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Author: Julia Straub Publisher: GRIN Verlag ISBN: 3668930511 Category : Literary Collections Languages : en Pages : 27
Book Description
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Comparative Literature, grade: 2,7, University of Constance, course: British and American Studies, language: English, abstract: This work focuses on the question of identity in the novel "Wide Sargasso Sea". Antoinette, the female protagonist of Jean Rhys’ novel "Wide Sargasso Sea", is struggling with those questions of her identity all her life. As a Creole girl, who lives in Jamaica during post-colonialism, she finds herself caught between two identities not knowing where she belongs. On the one hand, there is the black community which she knows and grows up with, on the other hand the white community which her mother tries to be a part of and forces Antoinette to fit into as well. This life between two contrasting cultures forces Antoinette into a situation of confusion and doubt which makes her question not only where she belongs but if she belongs at all. It drives her into a crisis which she is not able to escape. Jean Rhys published her novel in 1966. "Wide Sargasso Sea" tells the story of Antoinette Cosway who is also, known under the name of Bertha, a character of Charlotte Brontë's novel "Jane Eyre". In "Wide Sargasso Sea" Rhys is giving Bertha/ Antoinette a story and a reason why she became mad in the first place. The story starts in her childhood and moves on to the marriage to Mr. Rochester. The last part is set when she is already imprisoned by her husband and is setting the house on fire which accords with the story told in "Jane Eyre". For the background of the novel it is important to know that Rhys herself grew up in a situation like Antoinette’s. She as well had troubles with identifying herself when she grew up. So Rhys shares part of Antoinette’s history which is probably why she was that interested in telling her story which is completely uncared-for by Brontë.
Author: Julia Straub Publisher: GRIN Verlag ISBN: 3668930511 Category : Literary Collections Languages : en Pages : 27
Book Description
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Comparative Literature, grade: 2,7, University of Constance, course: British and American Studies, language: English, abstract: This work focuses on the question of identity in the novel "Wide Sargasso Sea". Antoinette, the female protagonist of Jean Rhys’ novel "Wide Sargasso Sea", is struggling with those questions of her identity all her life. As a Creole girl, who lives in Jamaica during post-colonialism, she finds herself caught between two identities not knowing where she belongs. On the one hand, there is the black community which she knows and grows up with, on the other hand the white community which her mother tries to be a part of and forces Antoinette to fit into as well. This life between two contrasting cultures forces Antoinette into a situation of confusion and doubt which makes her question not only where she belongs but if she belongs at all. It drives her into a crisis which she is not able to escape. Jean Rhys published her novel in 1966. "Wide Sargasso Sea" tells the story of Antoinette Cosway who is also, known under the name of Bertha, a character of Charlotte Brontë's novel "Jane Eyre". In "Wide Sargasso Sea" Rhys is giving Bertha/ Antoinette a story and a reason why she became mad in the first place. The story starts in her childhood and moves on to the marriage to Mr. Rochester. The last part is set when she is already imprisoned by her husband and is setting the house on fire which accords with the story told in "Jane Eyre". For the background of the novel it is important to know that Rhys herself grew up in a situation like Antoinette’s. She as well had troubles with identifying herself when she grew up. So Rhys shares part of Antoinette’s history which is probably why she was that interested in telling her story which is completely uncared-for by Brontë.
Author: Veronica Marie Gregg Publisher: UNC Press Books ISBN: 1469617358 Category : Literary Criticism Languages : en Pages : 242
Book Description
As the foremost white West Indian writer of this century and author of the widely acclaimed novel Wide Sargasso Sea, Jean Rhys (1890-1979) has attracted much critical attention, most often from the perspective of gender analysis. Veronica Gregg extends our critical appreciation of Rhys by analyzing the complex relationship between Rhys's identity and the structures of her fiction, and she reveals the ways in which this relationship is connected to the history of British colonization of the West Indies. Gregg focuses on Rhys as a writer--a Creole woman analyzing the question of identity through literary investigations of race, gender, and colonialism. Arguing that history itself can be a site where different narratives collide and compete, she explores Rhys's rewriting of the historical discourses of the West Indies and of European canonical texts, such as Rhys's treatment of Jane Eyre in Wide Sargasso Sea. Gregg's analysis also reveals the precision with which Rhys crafted her work and her preoccupation with writing as performance.
