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Author: Francis Landy Publisher: Oxford University Press ISBN: 0198856695 Category : Art Languages : en Pages : 498
Book Description
The book of Isaiah is one of the longest and strangest books of the Hebrew Bible, composed over several centuries and traversing the catastrophe that befell the two kingdoms of Israel and Judah in the 8th and 6th centuries BCE. Francis Landy's book tells the story of the poetic response to catastrophe, and the hope for a new and perfect world on the other side. The study traces two parallel developments: the displacement of the Davidic promise onto the Persian Empire, Israel, and the prophet himself; and the transition from exclusively male images of the deity to the matching of male and female prototypes, whereby YHWH takes the place of the warrior goddess. Utopia, Catastrophe, and Poetry in the Book of Isaiah consists of close readings of individual passages in Isaiah, commencing with Chapter One and the problems of beginning, and ending with Deutero-Isaiah, composed subsequent to the Babylonian exile. The volume is arranged thematically as well as sequentially: the first chapter following the introduction concerns gender, the second death, the third the Oracles about the Nations. At the centre there is what Landy calls 'the constitutive enigma', Isaiah's commission in his vision to speak so that people will not understand. This renders the entire book potentially incomprehensible; the more we try to understand it, the greater the difficulty. For Landy, this creates a model of reading and writing, the challenge and the risk of going up blind alleys, of trying to make sense of a disastrous world. Isaiah's commission pervades the book. Throughout there is a promise of an age of clarity as well as social and political transformation, which is always deferred beyond the horizon. Hence it is a book without an ending, or with multiple endings. In the final chapters, the author turns to the central Chapter Thirty-Three, a mise-en-abyme of the book and a prayer for deliverance, and the issues of exile and the possibility of return. Like every poetic work, particularly in an era of cultural collapse, it is a critique of the past and a hope for a new humanity.
Author: Francis Landy Publisher: Oxford University Press ISBN: 0198856695 Category : Art Languages : en Pages : 498
Book Description
The book of Isaiah is one of the longest and strangest books of the Hebrew Bible, composed over several centuries and traversing the catastrophe that befell the two kingdoms of Israel and Judah in the 8th and 6th centuries BCE. Francis Landy's book tells the story of the poetic response to catastrophe, and the hope for a new and perfect world on the other side. The study traces two parallel developments: the displacement of the Davidic promise onto the Persian Empire, Israel, and the prophet himself; and the transition from exclusively male images of the deity to the matching of male and female prototypes, whereby YHWH takes the place of the warrior goddess. Utopia, Catastrophe, and Poetry in the Book of Isaiah consists of close readings of individual passages in Isaiah, commencing with Chapter One and the problems of beginning, and ending with Deutero-Isaiah, composed subsequent to the Babylonian exile. The volume is arranged thematically as well as sequentially: the first chapter following the introduction concerns gender, the second death, the third the Oracles about the Nations. At the centre there is what Landy calls 'the constitutive enigma', Isaiah's commission in his vision to speak so that people will not understand. This renders the entire book potentially incomprehensible; the more we try to understand it, the greater the difficulty. For Landy, this creates a model of reading and writing, the challenge and the risk of going up blind alleys, of trying to make sense of a disastrous world. Isaiah's commission pervades the book. Throughout there is a promise of an age of clarity as well as social and political transformation, which is always deferred beyond the horizon. Hence it is a book without an ending, or with multiple endings. In the final chapters, the author turns to the central Chapter Thirty-Three, a mise-en-abyme of the book and a prayer for deliverance, and the issues of exile and the possibility of return. Like every poetic work, particularly in an era of cultural collapse, it is a critique of the past and a hope for a new humanity.
Author: Francis Landy Publisher: ISBN: 9780192598714 Category : Bible Languages : en Pages : 0
Book Description
"Offers a deep reading of the book of Isaiah by considering the response of poetry to catastrophe. Contributes to the growing body of feminist and gender-based interpretations of the Bible. Focuses on poetry and poets, to counter the conventional emphasis on scribes and scribal communities in biblical studies."--Publisher's website.
Author: Peter D. Quinn-Miscall Publisher: Westminster John Knox Press ISBN: 9780664223694 Category : Religion Languages : en Pages : 236
Book Description
This practical, "how-to" literary introduction to Isaiah as a poem is based upon the English text and focuses upon parallelism, figurative language, and the use of imagery.
Author: A. Joseph Everson Publisher: Wipf and Stock Publishers ISBN: 1532667507 Category : Religion Languages : en Pages : 304
Book Description
"Come, let us walk in the light of the Lord!" Isaiah's words are deeply loved by many who attend Sunday services. But how many can say that they have actually read this book? This commentary invites you to read Isaiah from the era when it reached its sixty-six-chapter form and came to be part of Israel's sacred writings. Three memories helped to give shape to the Isaiah scroll. The first memory is of the destruction of Jerusalem in 587 BCE. How could God have allowed that to happen? The opening section of the scroll addresses that question. The second memory involves the fall of Babylon after 562 BCE. People, nations, and even empires rise and fall. The second section of the scroll addresses war and the sorrows of war. The third memory is of Cyrus of Persia, who allowed the exiles to return home after 539 BCE. His actions are presupposed, not just in the joyful poetry of the latter chapters of the scroll, but also in the confidence in God's love that runs through the entire scroll. God is the Lord of all nations and of all creation. Isaiah is a theological interpretation of past history. It is a passionate call for people to live with integrity, compassion, and hope.
