and analyses. The collection explores the historical and intellectual contexts which gave rise to universalist thought, and its reputation and reception in antiquity and beyond. This book will appeal to those interested in Graeco-Roman historiography, and those with an interest in the Arabic, Early Christian and modern reception of ancient historiography.
Author: Martin Jay Publisher: Verso Books ISBN: 1788736036 Category : Philosophy Languages : en Pages : 257
Book Description
Assessing the legacy of the Frankfurt School in the twenty-first century Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the 21st century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the School's history and reading its work in unexpected ways, these essays provide ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, they range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin's ruminations on stamp collecting to the ironies in the reception of Marcuse's One-Dimensional Man, from Löwenthal's role in Weimar's Jewish Renaissance to Horkheimer's involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of color in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with two essays tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of "cultural Marxism" and "political correctness," which has gained alarming international resonance and led to violence by radical right-wing fanatics.
Author: Iulian Apostolescu Publisher: Springer Nature ISBN: 3030293572 Category : Philosophy Languages : en Pages : 380
Book Description
Bringing together established researchers and emerging scholars alike to discuss new readings of Husserl and to reignite the much needed discussion of what phenomenology actually is and can possibly be about, this volume sets out to critically re-evaluate (and challenge) the predominant interpretations of Husserl’s philosophy, and to adapt phenomenology to the specific philosophical challenges and context of the 21st century. “What is phenomenology?”, Maurice Merleau-Ponty asks at the beginning of his Phenomenology of Perception – and he continues: “It may seem strange that this question still has to be asked half a century after the first works of Husserl. It is, however, far from being resolved.” Even today, more than half a century after Merleau-Ponty’s magnum opus, the answer is in many ways still up for grasp. While it may seem obvious that the main subject of phenomenological inquiry is, in fact, the subject, it is anything but self evident what this precisely implies: Considering the immense variety of different themes and methodological self-revisions found in Husserl’s philosophy – from its Brentanian beginnings to its transcendental re-interpretation and, last but not least, to its ‘crypto-deconstruction’ in the revisions of his early manuscripts and in his later work –, one cannot but acknowledge the fact that ‘the’ subject of phenomenology marks an irreducible plurality of possible subjects. Paying tribute to this irreducible plurality the volume sets out to develop interpretative takes on the phenomenological tradition which transcend both its naive celebration and its brute rejection, to re-articulate the positions of other philosophers within the framework of Husserl’s thought, and to engage in an investigative dialogue between traditionally opposed camps within phenomenology and beyond.
Author: Lessing Society
Author: Lessing Society
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Author: Anna Albrektson
Author: Stefani Engelstein
Author: Laura Cleaver
Author: Charles Batteux
Author: D. Medina Lasansky
Author: Bloomsbury Publishing
Author: Martin Jay
Author: Iulian Apostolescu