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Author: Susanna Braund Publisher: Bloomsbury Publishing ISBN: 1474234801 Category : Literary Criticism Languages : en Pages : 177
Book Description
Oedipus, king of Thebes, is one of the giant figures of ancient mythology. Through the centuries, his story has inspired works of epic poetry, lyric poetry, tragedy, opera, a gospel musical and more. The myth has been famously deployed in psychology by Sigmund Freud. It may not be too bold to claim that Oedipus is the name from Greco-Roman mythology best known beyond the academy at the present time, thanks to Freud's famous phrase 'the Oedipus complex'. The most famous version of the Oedipus myth from antiquity is the Greek play by Sophocles. But there is another version, the Latin drama by the Roman philosopher and politician Seneca. Seneca's version is an entirely different treatment from that of Sophocles and reflects concerns special to the author and his Roman audience in the first century AD. Moreover, the play actually exercised a much greater influence on European literature and thought than has usually been suspected. This book offers a compact and incisive study of the multi-faceted Oedipus myth, of Seneca as dramatist, of the distinctive characteristics of Seneca's play and of the most important aspects of the reception of the play in European drama and culture. The scope of the book ranges chronologically from Homer's treatment of Oedipus myth in the Odyssey down to a twenty-first century Senecan treatment by a Lebanese Canadian dramatist. No knowledge of Latin or other foreign languages is required.
Author: Susanna Braund Publisher: Bloomsbury Publishing ISBN: 1474234801 Category : Literary Criticism Languages : en Pages : 177
Book Description
Oedipus, king of Thebes, is one of the giant figures of ancient mythology. Through the centuries, his story has inspired works of epic poetry, lyric poetry, tragedy, opera, a gospel musical and more. The myth has been famously deployed in psychology by Sigmund Freud. It may not be too bold to claim that Oedipus is the name from Greco-Roman mythology best known beyond the academy at the present time, thanks to Freud's famous phrase 'the Oedipus complex'. The most famous version of the Oedipus myth from antiquity is the Greek play by Sophocles. But there is another version, the Latin drama by the Roman philosopher and politician Seneca. Seneca's version is an entirely different treatment from that of Sophocles and reflects concerns special to the author and his Roman audience in the first century AD. Moreover, the play actually exercised a much greater influence on European literature and thought than has usually been suspected. This book offers a compact and incisive study of the multi-faceted Oedipus myth, of Seneca as dramatist, of the distinctive characteristics of Seneca's play and of the most important aspects of the reception of the play in European drama and culture. The scope of the book ranges chronologically from Homer's treatment of Oedipus myth in the Odyssey down to a twenty-first century Senecan treatment by a Lebanese Canadian dramatist. No knowledge of Latin or other foreign languages is required.
Author: Publisher: Bolchazy-Carducci Publishers ISBN: 9780865164598 Category : Drama Languages : en Pages : 116
Book Description
-- Introduction to Seneca, with: -- a comparison of ancient Greek and Roman drama -- approaches to presenting the play for modern audiences -- Text of Seneca's Oedipus in English adaptation -- Appendix I: Senecan Sources for the New Choral Odes
Author: Frederick Ahl Publisher: Cornell University Press ISBN: 9780801473975 Category : Drama Languages : en Pages : 284
Book Description
Sophocles' Oedipus Tyrannus is the most famous of ancient tragedies and a literary masterpiece. It is not, however, the only classical dramatization of Oedipus' quest to discover his identity. Between four and five hundred years after Sophocles' play was first performed, Seneca composed a fine, but neglected and often disparaged Latin tragedy on the same subject, which, in some ways, comes closer to our common understanding of the Oedipus myth. Now, modern readers can compare the two versions, in new translations by Frederick Ahl.Balancing poetry and clarity, yet staying scrupulously close to the original texts, Ahl's English versions are designed to be both read and performed, and are alert to the literary and historical complexities of each. In approaching Sophocles anew, Ahl is careful to preserve the richly allusive nature and rhetorical power of the Greek, including the intricate use of language that gives the original its brilliant force. For Ahl, Seneca's tragedy is vastly and intriguingly different from that of Sophocles, and a poetic masterpiece in its own right. Seneca takes us inside the mind of Oedipus in ways that Sophocles does not, making his inner conflicts a major part of the drama itself in his soliloquies and asides. Two Faces of Oedipus opens with a wide-ranging introduction that examines the conflicting traditions of Oedipus in Greek literature, the different theatrical worlds of Sophocles and Seneca, and how cultural and political differences between Athenian democracy and Roman imperial rule affect the nature and conditions under which the two tragedies were composed. This book brings two dramatic traditions into conversation while providing elegant, accurate, and exciting new versions of Sophocles' and Seneca's tragedies.
