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Author: Valérie Orlando Publisher: Lexington Books ISBN: 9780739105634 Category : Literary Criticism Languages : en Pages : 220
Book Description
A striking number of hysterical or insane female characters populate Francophone women's writing. To discover why, Orlando reads novels from a variety of cultures, teasing out key elements of Francophone identity struggles.
Author: Valérie Orlando Publisher: Lexington Books ISBN: 9780739105634 Category : Literary Criticism Languages : en Pages : 220
Book Description
A striking number of hysterical or insane female characters populate Francophone women's writing. To discover why, Orlando reads novels from a variety of cultures, teasing out key elements of Francophone identity struggles.
Author: Jennifer M. Wilks Publisher: LSU Press ISBN: 0807134872 Category : Literary Criticism Languages : en Pages : 259
Book Description
Race, Gender, and Comparative Black Modernism revives and critiques four African American and Francophone Caribbean women writers sometimes overlooked in discussions of early-twentieth-century literature: Guadeloupean Suzanne Lacascade (dates unknown), African American Marita Bonner (1899--1971), Martinican Suzanne Cesaire (1913--1966), and African American Dorothy West (1907--1998). Reexamining their most significant work, Jennifer M. Wilks demonstrates how their writing challenges prevailing racial archetypes -- such as the New Negro and the Negritude hero -- of the period from the 1920s to the 1940s, and explores how these writers tapped into modernist currents from expressionism to surrealism to produce progressive treatments of race, gender, and nation that differed from those of currently canonized black writers of the era, the great majority of whom are men. Wilks begins with Lacascade, whom she deems "best known for being unknown," reading Lacascade's novel Claire-Solange, ame africaine (1924) as a protofeminist, proto-Negritude articulation of Caribbean identity. She then examines the fissures left unexplored in New Negro visions of African American community by showing the ways in which Bonner's essays, plays, and short stories highlight issues of economic class. Cesaire applied the ideas and techniques of surrealism to the French language, and Wilks reveals how her writings in the journal Tropiques (1941-45) directly and insightfully engage the intellectual influences that informed the work of canonical Negritude. Wilks' close reading of West's The Living Is Easy (1948) provides a retrospective critique of the forces that continued to circumscribe women's lives in the midst of the social and cultural awakening presumably embodied in the New Negro. To show how the black literary tradition has continued to confront the conflation of gender roles with social and literary conventions, Wilks examines these writers alongside the late twentieth-century writings of Maryse Conde and Toni Morrison. Unlike many literary analysts, Wilks does not bring together the four writers based on geography. Lacascade and Cesaire came from different Caribbean islands, and though Bonner and West were from the United States, they never crossed paths. In considering this eclectic group of women writers together, Wilks reveals the analytical possibilities opened up by comparing works influenced by multiple intellectual traditions. "
Author: Mildred Mortimer Publisher: University of Virginia Press ISBN: 0813942063 Category : Literary Criticism Languages : en Pages : 284
Book Description
Today, the "fight to write"—the struggle to become the legitimate chronicler of one’s own story—is being waged and won by women across mediums and borders. But such battles of authorship extend well beyond a single cultural moment. In her gripping study of unsung female narratives of the Algerian War, Mildred Mortimer excavates and explores the role of women’s individual and collective memory in recording events of the violent anticolonial conflict. Presenting close readings of published works spanning five decades—from Assia Djebar’s 1962 Children of the New World to Zohra Drif’s 2014 Inside the Battle of Algiers: Memoir of a Woman Freedom Fighter— Women Fight, Women Write traces stylistic and material transformations in Algerian women’s writings as it reveals evolving attitudes toward memory, trauma, historical objectivity, and women’s political empowerment. Refuting the stale binary of men in battle, women at home, these testimonial texts let women lay claim to the Algerian War story as participants and also as chroniclers through fiction, historical studies, and memoir. Algeria’s patriarchal norms long kept women from speaking publicly about private matters, silencing their experiences of the war. Still, the conflict has ceaselessly sparked creative work. The country’s dark decade of violent struggle between the Algerian army and Islamist fundamentalists in the 1990s brought the liberation struggle back into focus, inspiring and emboldening many more women to defiantly write. Women Fight, Women Write advances the broken silence, illuminating its vital historical revisions and literary innovations.
Author: Renée Larrier Publisher: Lexington Books ISBN: 1498501648 Category : Literary Criticism Languages : en Pages : 528
Book Description
Writing Through the Visual and Virtual:Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean explores the various cultures of writing in Francophone Africa and the Caribbean, and their relation to literature, orality, language, the visual arts, film, and popular culture. It is an invaluable resource to Francophone and cultural studies alike.
