Music and the Politics of Culture PDF Download

Author: Christopher Norris
Publisher:
ISBN:
Category : History and criticism
Languages : en
Pages : 364

View

Book Description

Author: M.I. Franklin
Publisher: Springer
ISBN: 1137056177
Category : Political Science
Languages : en
Pages : 320

View

Book Description
This book explores a provocative area of inquiry for critical theory and research into world politics and popular culture: music. Not just because political science barely engages with anything musical, but also because it is clear that many opportunities for critical scholarship and reflection on global politics and economics are present in the spaces and relationships created by organized sound. It is easy to focus on the textual elements of music, but there is more at stake than just the words. Critical reflection on the intersections between music and politics also need to take into account the visceral and non-verbal elements such as counterpoint and harmony, polyphony and dissonance, noise, rhymes, rhythms, performance and the visual/aural dimensions to music-making.

Author: David Rowe
Publisher: SAGE Publications Limited
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 200

View

Book Description
Literatuuropgave : p. 169-181 Met reg. Using rock music and sport as case studies, the author explores the contemporary economics, ideology and cultural constitution of forms of popular pleasure. In this way punk rock music is examined in terms of its presentation as a product, its practical consciousness and its symbolic expression.

Author: James R. Currie
Publisher: Indiana University Press
ISBN: 0253005221
Category : Music
Languages : en
Pages : 248

View

Book Description
Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation by means of its musical encounters. His overriding thesis is that the forces that have formed us are not our fate.

Author: Daniel Asia
Publisher: Cambridge Scholars Publishing
ISBN: 1527567249
Category : Art
Languages : en
Pages : 252

View

Book Description
This book brings together the collected writings of Daniel Asia from the last 10 years. The articles, reviews, and essays gathered here originally appeared in noted publications such as The New Criterion and Academic Questions, and as blog entries with the Huffington Post. Topics discussed include classical music, universities, Judaism, politics, and American culture. All essays are presented in clear and elegant non-academic prose, and are often imbued with a wry and delicate sense of humor. This book is a fine introduction to the current state of high culture in America, with an emphasis on classical music and its recent and current best composers. As such, it is perfect for the curious lay person seeking knowledge in these areas, and for academics and their students working in the areas of music composition, music history, introduction to music, sociology, politics, education, American studies and Jewish studies.

Author: Nicholas Gebhardt
Publisher: Routledge
ISBN: 1317672712
Category : Music
Languages : en
Pages : 250

View

Book Description
The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and collaborations that enable the music to maintain and sustain its cultural status are surprisingly under-investigated. This collection explores the history of musician-led collectives and the ways in which they offer a powerful counter-model for rethinking jazz practices in the post-war period. It includes studies of groups including the New York Musicians Organization, Sweden’s Ett minne för livet, Wonderbrass from South Wales, the contemporary Dutch jazz-hip hop scene, and Austria‘s JazzWerkstatt. With an international list of contributors and examples from Europe and the United States, these twelve essays and case studies examine issues of shared aesthetic vision, socioeconomic and political factors, local education, and cultural values among improvising musicians.

Author: Eric Drott
Publisher: Univ of California Press
ISBN: 0520950089
Category : Music
Languages : en
Pages : 363

View

Book Description
In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known. In the forty years since, May ’68 has come to occupy a singular place in the modern political imagination, not just in France but across the world. Eric Drott examines the social, political, and cultural effects of May ’68 on a wide variety of music in France, from the initial shock of 1968 through the "long" 1970s and the election of Mitterrand and the socialists in 1981. Drott’s detailed account of how diverse music communities developed in response to 1968 and his pathbreaking reflections on the nature and significance of musical genre come together to provide insights into the relationships that link music, identity, and politics.

Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 0226816982
Category : Music
Languages : en
Pages : 278

View

Book Description
In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.

Author: Susan Fast
Publisher: Wesleyan University Press
ISBN: 0819573396
Category : Music
Languages : en
Pages : 320

View

Book Description
Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music’s role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors’ substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely—and often uncomfortably—entwined. CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.

Author: Jarmila Mildorf
Publisher: Rowman & Littlefield
ISBN: 149859980X
Category : Social Science
Languages : en
Pages : 277

View

Book Description
This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.