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Author: Virginia Woolf Publisher: David Zwirner Books ISBN: 9781644230589 Category : Art Languages : en Pages : 144
Book Description
Virginia Woolf’s collection of writings on visual arts offer a whole new perspective on the revolutionary author. Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury Group circle, there is no accessible edition or selection of essays dedicated to her writings on art. This newest edition in David Zwirner Books’s ekphrasis series collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures” (1925), and “Pictures and Portraits” (1920). These formally inventive texts reveal the centrality of the visual arts to Woolf’s writing and vision. They show her engaging with contemporary debates about modern art and are innovative in their treatment of ideas about color and form, including in response to the work of her sister, the painter Vanessa Bell, who designed many of her book cover jackets. In these essays and reviews, Woolf illuminates the complex and interdependent relationship between the artist and society, and reveals her own shifting perspectives during decades of social and political change. She also provides sharp and astute commentary on specific works of art and on the relationship between art and writing. An introduction by Claudia Tobin situates the essays within their cultural contexts.
Author: Virginia Woolf Publisher: David Zwirner Books ISBN: 9781644230589 Category : Art Languages : en Pages : 144
Book Description
Virginia Woolf’s collection of writings on visual arts offer a whole new perspective on the revolutionary author. Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury Group circle, there is no accessible edition or selection of essays dedicated to her writings on art. This newest edition in David Zwirner Books’s ekphrasis series collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures” (1925), and “Pictures and Portraits” (1920). These formally inventive texts reveal the centrality of the visual arts to Woolf’s writing and vision. They show her engaging with contemporary debates about modern art and are innovative in their treatment of ideas about color and form, including in response to the work of her sister, the painter Vanessa Bell, who designed many of her book cover jackets. In these essays and reviews, Woolf illuminates the complex and interdependent relationship between the artist and society, and reveals her own shifting perspectives during decades of social and political change. She also provides sharp and astute commentary on specific works of art and on the relationship between art and writing. An introduction by Claudia Tobin situates the essays within their cultural contexts.
Author: Nell Painter Publisher: Catapult ISBN: 1640092005 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
A finalist for the National Book Critics Circle Award, this memoir of one woman's later in life career change is “a smart, funny and compelling case for going after your heart's desires, no matter your age” (Essence). Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school––in her sixties––to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived. How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference? Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement––bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).
Author: Andrei Kushnir Publisher: ISBN: 9781938086410 Category : History Languages : en Pages : 0
Book Description
The Shenandoah Valley is widely renowned for its beauty and its idyllic landscape of farms, fields, historic towns, and Civil War battlefields. Framed to the east and west by the majestic Blue Ridge and Allegheny Mountains, the region is defined by the river made famous in the 1882 song "Oh, Shenandoah." The highly regarded painter Andrei Kushnir has spent years traveling throughout every corner of the Shenandoah Valley, capturing its myriad landscapes and architectural features with panache and an extraordinary appreciation for place. The paintings collected here highlight Kushnir's rare ability to paint any landscape before him--pastoral or industrial, recreational or social, rural or urban, riparian or agricultural--all the while working out in the elements, en plein air. By organizing Kushnir's paintings along highways US 11, US 340, and VA 42, enabling travelers to follow the paintings in geographical order, the book captures the Shenandoah Valley and its famous river in a uniquely comprehensive and intuitive way. In addition to the 263 plein-air paintings, Oh, Shenandoah presents in-depth historical and curatorial essays by Warren R. Hofstra, William M. S. Rasmussen, and Jeffrey C. Everett about the Valley and Kushnir's significant contribution to our understanding of it, adding a rich, textual component to complement Kushnir's artistry. Distributed for George F. Thompson Publishing
Author: Emily Howes Publisher: Simon and Schuster ISBN: 1668021404 Category : Fiction Languages : en Pages : 352
Book Description
A “beautifully written” (Hilary Mantel) story of love, madness, sisterly devotion, and control, about the two beloved daughters of renowned 1700s English painter Thomas Gainsborough, who struggle to live up to the perfect image the world so admired in their portraits. Peggy and Molly Gainsborough—the daughters of one of England’s most famous portrait artists of the 1700s and the frequent subject of his work—are best friends. They spy on their father as he paints, rankle their mother as she manages the household, and run barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly periodically experiences bouts of mental confusion, even forgetting who she is, and Peggy instinctively knows she must help cover up her sister’s condition. When the family moves to Bath, it’s not so easy to hide Molly’s slip-ups. There, the sisters are thrown into the whirlwind of polite society, where the codes of behavior are crystal clear. Molly dreams of a normal life but slides deeper and more publicly into her delusions. By now, Peggy knows the shadow of an asylum looms for women like Molly, and she goes to greater lengths to protect her sister’s secret. But when Peggy unexpectedly falls in love with her father’s friend, the charming composer Johann Fischer, the sisters’ precarious situation is thrown catastrophically off course. Her burgeoning love for Johann sparks the bitterest of betrayals, forcing Peggy to question all she has done for Molly, and whether any one person can truly change the fate of another. A tense and tender examination of the blurred lines between protection and control, The Painter’s Daughters is a searing portrait of the real girls behind the canvas. Emily Howes’s debut is a stunning exploration of devotion, control, and individuality; it is a love song to sisterhood, to the many hues of life, and to being looked at but never really seen.
Author: Virginia Woolf
Author: Virginia Woolf
Author: Nell Painter
Author: Andrei Kushnir
Author: Emily Howes
Author: Philip Gilbert Hamerton
Author: Philip Gilbert Hamerton
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Author: Stephen Ram
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