Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Postmodern Brecht PDF full book. Access full book title Postmodern Brecht by Elizabeth Wright. Download full books in PDF and EPUB format.
Author: Elizabeth Wright Publisher: Routledge ISBN: 1134833377 Category : Literary Criticism Languages : en Pages : 205
Book Description
In this radical and deliberately controversial re-reading of Brecht, first published in 1989, Elizabeth Wright takes a new view of the playwright, giving us a more ‘Brechtian’ reading than so far achieved and making his work historically relevant here and now. The author discusses in detail Brecht’s principle theories and concepts in the light of poststructuralist theory, and reassess the aesthetics and politics with regard to Marxist critics of his own day. Wright includes a re-reading of Brecht’s early works, which presents them in relation to a postmodern theatre, and gives critical analyses of the work of Pina Bausch, Robert Wilson, and Heiner Müller, who use the techniques of performance theatre, showing how they deconstruct Brecht’s distinction between illusion and reality and point to a postmodern understanding of their dialectical relation.
Author: Elizabeth Wright Publisher: Routledge ISBN: 1134833377 Category : Literary Criticism Languages : en Pages : 205
Book Description
In this radical and deliberately controversial re-reading of Brecht, first published in 1989, Elizabeth Wright takes a new view of the playwright, giving us a more ‘Brechtian’ reading than so far achieved and making his work historically relevant here and now. The author discusses in detail Brecht’s principle theories and concepts in the light of poststructuralist theory, and reassess the aesthetics and politics with regard to Marxist critics of his own day. Wright includes a re-reading of Brecht’s early works, which presents them in relation to a postmodern theatre, and gives critical analyses of the work of Pina Bausch, Robert Wilson, and Heiner Müller, who use the techniques of performance theatre, showing how they deconstruct Brecht’s distinction between illusion and reality and point to a postmodern understanding of their dialectical relation.
Author: Loren Kruger Publisher: Cambridge University Press ISBN: 9780521817080 Category : Drama Languages : en Pages : 428
Book Description
Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.
Author: Margaret Eddershaw Publisher: Routledge ISBN: 1134895410 Category : Performing Arts Languages : en Pages : 199
Book Description
Performing Brecht is an unprecedented history of the productions of Brecht's plays in Britain over forty years. Margaret Eddershaw surveys all aspects of Brecht in performance, from his methodologies to his place in postmodernist theatre and beyond. She focuses on key productions by directors including George Devine, Sam Wanamaker, William Gaskill, Howard Davies, John Dexter and Richard Eyre. Eddershaw also provides three in-depth case studies of productions in the 1990s, incorporating her own exclusive access to the rehearsals and in-depth interviews with directors and performers. The case studies are: * The Good Person of Sechuan, directed by Deborah Warner and starring Fiona Shaw; * Mother Courage, directed by Philip Prowse and starring Glenda Jackson; * The Resistable Rise of Arturo Ui, directed by Di Trevis and starring Antony Sher
Author: Sean Carney Publisher: Routledge ISBN: 1000143228 Category : Performing Arts Languages : en Pages : 216
Book Description
Arguing that Brecht’s aesthetic theories are still highly relevant today, and that an appreciation of his theory and theatre is essential to an understanding of modern critical theory, this book examines the influence of Brecht’s aesthetic on the pre-eminent materialist critics of the twentieth century: Louis Althusser, Walter Benjamin, Roland Barthes, Frederic Jameson, Theodor W. Adorno and Raymond Williams. Re-reading Brecht through the lens of post-structuralism, Sean Carney asserts that there is a Lacanian Brecht and a Derridean Brecht: the result of which is a new Brecht whose vital importance for the present is located in decentred theories of subjectivity. Brecht and Critical Theory maps the many ways in which Brechtian thinking pervades critical thought today, informing the critical tools and stances that make up the contemporary study of aesthetics.
Author: Mufti Mudasir Publisher: Cambridge Scholars Publishing ISBN: 1443862932 Category : Performing Arts Languages : en Pages : 135
Book Description
The book is a study of Harold Pinter and Tom Stoppard, arguably the two most eminent British playwrights of the past sixty years or so, from a perspective of what it describes as a poetics of postmodern drama. Arguing for the application of Linda Hutcheon’s model of postmodernism to the study of drama, Towards a Poetics of Postmodern Drama shows that postmodern drama should be seen as a self-consciously contradictory and double-coded phenomenon, one which simultaneously inscribes and subverts the conventional categories of dramatic representation. In spite of its indebtedness to Beckett’s Absurdist and Brecht’s Epic theaters, postmodern drama should not be conflated with either. This is primarily because postmodern drama retains a critical edge towards contemporary reality in a manner which Hutcheon very aptly terms as a ‘complicitous critique’. The book demonstrates that both Pinter and Stoppard are pre-eminently postmodern in their treatment of issues such as the human subject, the notion of truth, historical verifiability and linguistic reference. Pinter’s preoccupation with non-referential modes of language-use, the role of power in the construction of the subject, and unreliable memories is as potent a way of disrupting the representational status of drama as Stoppard’s repeated recourse to devices such as parody, theater-within-theater and the fictional treatment of history.
Author: Peter Thomson Publisher: Cambridge University Press ISBN: 9780521424851 Category : Drama Languages : en Pages : 338
Book Description
This updated edition properly retains much that was in the original Companion, but also introduces new voices and themes. It brings together the contrasting views of major critics and active practitioners and contains new essays on Brecht's early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this thorough overview of a writer who constantly aimed to provoke. Book jacket.
Author: Theodore F. Rippey Publisher: Boydell & Brewer ISBN: 0985195649 Category : Drama Languages : en Pages : 328
Book Description
Alongside the usual wide-ranging lineup of research articles, volume 41 features an interview with Berliner Ensemble actor Annemone Haase and an extensive special section on teaching Brecht.
Author: Stanton Garner Publisher: Cornell University Press ISBN: 1501735373 Category : Drama Languages : en Pages : 275
Book Description
"At me too someone is looking... " —Samuel Beckett, Waiting for Godot In a venturesome study of corporeality and perception in contemporary drama, Stanton B. Garner, Jr., turns this awareness of the spectator's gaze back upon itself. His book takes up two of drama's most essential and elusive elements: spatiality, through which plays establish fields of visual and environmental relationship; and the human body, through which these fields are articulated. Within the spatial terms of theater, this book puts the body and its perceptual worlds back into performance theory. Garner's approach is phenomenological, emphasizing perception and experience in the theatrical environment. His discussion of the work of playwrights after 1950-including Samuel Beckett, Eugene Ionesco, Peter Weiss, Harold Pinter, Sam Shepard, David Mamet, Edward Bond, Maria Irene Fornes, Caryl Churchill, and Ntozake Shange—explores the body's modes of presence in contemporary drama. Drawing on work in areas as diverse as scenographic theory, medical phenomenology, contemporary linguistics, and feminist theories of the body, Garner addresses topics such as theatrical image, stage objects, dramatic language, the suffering body, and the staging of gender, all with a view toward developing a phenomenology of mise en scene.
Author: Elizabeth Wright
Author: Elizabeth Wright
Author: Janelle G. Reinelt
Author: Loren Kruger
Author: Margaret Eddershaw
Author: Sean Carney
Author: Mufti Mudasir
Author: Carney, Otis
Author: Peter Thomson
Author: Theodore F. Rippey
Author: Stanton Garner