Author: Dalit Rom-Shiloni Publisher: Wm. B. Eerdmans Publishing ISBN: 1467461873 Category : Religion Languages : en Pages : 434
Book Description
Where was God in the sixth-century destruction of Jerusalem? The Hebrew Bible compositions written during and around the sixth century BCE provide an illuminating glimpse into how ancient Judeans reconciled the major qualities of God—as Lord, fierce warrior, and often harsh rather than compassionate judge—with the suffering they were experiencing at the hands of the Neo-Babylonian empire, which had brutally destroyed Judah and deported its people. Voices from the Ruins examines the biblical texts “explicitly and directly contextualized by those catastrophic events”—Kings, Jeremiah, Ezekiel, Lamentations, and selected Psalms—to trace the rich, diverse, and often-polemicized discourse over theodicy unfolding therein. Dalit Rom-Shiloni shows how the “voices from the ruins” in these texts variously justified God in the face of the rampant destruction, expressed doubt, and protested God’s action (and inaction). Rather than trying to paper over the stark theological differences between the writings of these sixth-century historiographers, prophets, and poets, Rom-Shiloni emphasizes the dynamic of theological pluralism as a genuine characteristic of the Hebrew Bible. Through these avenues, and with her careful, discerning textual analysis, she provides readers with insight into how the sufferers of an ancient national catastrophe wrestled with the difficult question that has accompanied tragedies throughout history: Where was God?
Author: Katheryn Pfisterer Darr Publisher: Westminster John Knox Press ISBN: 9780664255374 Category : Religion Languages : en Pages : 288
Book Description
Using a pragmatic, reader-orientated approach and informed by contemporary theory of metaphor and related topics, Katheryn Darr examines the meaning and functions of child and female imagery for sequential readers of the Isaiah scroll in its entirety. Having identified the associated commonplaces surrounding such tropes--a necessary task if one is to construe the figurative language of another society and culture competently--she turns specifically to rebellious child and personified city (and nation) imagery. The Literary Currents in Biblical Interpretation series explores current trends within the discipline of biblical interpretation by dealing with the literary qualities of the Bible: the play of its language, the coherence of its final form, and the relationships between text and readers. Biblical interpreters are being challenged to take responsibility for the theological, social, and ethical implications of their readings. This series encourages original readings that breach the confines of traditional biblical criticism.
Author: Greg Garrett Publisher: Oxford University Press, USA ISBN: 0199335907 Category : Religion Languages : en Pages : 264
Book Description
Nowadays references to the afterlife-angels strumming harps, demons brandishing pitchforks, God enthroned on heavenly clouds-are more often encountered in New Yorker cartoons than in serious Christian theological reflection. Speculation about death and its sequel seems to embarrass many theologians; however, as Greg Garrett shows in Entertaining Judgment, popular culture in the U.S. has found rich ground for creative expression in the search for answers to the question: What lies in store for us after we die? The lyrics of Madonna, Los Lonely Boys, and Sean Combs; the plotlines of TV's Lost, South Park, and The Walking Dead; the implied theology in films such as The Dark Knight, Ghost, and Field of Dreams; the heavenly half-light of Thomas Kinkade's popular paintings; the ghosts, shades, and after-life way-stations in Harry Potter; and the characters, situations, and locations in the Hunger Games saga all speak to our hopes and fears about what comes next. In a rich survey of literature and popular media, Garrett compares cultural accounts of death and the afterlife with those found in scripture. Denizens of the imagined afterlife, whether in heaven, hell, on earth, or in purgatory, speak to what awaits us, at once shaping and reflecting our deeply held-if often somewhat nebulous-beliefs. They show us what rewards and punishments we might expect, offer us divine assistance, and even diabolically attack us. Ultimately, we are drawn to these stories of heaven, hell, and purgatory--and to stories about death and the undead--not only because they entertain us, but because they help us to create meaning and to learn about ourselves, our world, and, perhaps, the next world. Garrett's deft analysis sheds new light on what popular culture can tell us about the startlingly sharp divide between what modern people profess to believe and what they truly hope and expect to find after death--and how they use those stories to help them understand this life.
Author: Francis Landy
Author: Francis Landy
Author: Francis Landy
Author: A. Joseph Everson
Author: Peter D. Quinn-Miscall
Author: A. Joseph Everson
Author: Arthur Rogers
Author: Dalit Rom-Shiloni
Author: Katheryn Pfisterer Darr
Author: J. Blake Couey
Author: Greg Garrett