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Author: Francis Grin Publisher: GRIN Verlag ISBN: 364023426X Category : Performing Arts Languages : en Pages : 7
Book Description
Scientific Essay from the year 2008 in the subject Theater Studies, Dance, grade: H1, University of Melbourne, course: Modern Drama, 12 entries in the bibliography, language: English, abstract: When Harold Pinter’s plays first hit the British stage, they didn’t exactly receive a warm welcome. The 1958 Lyric Opera House premier of The Birthday Party was famously ripped to shreds, as the Daily Telegraph called it “one of those plays in which an author wallows in symbols and revels in obscurity.” (Darlington 1958) Its seemingly incomprehensible dialogue and action simply baffled most audience members into boredom. Yet today, Pinter’s plays are considered some of the most pivotal milestones in the movement of modern drama. Critics warmed up to Pinter as they stopped trying to read his plays through an already existent framework (realist, absurdist, etc.) and finally saw the texts for what they really were: revolutionary works of theatre. In a review regarding the 2005 Duchess Theatre production of The Birthday Party, Michael Billington states “one problem in the 50s was that critics assumed Pinter was writing in the absurdist vein of Ionesco and NF Simpson. Now it is much easier to see the play for what it is: a rep thriller invented by a man who’s read Kaftka.” (Billington 2005) The point being, the major plays of Harold Pinter can neither be pushed into the categories of realist or absurdist theatre, they belong in a league of their own and need to be looked at through an independent framework.
Author: Francis Grin Publisher: GRIN Verlag ISBN: 364023426X Category : Performing Arts Languages : en Pages : 7
Book Description
Scientific Essay from the year 2008 in the subject Theater Studies, Dance, grade: H1, University of Melbourne, course: Modern Drama, 12 entries in the bibliography, language: English, abstract: When Harold Pinter’s plays first hit the British stage, they didn’t exactly receive a warm welcome. The 1958 Lyric Opera House premier of The Birthday Party was famously ripped to shreds, as the Daily Telegraph called it “one of those plays in which an author wallows in symbols and revels in obscurity.” (Darlington 1958) Its seemingly incomprehensible dialogue and action simply baffled most audience members into boredom. Yet today, Pinter’s plays are considered some of the most pivotal milestones in the movement of modern drama. Critics warmed up to Pinter as they stopped trying to read his plays through an already existent framework (realist, absurdist, etc.) and finally saw the texts for what they really were: revolutionary works of theatre. In a review regarding the 2005 Duchess Theatre production of The Birthday Party, Michael Billington states “one problem in the 50s was that critics assumed Pinter was writing in the absurdist vein of Ionesco and NF Simpson. Now it is much easier to see the play for what it is: a rep thriller invented by a man who’s read Kaftka.” (Billington 2005) The point being, the major plays of Harold Pinter can neither be pushed into the categories of realist or absurdist theatre, they belong in a league of their own and need to be looked at through an independent framework.
Author: Basil Chiasson Publisher: Bloomsbury Publishing ISBN: 1350133647 Category : Performing Arts Languages : en Pages : 241
Book Description
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter's theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter's work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. Combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextualize Pinter as a cultural figure; explore and interrogate his influence on contemporary British playwriting; and offer a series of original interviews with theatre-makers engaging in the staging of Pinter's work today. Reconsiderations of Pinter's relationship to literary and theatrical movements such as Modernism and the Theatre of the Absurd; interrogations of the role of class, elitism and religious and cultural identity sit alongside chapters on Pinter's personal politics, specifically in relation to the Middle East.
Author: Carey Perloff Publisher: Bloomsbury Publishing ISBN: 1350243418 Category : Performing Arts Languages : en Pages : 241
Book Description
Shortlisted for the STR Theatre Book Prize 2023 A LA Times best theater book of 2022 Harold Pinter and Tom Stoppard, by most accounts the leading British playwrights of our time, might seem to come from very different aesthetic, cultural and political worlds. But as Carey Perloff's fascinating new book reveals, the two have much in common. By examining these contemporaries alongside one another and in the context of the rehearsal room, we can glean new insights and connections, including the impact of their Jewish background on their work and their passion for the details of stagecraft. Readers of Pinter and Stoppard: A Director's View will emerge with a set of tools for approaching their work in a performance environment and for unlocking the mysteries of the plays for audiences. Esteemed theatre director Carey Perloff draws upon her first-hand experience of working with both writers, creating case studies of particular plays in production to provide new ways of positioning the work today. 30 years after major criticism on both playwrights first emerged, this is a ripe moment for a fresh examination of the unique contribution of Pinter and Stoppard in the twenty-first century.
Author: Harold Pinter Publisher: Grove Press ISBN: 9780802150493 Category : Drama Languages : en Pages : 252
Book Description
Harold Pinter has long been acknowledged as one of the most influential playwrights in contemporary theatre: his arresting and original works have left a lasting imprint on the development of the stage and screen while delighting audiences around the world.
Author: Harold Pinter Publisher: Grove Press ISBN: 9780802151148 Category : Drama Languages : en Pages : 132
Book Description
In "The Birthday Party", a musician becomes the victim of a ritual murder. Everyone implacably plays out the role assigned to them by fate. "The Room" becomes the scene of a visitation of fate when a blind Negro suddenly arrives to deliver a mysterious message.
Author: Harold Pinter Publisher: ISBN: 9780802137081 Category : Drama Languages : en Pages : 125
Book Description
Collects two hallmark plays by the Nobel Prize-winning author: "Celebration" first performed in 2000 and his first play, "The Room," first performed in 1957.
Author: Jez Butterworth Publisher: Dramatists Play Service, Inc. ISBN: 9780822216612 Category : Rock musicians Languages : en Pages : 84
Book Description
THE STORY: Silver Johnny is the new singing sensation, straight out of a low-life Soho clubland bar in 1958. His success could be the big break for two dead-end workers in the bar, if they play their cards right and trust the owner of the place to
Author: Graham Saunders Publisher: Taylor & Francis ISBN: 1000890945 Category : Performing Arts Languages : en Pages : 184
Book Description
Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world. Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus. Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.
Author: Francis Grin
Author: Francis Grin
Author: Basil Chiasson
Author: Carey Perloff
Author: Harold Pinter
Author: Harold Pinter
Author: Harold Pinter
Author: Jez Butterworth
Author: John Russell Brown
Author: Graham Saunders
Author: Harold Pinter