Author: Norman T. Pratt Publisher: UNC Press Books ISBN: 1469639572 Category : Literary Criticism Languages : en Pages : 240
Book Description
With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. "The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition," Pratt writes. "It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation." Pratt shows the functional interrelationship among philosophy, rhetoric, and "society" in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, "The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Lucius Annaeus Seneca Publisher: Cornell University Press ISBN: 9780801494321 Category : Drama Languages : en Pages : 134
Book Description
Medea is a fabula crepidata (Roman tragedy with Greek subject) of about 1027 lines of verse written by Seneca. It is generally considered to be the strongest of his earlier plays. It was written around 50 CE. The play is about the vengeance of Medea against her betraying husband Jason and King Creon. The leading role, Medea, delivers over half of the play's lines. Medea addresses many themes, one being that the title character represents "payment" for humans' transgression of natural laws. She was sent by the gods to punish Jason for his sins. Another theme is her powerful voice that cannot be silenced, not even by King Creon.
Author: Lucius Annaeus Seneca Publisher: Oxford University Press ISBN: 0192807064 Category : Drama Languages : en Pages : 277
Book Description
This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes.
Author: Susanna Braund Publisher: Bloomsbury Publishing ISBN: 147423481X Category : Literary Criticism Languages : en Pages : 192
Book Description
Oedipus, king of Thebes, is one of the giant figures of ancient mythology. Through the centuries, his story has inspired works of epic poetry, lyric poetry, tragedy, opera, a gospel musical and more. Famous today thanks to Sigmund Freud's famous phrase 'the Oedipus complex', the most famous version of the Oedipus myth from antiquity is the Greek play by Sophocles. But there is another version, the Latin drama by the Roman philosopher and politician Seneca. Seneca's play reflects concerns special to the author and his Roman audience. Moreover, it exercised a much greater influence on European literature and thought than has usually been suspected. This book offers a compact and incisive study of the multi-faceted Oedipus myth, of Seneca as dramatist, of the play's distinctive characteristics and of the most important aspects of the reception of the play in European drama and culture to the current day. No knowledge of Latin or other foreign languages is required.
Author: Lucius Annaeus Seneca Publisher: ISBN: 9781520940557 Category : Languages : en Pages : 43
Book Description
Oedipus is a "fabula crepidata" (Roman tragic play with Greek subject) of c. 1061 lines of verse that was written by Lucius Annaeus Seneca at some time during the 1st century AD. It is a retelling of the story of Oedipus, which is better known through the play Oedipus Rex by the Athenian playwright, Sophocles. Characters:Oedipus is the king of Thebes, husband of Jocasta, and he is the supposed son of king Polybus of Corinth. He is the main protagonist of the play.Jocasta is the widow of the former king Laius, wife of Oedipus and sister of CreonCreon is Jocasta's brother, and the chief aid to Oedipus in Thebes.Teiresias is a blind prophet who is charged by Oedipus to find the killer of king Laius.Manto is the daughter of Tiresias. She is used in the play to describe Tiresias' sacrifice to him, and therefore also to the audience.An Old Man (senex) is a messenger from Corinth who comes to tell Oedipus that Polybus is dead, and reveals part of Oedipus' history to him.Phorbas is an old shepherd who had given Oedipus to the Old Man when he was a child and who reveals Oedipus' real parentage to him.Messenger (nuntius) is the man who relates what has happened to Oedipus in the beginning of Act 5.The chorus are singers that help the audience understand what emotion they should feel after a scene.
Author: Anthony J. Boyle Publisher: Routledge ISBN: 113469685X Category : Drama Languages : en Pages : 324
Book Description
The first detailed cultural and theatrical history of a major literary form, this landmark introduction examines Roman tragedy and its place at the centre of Rome’s cultural and political life. Analyzing the work of such names as Ennius, Pacuvius and Accius, as well as Seneca and his post-Neronian successors, Anthony J. Boyle delves into detailed discussion on every Roman tragedian whose work survives in substance today. Roman Tragedy examines: the history of Roman tragic techniques and conventions the history of generic form and change the debt that Rome owes to Greece, and text owes to text the birth, development and death of Roman tragedy in the context of the cities evolving, institutions, ideologies and political and social practices tragedy proper and the historical drama (fabula praetexta), which the Romans allied to tragedy. With parallel English translations of Latin quotations, this seminal work not only provides an invaluable resource for students of theatre, Roman political history and cultural history, but it is also accessible to all interested in the social dynamics of writing, spectacle, ideology and power.
Author: Susanna Braund
Author: Susanna Braund
Author: Ted Hughes
Author: 
Author: Frederick Ahl
Author: Norman T. Pratt
Author: Lucius Annaeus Seneca
Author: Lucius Annaeus Seneca
Author: Susanna Braund
Author: Lucius Annaeus Seneca
Author: Anthony J. Boyle