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Author: Catherine M. Soussloff Publisher: Univ of California Press ISBN: 0520920678 Category : Religion Languages : en Pages : 252
Book Description
In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and Jewish patronage of German Expressionist art. Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.
Author: Catherine M. Soussloff Publisher: Univ of California Press ISBN: 0520920678 Category : Religion Languages : en Pages : 252
Book Description
In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and Jewish patronage of German Expressionist art. Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.
Author: Samantha Baskind Publisher: UNC Press Books ISBN: Category : Art Languages : en Pages : 273
Book Description
Artist Raphael Soyer (1899-1987), whose Russian Jewish family settled in Manhattan in 1912, was devoted to painting people in their everyday urban lives. He came to be known especially for his representations of city workers and the down-and-out, and for his portraits of himself and his friends. Although Soyer never identified himself as a "Jewish artist," Samantha Baskind, in the first full-length critical study of the artist, argues that his work was greatly influenced by his ethnicity and by the Jewish American immigrant experience. Baskind examines the painter's art and life in the rich context of religious, cultural, political, and social conditions in the twentieth-century United States. By promoting an understanding of Soyer as a Jewish American artist, she addresses larger questions about the definition and study of modern Jewish art. Whereas previous scholars have defined Jewish art simply as art produced by people who were born Jewish, Baskind stresses the importance of an artist's cultural identity when defining ethnic art. As Baskind explains how Soyer negotiated his Jewish identity in changing ways over his lifetime, she offers new strategies for identifying and interpreting Jewish art in general. Her analysis of Soyer's work places the artist in a necessary context and provides a valuable new approach to the study of modern Jewish art.
Author: Samantha Baskind Publisher: ISBN: 9781861898029 Category : Jewish art Languages : en Pages : 0
Book Description
Covering nearly two centuries, this is a comprehensive account of the art made by Jews across Europe, America and Israel. The book discusses many issues including the shifting Jewish identity, the effects of the diaspora, anti-Semitism and the distinctive character of images made within a Christian.
Author: Richard I. Cohen Publisher: Univ of California Press ISBN: 9780520917910 Category : Architecture Languages : en Pages : 392
Book Description
With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society.
Author: Ben Schachter Publisher: Penn State Press ISBN: 0271080841 Category : Art Languages : en Pages : 175
Book Description
Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment’s prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process. Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of melachot—work-like “creative activities” as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and melachot in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists’ methods and Judaism’s demanding attention to procedure. A compellingly written challenge to traditionalism, Image, Action, and Idea in Contemporary Jewish Art makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.
Author: Ori Soltes Publisher: BRILL ISBN: 9004393242 Category : Religion Languages : en Pages : 113
Book Description
In Modern Jewish Art: Definitions, Problems, and Opportunities, Ori Z. Soltes considers both the emerging and evolving discussion on, and the expanding array of practitioners of ‘Jewish art’ in the past two hundred years. He notes the developing problem of how to define ‘Judaism’ in the 19th century—as a religion, a culture, a race, a nation, a people—and thus the complications for placing ‘Jewish art’ under the extended umbrella of ‘religion and the arts.’ The fluidity with which one must engage the subject is reflected in the broadening conceptual and visual vocabulary, the extended range of subject foci and media, and the increasingly rich analytical approaches to the subject that have surfaced particularly in the past fifty years. Well-known and little-known artists are included in a far-ranging discussion of painting, sculpture, photography, video, installations, ceremonial objects, and works that blur the boundaries between categories.
Author: Charles Dellheim Publisher: ISBN: 9781684580569 Category : Art Languages : en Pages : 560
Book Description
The story of dealers of Old Masters, champions of modern art, and victims of Nazi plunder. In Belonging and Betrayal, distinguished historian Charles Dellheim tells the story of the rise and fall of a small number of Jews, individuals, and families, who were merchants and connoisseurs as well as dealers and collectors of fine art. They competed and cooperated at various times and operated more often than not on both sides of the Atlantic. The protagonists of this story took a leading part in the critical transformations that shook the art world in the late nineteenth and early twentieth centuries: the great migration of Old Master paintings from Europe to the United States; and the eventual triumph of modern art as Jewish dealers became the modernists' champions. The story begins with the entry of Jewish dealers into the art world in the late nineteenth century and ends with the Nazi plunder of their collections. Along the way, the narrative takes us into a variety of European capitals--Paris, London, Berlin, and Vienna--as well as American cities, notably Boston and New York. It sets the protagonists' stories against the backdrop of the broader changes that affected their fortunes and transformed art and society: The gradual opening of high culture, the dynamics of assimilation, acculturation, and antisemitism, the decline of the landed classes, the ascent of a new capitalist elite, the cultural impact of the "Great War," and the Nazi war against the Jews.
Author: Ori Z. Soltes Publisher: ISBN: 9789004393233 Category : Art, Modern Languages : en Pages : 0
Book Description
Ori Z. Soltes considers the emerging and evolving discussion on and the expanding array of practitioners of 'Jewish art' in the past two hundred years--beginning with the issue of defining 'Judaism' and 'Jewish art.'
Author: Ben Schachter Publisher: Penn State Press ISBN: 0271080825 Category : Art Languages : en Pages : 250
Book Description
Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment’s prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process. Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of melachot—work-like “creative activities” as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and melachot in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists’ methods and Judaism’s demanding attention to procedure. A compellingly written challenge to traditionalism, Image, Action, and Idea in Contemporary Jewish Art makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.
Author: Catherine M. Soussloff
Author: Catherine M. Soussloff
Author: Samantha Baskind
Author: Samantha Baskind
Author: Richard I. Cohen
Author: Ben Schachter
Author: Ori Soltes
Author: Charles Dellheim
Author: Ori Z. Soltes
Author: Rose-Carol Washton Long
Author: Ben Schachter