Author: Gary A. OlsonPublisher: SIU Press
ISBN: 9780809389339
Category :
Languages : en
Pages : 268
Book Description
Rhetoric and Composition As Intellectual Work
Author: Gary A. OlsonPublisher: SIU Press
ISBN: 9780809389339
Category :
Languages : en
Pages : 268
Book Description
Women's Professional Lives in Rhetoric and Composition
Author: Elizabeth A. FlynnPublisher:
ISBN: 9780814213568
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
Speaks against linear stories of success and reveals the intertwining of choice, serendipity, and kairos in the careers of diverse women in rhetoric and composition.
English Composition and Rhetoric
Author: Alexander BainA Rhetoric for Writing Program Administrators
Author: Rita MalenczykPublisher: Parlor Press LLC
ISBN: 1602354359
Category : Language Arts & Disciplines
Languages : en
Pages : 472
Book Description
Influenced by Erika Lindemann’s A Rhetoric for Writing Teachers, A Rhetoric for Writing Program Administrators delineates the major issues and questions in the field of writing program administration and provides readers new to that field with theoretical lenses through which to view those issues and questions. In brief and direct though not oversimplified chapters, A Rhetoric for Writing Program Administrators explains the historical and theoretical background of such concepts as “academic freedom,” “first-year composition,” “basic writing,” “writing across the curriculum,” “placement,” “ESL,” “general education,” and “transfer. ” Its thirty-nine contributors are seasoned writing program and center administrators who, in a range of voices, map the discipline of writing program administration and guide readers toward finding their own answers to solving problems at their own institutions.
Composition, Rhetoric, and Disciplinarity
Author: Rita MalenczykPublisher: University Press of Colorado
ISBN: 1607326957
Category : Language Arts & Disciplines
Languages : en
Pages : 362
Book Description
Edited by four nationally recognized leaders of composition scholarship, Composition, Rhetoric, and Disciplinarity asks a fundamental question: can Composition and Rhetoric, as a discipline, continue its historical commitment to pedagogy without sacrificing equal attention to other areas, such as research and theory? In response, contributors to the volume address disagreements about what it means to be called a discipline rather than a profession or a field; elucidate tensions over the defined breadth of Composition and Rhetoric; and consider the roles of research and responsibility as Composition and Rhetoric shifts from field to discipline. Outlining a field with a complex and unusual formation story, Composition, Rhetoric, and Disciplinarity employs several lenses for understanding disciplinarity—theory, history, labor, and pedagogy—and for teasing out the implications of disciplinarity for students, faculty, institutions, and Composition and Rhetoric itself. Collectively, the chapters speak to the intellectual and embodied history leading to this point; to questions about how disciplinarity is, and might be, understood, especially with regard to Composition and Rhetoric; to the curricular, conceptual, labor, and other sites of tension inherent in thinking about Composition and Rhetoric as a discipline; and to the implications of Composition and Rhetoric’s disciplinarity for the future. Contributors: Linda Adler-Kassner, Elizabeth H. Boquet, Christiane Donahue, Whitney Douglas, Doug Downs, Heidi Estrem, Kristine Hansen, Doug Hesse, Sandra Jamieson, Neal Lerner, Jennifer Helene Maher, Barry Maid, Jaime Armin Mejía, Carolyn R. Miller, Kelly Myers, Gwendolynne Reid, Liane Robertson, Rochelle Rodrigo, Dawn Shepherd, Kara Taczak
Critical Intellectuals on Writing
Author: Gary A. OlsonPublisher: State University of New York Press
ISBN: 0791486230
Category : Social Science
Languages : en
Pages : 218
Book Description
Writing is central to the work of all intellectuals, yet any given scholar's relationship to writing is a uniquely personal one. Gary A. Olson and Lynn Worsham bring together some of the world's leading scholars from a variety of disciplines to examine how they conceive of their own relationship to writing and to the work of being a critical intellectual. Using excerpts from interviews, originally published in JAC, each scholar's thoughts are revealed about writing habits, how writing relates to intellectual work, and the politics of intellectual work. Included are excerpts of interviews with the following: Gloria Anzaldúa, Mary Field Belenky, Homi Bhabha, Judith Butler, Noam Chomsky, Donald Davidson, Jacques Derrida, Michael Eric Dyson, Stanley Fish, Paulo Freire, Clifford Geertz, Henry Giroux, Stuart Hall, Donna Haraway, Sandra Harding, bell hooks, Luce Irigaray, Ernesto Laclau, Jean-François Lyotard, J. Hillis Miller, Chantal Mouffe, Avital Ronell, Richard Rorty, Gayatri Chakravorty Spivak, Jane Tompkins, Stephen Toulmin, and Slavoj Zðizûek.