Author: Cat Sebastian Publisher: HarperCollins ISBN: 0062642529 Category : Fiction Languages : en Pages : 336
Book Description
A 2017 RT Reviewer's Choice Nominee for Best Digital Historical! One of Goodreads' Best Romances of July A RT Book Review Top Pick! “Sebastian proves she is a new force to be reckoned with in historical romances.”—Booklist Rogue. Libertine. Rake. Lord Courtenay has been called many things and has never much cared. But after the publication of a salacious novel supposedly based on his exploits, he finds himself shunned from society. Unable to see his nephew, he is willing to do anything to improve his reputation, even if that means spending time with the most proper man in London. Julian Medlock has spent years becoming the epitome of correct behavior. As far as he cares, if Courtenay finds himself in hot water, it’s his own fault for behaving so badly—and being so blasted irresistible. But when Julian’s sister asks him to rehabilitate Courtenay’s image, Julian is forced to spend time with the man he loathes—and lusts after—most. As Courtenay begins to yearn for a love he fears he doesn’t deserve, Julian starts to understand how desire can drive a man to abandon all sense of propriety. But he has secrets he’s determined to keep, because if the truth came out, it would ruin everyone he loves. Together, they must decide what they’re willing to risk for love.
Author: Monica Ali Publisher: Random House ISBN: 0552774456 Category : Bangladesh Languages : en Pages : 516
Book Description
Still In Her Teenage Years, Nazneen Finds Herself In An Arranged Marriage With A Disappointed Man Who Is Twenty Years Older. Away From The Mud And Heat Of Her Bangladeshi Village, Home Is Now A Cramped Flat In A High-Rise Block In London S East End. Nazneen Knows Not A Word Of English, And Is Forced To Depend On Her Husband. But Unlike Him She Is Practical And Wise, And Befriends A Fellow Asian Girl Razia, Who Helps Her Understand The Strange Ways Of Her Adopted New British Home. Nazneen Keeps In Touch With Her Sister Hasina Back In The Village. But The Rebellious Hasina Has Kicked Against Cultural Tradition And Run Off In A Love Marriage With The Man Of Her Dreams. When He Suddenly Turns Violent, She Is Forced Into The Degrading Job Of Garment Girl In A Cloth Factory. Confined In Her Flat By Tradition And Family Duty, Nazneen Also Sews Furiously For A Living, Shut Away With Her Buttons And Linings - Until The Radical Karim Steps Unexpectedly Into Her Life. On A Background Of Racial Conflict And Tension, They Embark On A Love Affair That Forces Nazneen Finally To Take Control Of Her Fate.Strikingly Imagined, Gracious And Funny, This Novel Is At Once Epic And Intimate. Exploring The Role Of Fate In Our Lives - Those Who Accept It; Those Who Defy It - It Traces The Extraordinary Transformation Of An Asian Girl, From Cautious And Shy To Bold And Dignified Woman.
Author: Mary Lou Emery Publisher: University of Texas Press ISBN: 0292756232 Category : Literary Criticism Languages : en Pages : 235
Book Description
The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture—colonial vs. native, white vs. black, male conqueror vs. female subject—supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing. Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels—Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight—should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities. These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity.
Author: Josianne Strube Publisher: GRIN Verlag ISBN: 334610883X Category : Literary Criticism Languages : en Pages : 54
Book Description
Bachelor Thesis from the year 2018 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Cologne, language: English, abstract: This paper’s objective is to explore the ways in which Jean Rhys - in a quite revolutionary way - depicts fashion as a practice with various meanings. Fashion is entangled in a composite relationship with identity and the visual communication inherent in dress practices is much more complex than might first appear. In fact, Rhys raises questions about the political force of fashion enacted by women of different backgrounds. Albeit a fashion addict herself, she remains very critical of fashion’s positive possibilities, rather focusing on its counter-enforcement on female identity as well as making use of it as a means to examine social coherences. Rhys has written five novels and various short stories. The novels I chose reflect different periods of her writing as well as different cultural, social and historical contexts. Additionally, the protagonists in each novel are of different ages, giving an insight into different situational concerns of women regarding fashion. Rhys’s characters are markedly similar, always outsiders, always close to the edge. Good Morning, Midnight and Voyage in the Dark depict Sasha Jansen and Anna Morgan’s movement in the modern urban space in which ‘good’ clothing is deemed a prerequisite. Wide Sargasso Sea sets a different focus, placing the subject of clothing in a colonial context. Rhys’s wrote her masterpiece Wide Sargasso Sea – published twenty-seven years after the publication of the last of her ‘continental’ novels - as a prequel to Charlotte Brontë’s Jane Eyre. Unhappy about Brontë’s description of Rochester’s mad Creole wife Bertha, Rhys conceptualized the novel as a rereading of the tragic life story of Antoinette “Bertha” Cosway. The project includes several strands of theoretical thought to illuminate the multifaceted use of fashion in Rhys’s novels. In chapter two, each theoretical concept is outlined and summarized. In chapter three, I link the theories to Rhys’s texts. I start my analysis with two sociological theories, Georg Simmel’s Fashion (1904) and Joanne Finkelstein’s The Fashioned Self (1991). Simmel’s concepts are particularly helpful in relation to the historical context of Rhys’s writing. Finkelstein critically examines aspects which are elemental features for Rhys’s writing on fashion: consumerism, the commodification of the female body, the illusory act of transformation and the resulting ‘surface life.’
