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Archival Moving Image Materials

Archival Moving Image Materials PDF Author:
Publisher: Library of Congress
ISBN:
Category : Anglo-American cataloguing rules
Languages : en
Pages : 264

Book Description


Archival Moving Image Materials

Archival Moving Image Materials PDF Author:
Publisher: Library of Congress
ISBN:
Category : Anglo-American cataloguing rules
Languages : en
Pages : 264

Book Description


Moving Image Cataloging

Moving Image Cataloging PDF Author: Martha M. Yee
Publisher: Greenwood Publishing Group
ISBN: 0313097216
Category : Language Arts & Disciplines
Languages : en
Pages : 288

Book Description
Libraries, archives, and museums hold a wide variety of moving images. all of which require the same level of attention to issues of organization and access as their print counterparts. Consequently, the people who create collection level records and metadata for these resources need to be equally conversant in the principles of cataloging. Martha Yee covers both descriptive (AACR2R, AMIM, and FIAF rules) and subject cataloging (with a focus on LCSH). In the process, the reader is encouraged to think critically and to be prepared to make decisions in ambiguous situations where solutions to problems are not always obvious or clearly dictated by specific rules.

The FIAF Moving Image Cataloguing Manual

The FIAF Moving Image Cataloguing Manual PDF Author: Linda Tadic
Publisher: Indiana University Press
ISBN: 296002964X
Category : Performing Arts
Languages : en
Pages : 276

Book Description
The FIAF Moving Image Cataloguing Manual is the result of many years of labor and collaboration with numerous professionals in the moving image field. It addresses the changes in information technology that we’ve seen over the past two decades, and aligns with modern cataloguing and metadata standards and concepts such as FRBR (Functional Requirements for Bibliographic Records), EN 15907, and RDA (Resource Description and Access). The manual is designed to be compatible with a variety of data structures, and provides charts, decision trees, examples, and other tools to help experts and non-experts alike in performing real-world cataloguing of moving image collections.

Moving Image Cataloging

Moving Image Cataloging PDF Author: Martha M. Yee
Publisher: Libraries Unlimited
ISBN: 1591584388
Category : Language Arts & Disciplines
Languages : en
Pages : 0

Book Description
Libraries, archives, and museums hold a wide variety of moving images. all of which require the same level of attention to issues of organization and access as their print counterparts. Consequently, the people who create collection level records and metadata for these resources need to be equally conversant in the principles of cataloging. Martha Yee covers both descriptive (AACR2R, AMIM, and FIAF rules) and subject cataloging (with a focus on LCSH). In the process, the reader is encouraged to think critically and to be prepared to make decisions in ambiguous situations where solutions to problems are not always obvious or clearly dictated by specific rules.

Cataloging Musical Moving Image Material

Cataloging Musical Moving Image Material PDF Author: Music Library Association. Working Group on Bibliographic Control of Music Video Material
Publisher: Scarecrow Press
ISBN: 9780914954514
Category : Language Arts & Disciplines
Languages : en
Pages : 130

Book Description
Addresses the cataloging of videos and films of multifaceted performances and presentations where music is an important component of the production.

Archival Moving Image Materials

Archival Moving Image Materials PDF Author: Wendy White-Hensen
Publisher:
ISBN:
Category : Anglo-American cataloguing rules
Languages : en
Pages : 0

Book Description


The Past Is a Moving Picture

The Past Is a Moving Picture PDF Author: Janna Jones
Publisher: University Press of Florida
ISBN: 0813043662
Category : Performing Arts
Languages : en
Pages : 210

Book Description
Almost all remnants of culture--past and present--degrade over time, whether sculpture or scrolls, painting or papyrus, books or clay tablets. Perhaps no major cultural record dissolves more rapidly than film, arguably the predominant medium of the twentieth century. Given the fragility of early nitrate film, much has already been lost. The fragments that remain--whether complete prints of theatrical releases or scraps of everyday life captured by Thomas Edison--only hint at what has disappeared. More recently, archives have been flooded with so much material that they lack the funds to properly preserve it all. Both situations raise questions about how film archives shape our understanding of history and culture. Janna Jones provides a stunning, tour-de-force analysis of the major assumptions and paradigmatic shifts about history, cinema, and the moving image archive, one that we ignore at our peril in the midst of the overwhelming rush toward digitization. No student of film, twentieth-century history, or archiving and preservation can afford to miss The Past Is a Moving Picture

MOVING IMAGE AND SOUND COLLECTIONS FOR ARCHIVISTS.

MOVING IMAGE AND SOUND COLLECTIONS FOR ARCHIVISTS. PDF Author: ANTHONY. COCCIOLO
Publisher:
ISBN: 9780838917404
Category :
Languages : en
Pages :

Book Description


AMIA Compendium of Moving Image Cataloging Practice

AMIA Compendium of Moving Image Cataloging Practice PDF Author: Abigail Leab Martin
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 292

Book Description


The Moving Image (First Edition)

The Moving Image (First Edition) PDF Author: Nicole Richter
Publisher: Cognella Academic Publishing
ISBN: 9781516537495
Category :
Languages : en
Pages :

Book Description
The Moving Image: A Complete Introduction to Film provides students with an accessible and complete introduction to the world of motion pictures. The text covers the basics of how films are constructed, why they matter, and how to analyze them. It highlights diverse filmmakers and approaches, through the study of feature films, music videos, short films, and new media. The text begins by defining cinema, discussing its origins, and introducing students to pioneers of film, including Eadweard Muybridge, Alice Guy-Blaché, and Thomas Edison. Later chapters discuss the fundamentals of film analysis and the concepts of ideology, representation, and identity in film. Students learn about cinematography, narrative structure, sound, editing, acting styles and methodologies, and the various aspects that go into creating a scene. The book features chapters devoted to experimental and cult cinema, documentaries, and animation and CGI technology. It closes with chapters that address authorship and provide an overview of key genres in filmmaking. Designed to provide students with a comprehensive primer on film and cinema, The Moving Image is well suited for film appreciation or introductory film courses.