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Author: Charles Altieri Publisher: Cambridge University Press ISBN: 9780521330855 Category : Literary Criticism Languages : en Pages : 122
Book Description
Charles Altieri's groundbreaking new book sets modernist American poetry in a precise cultural context by analyzing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealizing principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarmé, to T.S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein. There are summary chapters also on Wallace Stevens and Ezra Pound, considerations of Cézanne and the Cubists, and a substantial theoretical discussion of the nature of abstract art.
Author: Charles Altieri Publisher: Cambridge University Press ISBN: 9780521330855 Category : Literary Criticism Languages : en Pages : 122
Book Description
Charles Altieri's groundbreaking new book sets modernist American poetry in a precise cultural context by analyzing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealizing principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarmé, to T.S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein. There are summary chapters also on Wallace Stevens and Ezra Pound, considerations of Cézanne and the Cubists, and a substantial theoretical discussion of the nature of abstract art.
Author: Charles Altieri Publisher: John Wiley & Sons ISBN: 1405152273 Category : Literary Criticism Languages : en Pages : 264
Book Description
Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. Encourages readers to identify with the modernists’ sense of the revolutionary possibilities of their art. Embraces four generations of modernist American poets up through to the 1980s. Gives readers a sense of the ambitions, the disillusionments and the continuities of modernist poetry. Includes close readings of particular poems which show how readers can use these works to connect with what concerns them.
Author: Albert Gelpi Publisher: Cambridge University Press ISBN: 1316239799 Category : Literary Criticism Languages : en Pages : 327
Book Description
Albert Gelpi's American Poetry after Modernism is a study of sixteen major American poets of the postwar period, from Robert Lowell to Adrienne Rich. Gelpi argues that a distinctly American poetic tradition was solidified in the later half of the twentieth century, thus severing it from British conventions. In Gelpi's view, what distinguishes the American poetic tradition from the British is that at the heart of the American endeavor is a primary questioning of function and medium. The chief paradox in American poetry is the lack of a tradition that requires answering and redefining - redefining what it means to be a poet and, likewise, how the words of a poem create meaning, offer insight into reality, and answer the ultimate questions of living. Through chapters devoted to specific poets, Gelpi explores this paradox by providing an original and insightful reading of late-twentieth-century American poetry.
Author: Neil W. Browne Publisher: University of Alabama Press ISBN: 0817315810 Category : Literary Criticism Languages : en Pages : 241
Book Description
American philosopher John Dewey considered all human endeavors to be one with the natural world. In his writings, particularly Art as Experience (1934), Dewey insists on the primacy of the environment in aesthetic experience. Dewey’s conception of environment includes both the natural and the man-made. The World in Which We Occur highlights this notion in order to define “pragmatist ecology,” a practice rooted in the interface of the cultural and the natural. Neil Browne finds this to be a significant feature of some of the most important ecological writing of the last century. To fully understand human involvement in the natural world, Browne argues that disciplinary boundaries must be opened, with profound implications for the practice of democracy. The degradation of the physical environment and democratic decay, for Browne, are rooted in the same problem: our persistent belief that humans are somehow separate from their physical environment. Browne probes the work of a number of major American writers through the lens of Dewey’s philosophy. Among other texts examined are John Muir’s My First Summer in the Sierra (1911); Sea of Cortez (1941) by John Steinbeck and Edward Ricketts; Rachel Carson’s three books about the sea, Under the Sea-Wind (1941), The Sea Around Us (1951), and The Edge of the Sea (1955); John Haines’s The Stars, the Snow, the Fire (1989); Barry Lopez’s Arctic Dreams (1986); and Terry Tempest Williams’s Refuge (1991). Together, these texts—with their combinations of scientific observation and personal meditation—challenge the dichotomies that we have become accustomed and affirm the principles of a pragmatist ecology, one in which ecological and democratic values go hand in hand.
Author: Charles Altieri Publisher: University of New Mexico Press ISBN: 0826362664 Category : Literary Criticism Languages : en Pages : 304
Book Description
In Modernist Poetry and the Limitations of Materialist Theory, Charles Altieri skillfully dissects the benefits and limitations of Materialist theory for works of art. He argues that while Materialist theory can intensify our awareness of how art can foreground sensual dimensions of experience, it does not yet serve as an adequate description of much of what we experience as mental activity—especially in the domain of art, which depends on active imaginations and constructive energies for which no Materialist theory is yet adequate. He carefully shows how constructive imaginations operate in a range of modernist poetry that is especially attentive to the mind’s powers because it provides alternatives to Impressionist sensibilities, which thrive on Materialist modes of attention. These modernists turned to versions of Hegel’s idea of the “inner sensuousness,” stressing how a work’s very construction can provide different levels of sensuousness inseparable from the work of self-consciousness.
Author: Sandra Lee Kleppe Publisher: Cambridge Scholars Publishing ISBN: 1443885061 Category : Literary Criticism Languages : en Pages : 220
Book Description
Ekphrasis in American Poetry: The Colonial Period to the 21st Century provides a sample of the chronological range and stylistic variety of ekphrastic poetry, or poetry that engages in various ways with different types of visual art, including pictographs, paintings, moving panoramas, daguerreotypes, photographs, landscape, and more. The volume shows how ekphrasis has been a part of American poetry from its inception, and that as many American men as women have produced work in this genre. The book opens with an overview chapter followed by an examination of American ekphrastic poems during the formative Colonial period where Europe, Africa, and Indigenous America met in encounters that are depicted in art and literature. It closes with two chapters on Native American poetry that consider how American landscapes serve as ekphrastic prompts for personal and collective experiences. In between are contributions on men and women poets and artists who have engaged with ekphrasis in a variety of ways from different periods. As such, American ekphrasis emerges as a genre that has implications far beyond the Eurocentric versions of the canon that have hitherto been discussed in the critical literature on the topic.
Author: Richard Gray Publisher: John Wiley & Sons ISBN: 1444345680 Category : Literary Criticism Languages : en Pages : 933
Book Description
Updated throughout and with much new material, A History of American Literature, Second Edition, is the most up-to-date and comprehensive survey available of the myriad forms of American Literature from pre-Columbian times to the present. The most comprehensive and up-to-date history of American literature available today Covers fiction, poetry, drama, and non-fiction, as well as other forms of literature including folktale, spirituals, the detective story, the thriller, and science fiction Explores the plural character of American literature, including the contributions made by African American, Native American, Hispanic and Asian American writers Considers how our understanding of American literature has changed over the past?thirty years Situates American literature in the contexts of American history, politics and society Offers an invaluable introduction to American literature for students at all levels, academic and general readers
Author: B. Eeckhout Publisher: Springer ISBN: 0230583849 Category : Literary Criticism Languages : en Pages : 246
Book Description
In a unique collection of essays devoted to one of America's most significant twentieth-century poets, a group of international contributors considers the Transatlantic nature of Stevens' poetry, providing original accounts of how a poet wary of 'influence' created a poetics which continues to haunt contermporary verse.
Author: Charles Altieri
Author: Charles Altieri
Author: Charles Altieri
Author: Charles Altieri
Author: Catherine Morley
Author: Albert Gelpi
Author: Neil W. Browne
Author: Charles Altieri
Author: Sandra Lee Kleppe
Author: Richard Gray
Author: B. Eeckhout