Author: P. Mallikarjuna Rao Publisher: Atlantic Publishers & Dist ISBN: 9788126902309 Category : English literature Languages : en Pages : 262
Book Description
This Anthology Offers New Modes Of Response In The Theory And Practice Of Postcoloniality. While Taking Stock Of The Postcolonial Theoretical Constructs It Stresses The Need For Viable Critical Models To Match The Creative Spectrum Evidenced In Postcolonial Societies. It Provides A Pointer To The Various Means Of The Imperial Centre To Falsify, Mythicise And Control Postcolonial Studies As The Need To Develop Local/National Models Of Criticism Gains In Importance.The Book, In Its Wide Ranging Sweep, Covers Different Terrains Canonical Texts, Emerging Literatures And Native Indian Literatures And Subjects Some Individual Texts To Closer Critical Scrutiny. It Takes Into Its Fold Different Genres And Explores The Possibilities Of Alternative Critical Viewpoints.
Author: Cristina-Georgiana Voicu Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110368129 Category : Social Science Languages : en Pages : 140
Book Description
Using a theoretical approach and a critical summary, combining the perspectives in the postcolonial theory, psychoanalysis and narratology with the tools of hermeneutics and deconstruction, this book argues that Jean Rhys’s work can be subsumed under a poetics of cultural identity and hybridity. It also demonstrates the validity of the concept of hybridization as the expression of identity formation; the cultural boundaries variability; the opposition self-otherness, authenticity-fiction, trans-textuality; and the relevance of an integrated approach to multiple cultural identities as an encountering and negotiation space between writer, reader and work. The complexity of ontological and epistemological representation involves an interdisciplinary approach that blends a literary interpretive approach to social, anthropological, cultural and historical perspectives. The book concludes that in the author’s fictional universe, cultural identity is represented as a general human experience that transcends the specific conditionalities of geographical contexts, history and culture. The construction of identity by Jean Rhys is represented by the dichotomy of marginal identity and the identification with a human ideal designed either by the hegemonic discourse or metropolitan culture or by the dominant ideology. The identification with a pattern of cultural authenticity, of racial, ethnic, or national purism is presented as a purely destructive cultural projection, leading to the creation of a static universe in opposition to the diversity of human feelings and aspirations. Jean Rhys’s fictional discourse lies between “the anxiety of authorship” and “the anxiety of influence” and shows the postcolonial era of uprooting and migration in which the national ownership diluted the image of a “home” ambiguous located at the boundary between a myth of origins and a myth of becoming. The relationship between the individual and socio-cultural space is thus shaped in a dual hybrid position.
Author: Simone Schwarz-Bart Publisher: New York Review of Books ISBN: 1590176804 Category : Fiction Languages : en Pages : 273
Book Description
This is an intoxicating tale of love and wonder, mothers and daughters, spiritual values and the grim legacy of slavery on the French Antillean island of Guadeloupe. Here long-suffering Telumee tells her life story and tells us about the proud line of Lougandor women she continues to draw strength from. Time flows unevenly during the long hot blue days as the madness of the island swirls around the villages, and Telumee, raised in the shelter of wide skirts, must learn how to navigate the adversities of a peasant community, the ecstasies of love, and domestic realities while arriving at her own precious happiness. In the words of Toussine, the wise, tender grandmother who raises her, “Behind one pain there is another. Sorrow is a wave without end. But the horse mustn’t ride you, you must ride it.” A masterpiece of Caribbean literature, The Bridge of Beyond relates the triumph of a generous and hopeful spirit, while offering a gorgeously lush, imaginative depiction of the flora, landscape, and customs of Guadeloupe. Simone Schwarz-Bart’s incantatory prose, interwoven with Creole proverbs and lore, appears here in a remarkable translation by Barbara Bray.
Author: Julia Straub
Author: Julia Straub
Author: Jean Rhys
Author: Veronica Marie Gregg
Author: Cat Sebastian
Author: Monica Ali
Author: Mary Lou Emery
Author: Josianne Strube
Author: P. Mallikarjuna Rao
Author: Cristina-Georgiana Voicu
Author: Simone Schwarz-Bart