Author: Maria Kathryn Tomlinson Publisher: Oxford University Press ISBN: 1800348460 Category : Literary Criticism Languages : en Pages : 232
Book Description
This book examines the representation of the female fertility cycle in contemporary Algerian, Mauritian, and French women's writing. It focuses on menstruation, childbirth, and the menopause whilst also incorporating experiences such as miscarriage and abortion. This study frames its analysis of contemporary women's writing by looking back to the pioneering work of the second-wave feminists. Second-wave feminist texts were the first to break the silence on key aspects of female experience which had thus far been largely overlooked or considered taboo. Second-wave feminist works have been criticised for applying their 'universal' theories to all women, regardless of their ethnicity, socio-economic status, or sexuality. This book argues that contemporary women's writing has continued the challenge against normative perceptions of the body that was originally launched by the second-wave feminists, whilst also taking a more nuanced, contextual and intersectional approach to corporeal experience. The cross-cultural and interdisciplinary approach of this book is informed not only by critics of the second-wave feminist movement but also by sociological studies which consider how women's bodily experiences are shaped by socio-cultural context.
Author: Valerie Kaussen Publisher: Lexington Books ISBN: 9780739116364 Category : Literary Criticism Languages : en Pages : 270
Book Description
Migrant Revolutions: Haitian Literature, Globalization, and U.S. Imperialism interprets Haitian literature in a transnational context of anti-colonial--and anti-globalization--politics. Positing a materialist and historicized account of Haitian literary modernity, it traces the themes of slavery, labor migration, diaspora, and revolution in works by Jacques Roumain, Marie Chauvet, Edwidge Danticat, and others. Author Valerie Kaussen argues that the sociocultural effects of U.S. imperialism have renewed and expanded the relevance of the universal political ideals that informed Haiti's eighteenth-century slave revolt and war of decolonization. Finally, Migrant Revolutions defines Haitian literary modernity as located at the forefront of the struggles against transnational empire and global colonialism.
Author: Soumia Boutkhil Publisher: Cambridge Scholars Publishing ISBN: 1443807281 Category : Social Science Languages : en Pages : 295
Book Description
In the current postmodern reality where society is no longer viewed as a totality but as a collection of individual interests, public space both as a physical and symbolic space, has no determined contours and the public sphere is likely to take new forms. Yet as a crucial principle of democracy, public space will continue to feed discussions as long as models of participatory democracy represent the guarantor of good governance and the preservation of the public good. Ranging from architecture, sociology, to literary criticism and women and gender studies, the essays that compose this collection have as a common denominator the idea of public space as a vital aspect of public life in modern as well as in developing and traditional societies. Placing themselves beyond the relentless theoretical debates around the concept of public space, the authors agree that no matter what forms it takes, public space remains a fundamental aspect of even those societies that until recently were viewed as hermetically sealed. What emerges from the different perspectives included in this book is a general consensus that the symbolic value of the physical public space is grounded in the collective socio-political consciousness as the basis for a general sense of civic action.
Author: Kinana Hamam Publisher: Cambridge Scholars Publishing ISBN: 1443865532 Category : Social Science Languages : en Pages : 232
Book Description
This book represents a significant contribution to academic knowledge, making a compelling case for a contemporary analytical re-reading of a number of “core” postcolonial women’s narratives, such as Erna Brodber’s Jane and Louisa Will Soon Come Home, Buchi Emecheta’s The Joys of Motherhood, and Mariama Bâ’s So Long a Letter. These narratives highlight diversity, contextuality, opposition, and metachrony, have a “generative literary function”, and anticipate what have now become postcolonial feminist issues and debates. Bringing together feminist writing from a range of postcolonial contexts, the book contributes to a field represented by the critical writings of Francoise Lionnet, Ketu Katrak, and Elleke Boehmer, among others. The deconstructive, cultural approach of the book is mobilised to support an in-depth literary analysis which focuses on female oppression, difference, voice, and agency. Questions of what it means to be “a woman” and to be “postcolonial” are read as central debates which emphasise “multi-vocal and multi-focal” female narratives and perspectives. That is, they highlight the temporal, as well as cross-cultural links and implications of the selected narratives, which give the project a kind of positive complexity and linkage. Above all, the analysis of several unconventional modes and (physical/imaginative) spaces of female resistance, such as prison, widow confinement, and madness, yields some surprising results that are sustained by a close reading of the texts which are not only attentive to questions of genre, structure, imagery and narrative endings, but also oppositional, instructive and reconstructive.
Author: Lamia Ben Youssef Zayzafoon Publisher: Lexington Books ISBN: 9780739110782 Category : Social Science Languages : en Pages : 232
Book Description
The author investigates the configurations of power implicated in the production of the discourses on the 'muslim woman' in the West and North Africa. She argues that as a single category, the 'muslim woman' is an 'invention', whether in the Western discourses of Orientalism (Isabelle Eberhardt) and psychoanalytic feminism (De Beauvoir, Irigaray, Cixous and Lacan), or in the discourses of islamic feminism (Djebar and Mernissi) and Maghrebian nationalism (Habib Bourguiba and Tahar al Haddad).
Author: Valérie Orlando
Author: Valérie Orlando
Author: Valérie Orlando
Author: Jennifer M. Wilks
Author: Mildred Mortimer
Author: Renée Larrier
Author: Maria Kathryn Tomlinson
Author: Valerie Kaussen
Author: Soumia Boutkhil
Author: Kinana Hamam
Author: Lamia Ben Youssef Zayzafoon