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Author: Ira Aldridge Publisher: Mint Editions (Black Narrative ISBN: Category : Biography & Autobiography Languages : en Pages : 0
Book Description
Beginning with his autobiographical sketch, Memoir and Theatrical Career of Ira Aldridge, The African Roscius follows Aldridge's journey as a Black man who, "obtained and maintains among Europeans...a reputation whose acquisition demands the highest qualities of the mind and the noblest endowments of the person." Making it a lifetime goal to use his success and influence to speak on the horrors of slavery in America and abroad; this memoir is addressed to what he hopes to be an enlighted reader, and details how he rose to fame as a Shakeperian actor in spite of the racism and prejudice he faced as a Black man in theater. This edition also includes Aldridge's 1847 translation of Auguste Anicet-Bourgeois'sLe Docteur Noir (The Black Doctor). At the age of forty, Aldridge adapted the play about a hidden romance between a formerly enslaved doctor and the daughter of a French aristocrat and was said to have brought dignity to a role that traditionally ended in tragedy for its bi-racial lead. Together, these two pieces paint a stunning portrait of one of the first great Black actors. One part memoir and one part translation, The African Roscius is an exceptional piece of Black history professionally typeset and reimagined for modern readers.
Author: Ira Aldridge Publisher: Mint Editions (Black Narrative ISBN: Category : Biography & Autobiography Languages : en Pages : 0
Book Description
Beginning with his autobiographical sketch, Memoir and Theatrical Career of Ira Aldridge, The African Roscius follows Aldridge's journey as a Black man who, "obtained and maintains among Europeans...a reputation whose acquisition demands the highest qualities of the mind and the noblest endowments of the person." Making it a lifetime goal to use his success and influence to speak on the horrors of slavery in America and abroad; this memoir is addressed to what he hopes to be an enlighted reader, and details how he rose to fame as a Shakeperian actor in spite of the racism and prejudice he faced as a Black man in theater. This edition also includes Aldridge's 1847 translation of Auguste Anicet-Bourgeois'sLe Docteur Noir (The Black Doctor). At the age of forty, Aldridge adapted the play about a hidden romance between a formerly enslaved doctor and the daughter of a French aristocrat and was said to have brought dignity to a role that traditionally ended in tragedy for its bi-racial lead. Together, these two pieces paint a stunning portrait of one of the first great Black actors. One part memoir and one part translation, The African Roscius is an exceptional piece of Black history professionally typeset and reimagined for modern readers.
Author: Anonymous Publisher: Andesite Press ISBN: 9781298523372 Category : Languages : en Pages : 22
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ira Aldridge Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
Beginning with his autobiographical sketch, Memoir and Theatrical Career of Ira Aldridge, The African Roscius follows Aldridge's journey as a Black man who, "obtained and maintains among Europeans...a reputation whose acquisition demands the highest qualities of the mind and the noblest endowments of the person." Making it a lifetime goal to use his success and influence to speak on the horrors of slavery in America and abroad; this memoir is addressed to what he hopes to be an enlighted reader, and details how he rose to fame as a Shakeperian actor in spite of the racism and prejudice he faced as a Black man in theater. This edition also includes Aldridge's 1847 translation of Auguste Anicet-Bourgeois'sLe Docteur Noir (The Black Doctor). At the age of forty, Aldridge adapted the play about a hidden romance between a formerly enslaved doctor and the daughter of a French aristocrat and was said to have brought dignity to a role that traditionally ended in tragedy for its bi-racial lead. Together, these two pieces paint a stunning portrait of one of the first great Black actors. One part memoir and one part translation, The African Roscius is an exceptional piece of Black history professionally typeset and reimagined for modern readers.
Author: Bernth Lindfors Publisher: University Rochester Press ISBN: 9781580462587 Category : Biography & Autobiography Languages : en Pages : 316
Book Description
Ira Aldridge--a black New Yorker--was one of 19th-century Europe's greatest actors, performing abroad for 43 years, winning more awards, honors, and official decorations than any of his professional peers. This collection restores the luster to Aldridge's reputation by examining his extraordinary achievements against all odds.
Author: Bernth Lindfors Publisher: University Rochester Press ISBN: 1580463819 Category : Biography & Autobiography Languages : en Pages : 406
Book Description
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
Author: Herbert Marshall Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 404
Book Description
"On March 25, 1833, celebrated English actor Edmund Kean collapsed on stage at Covent Garden while playing the role of Othello and died shortly thereafter. Sixteen days later, young Ira Aldridge, an American-born black actor, replaced Edmund Kean in the role of the Moor. "Suddenly, members of the press were up in arms," and a real-life drama escalated, with all of London the stage." "The late biographers Herbert Marshall and Mildred Stock recreate this drama, which included a huge cast of characters: An adoring following among the common folk in the English provinces. The manager of Covent Garden, one Pierre Francois Laporte, a Frenchman who mixed business with liberal ideas about race. Theatre critics who relished calling Aldridge a "black servant" even as they idealized Shakespeare's peasant background. The proslavery lobby, at that very moment fighting its last battle." "Aldridge had come to London from New York City at age seventeen and for eight years had performed in the English provinces. In April 1833, he stood at the very heart of the Empire, beloved Covent Garden. Thrust out after only two performances, he was catapulted, in a wonderfully ironic twist, onto a world stage that included all of Europe and Russia. He would eventually return to conquer London, decked with medals of distinction."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Publisher: ISBN: Category : Languages : en Pages : 60
Book Description
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Author: Kellen Hoxworth Publisher: Northwestern University Press ISBN: 0810147092 Category : Performing Arts Languages : en Pages : 281
Book Description
A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Kellen Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.
Author: Ira Aldridge
Author: Ira Aldridge
Author: Anonymous
Author: Ira Aldridge
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Author: Bernth Lindfors
Author: Bernth Lindfors
Author: Herbert Marshall
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Author: Owen Mortimer
Author: Kellen Hoxworth