Publishing in Rhetoric and Composition
Author: Gary A. OlsonPublisher: SUNY Press
ISBN: 9780791433966
Category : Language Arts & Disciplines
Languages : en
Pages : 268
Book Description
Eminent scholars discuss the politics and practices of generating scholarship in rhetoric and composition studies. Publishing in Rhetoric and Composition is a collection of essays about the politics and practices of generating scholarship in rhetoric and composition. The contributors to this book, many of whom are current or past editors of the discipline's most prestigious scholarly journals, undoubtedly have their finger on the pulse of composition's most current scholarship and offer invaluable insight into the production and publication of original research. They discuss publishing articles and reviews, as well as book-length projects, including scholarly monographs, edited collections, and textbooks. They also address such topics as how composition research is valued in English departments, recent developments in electronic publishing, the work habits of successful academic writers, and the complications of mentoring graduate students in a publish-or-perish profession. An inviting and helpful tone makes this an ideal textbook for research methodology and professional writing courses.
Introducing English
Author: James F. SlevinPublisher: University of Pittsburgh Pre
ISBN: 0822972263
Category : Language Arts & Disciplines
Languages : en
Pages : 302
Book Description
Over the past thirty years, composition has flowered as a discipline in the academy. Doctoral programs in composition abound, and its position in the pantheon of academic fields seems assured. There is plenty of work in composition. But what is the nature of that work now, and what should it be? James Slevin asks such probing, primary questions in Introducing English, an overdue assessment of the state of composition by one of its most respected practitioners. Too often, Slevin claims, representations of composition take the form of promoting the field and its specialists, rather than explaining the fundamental work of composition and its important consequences. In thirteen thematically and methodologically linked essays, Slevin argues toward a view of the discipline as a set of activities, not as an enclosed field of knowledge. Such a view broadens the meaning of the work of composition to include teaching and learning, a two-way process, creating alliances across conventional educational boundaries, even beyond educational institutions. Slevin traces how composition emerged for him not as a vehicle for improving student writing, but rather as a way of working collaboratively with students to interpret educational practices and work for educational reform. He demonstrates the kind of classroom practice—in reading accounts of the Anglicization of Pocahontas—that reveals the social and cultural consequences of language and language education. “For good or ill,” writes Slevin, “composition has always been at the center of the reproduction of social inequality, or of the resistance to that process.” He asks those in the discipline to consider such history in the reading and writing they ask students to do and the reasons they give for asking them to do it. A much-anthologized essay by E. B. White from The New Yorker is the site for an examination of genre as social institution, introducing the ways in which the discourses of the academy can be understood as both obstacle and opportunity. Ultimately, Introducing English is concerned with the importance of writing and the teaching of writing to the core values of higher education. “Composition is always a metonym for something else,” Slevin concludes. “Usually, it has figured the impossibility of the student body—their lacks that require supplement, their ill-health that requires remedy.” Introducing English introduces a new figure—a two-way process of inquiry—that better serves the intellectual culture of the university. Chapters on writing across the curriculum, university management, and faculty assessment (the tenure system) put this new model to practical, innovative use. Introducing English will be necessary reading for all those who work with composition, as well as those engaged in learning theory, critical theory, and education reform.
Terms of Work for Composition
Author: Bruce HornerPublisher: SUNY Press
ISBN: 9780791445655
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
A cultural materialist critique of six key terms used in composition studies to define its work.
Composition in the University
Author: Sharon CrowleyPublisher: University of Pittsburgh Pre
ISBN: 9780822971900
Category : Language Arts & Disciplines
Languages : en
Pages : 324
Book Description
Composition in the University examines the required introductory course in composition within American colleges and universities. Crowley argues that due to its association with literary studies in English departments, composition instruction has been inappropriately influenced by humanist pedagogy and that modern humanism is not a satisfactory rationale for the study of writing. Crowley envisions possible nonhumanist rationales that could be developed for vertical curricula in writing instruction, were the universal requirement not in place. Composition in the University examines the required introductory course in composition within American colleges and universities. According to Sharon Crowley, the required composition course has never been conceived in the way that other introductory courses have been--as an introduction to the principles and practices of a field of study. Rather it has been constructed throughout much of its history as a site from which larger educational and ideological agendas could be advanced, and such agendas have not always served the interests of students or teachers, even though they are usually touted as programs of study that students "need." If there is a master narrative of the history of composition, it is told in the institutional attitude that has governed administration, design, and staffing of the course from its beginnings--the attitude that the universal requirement is in place in order to construct docile academic subjects. Crowley argues that due to its association with literary studies in English departments, composition instruction has been inappropriately influenced by humanist pedagogy and that modern humanism is not a satisfactory rationale for the study of writing. She examines historical attempts to reconfigure the required course in nonhumanist terms, such as the advent of communications studies during the 1940s. Crowley devotes two essays to this phenomenon, concentrating on the furor caused by the adoption of a communications program at the University of Iowa. Composition in the University concludes with a pair of essays that argue against maintenance of the universal requirement. In the last of these, Crowley envisions possible nonhumanist rationales that could be developed for vertical curricula in writing instruction, were the universal requirement not in place. Crowley presents her findings in a series of essays because she feels the history of the required composition course cannot easily be understood as a coherent narrative since understandings of the purpose of the required course have altered rapidly from decade to decade, sometimes in shockingly sudden and erratic fashion. The essays in this book are informed by Crowley's long career of teaching composition, administering a composition program, and training teachers of the required introductory course. The book also draw on experience she gained while working with committees formed by the Conference on College Composition and Communication toward implementation of the Wyoming Resolution, an attempt to better the working conditions of post-secondary teachers of writing.