Shakespeare on the German Stage PDF Download

Author: Simon Williams
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :

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Author: Simon Williams
Publisher: Cambridge University Press
ISBN: 9780521611930
Category : Drama
Languages : en
Pages : 264

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Book Description
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.

Author: Simon Williams
Publisher: Cambridge University Press
ISBN: 9780521344647
Category : Drama
Languages : en
Pages : 259

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Book Description
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day.

Author: Wilhelm Hortmann
Publisher: Cambridge University Press
ISBN: 9780521121682
Category : Drama
Languages : en
Pages : 0

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Book Description
This history of Shakespeare in the German-speaking theater is set against the background of German culture and politics in the twentieth century. Following on the earlier volume by Simon Williams, Shakespeare on the German Stage, 1586-1914, Hortmann concentrates on the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies. The work of individual directors, designers and actors is described and performances are plentifully illustrated. A section by Maik Hamburger describes the theater of the German Democratic Republic.

Author: Wilhelm Hortmann
Publisher: Cambridge University Press
ISBN: 9780521343862
Category : Drama
Languages : en
Pages : 532

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Book Description
Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.

Author: Andrew James Hartley
Publisher: Cambridge University Press
ISBN: 1316194841
Category : Literary Criticism
Languages : en
Pages : 382

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Featuring essays from seventeen international scholars, this exciting new collection is the first sustained study of Shakespeare on the university and college stage. Treating the subject both historically and globally, the essays describe theatrical conditions that fit neither the professional nor the amateur models and show how student performances provide valuable vehicles for artistic construction and intellectual analysis. The book redresses the neglect of this distinctive form of Shakespeare performance, opening up new ways of thinking about the nature and value of university production and its ability to draw unique audiences. Looking at productions across the world - from Asia to Europe and North America - it will interest scholars as well as upper-level students in areas such as Shakespeare studies, performance studies and theatre history.

Author: Tzachi Zamir
Publisher: Oxford University Press
ISBN: 0190698519
Category : Drama
Languages : en
Pages : 297

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This book assembles a team of leading literary scholars and philosophers to probe philosophical questions that assert themselves in Shakespeare's Hamlet, including issues about subjectivity, knowledge, sex, grief, and self-theatricalization.

Author: Michael Neill
Publisher: Oxford University Press
ISBN: 0191036153
Category : Literary Criticism
Languages : en
Pages : 650

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Book Description
The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The collection is organised in five sections. The substantial opening section introduces the plays by placing them in a variety of illuminating contexts: as well looking at ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, it addresses questions of genre by examining the playwright's inheritance from the classical and medieval past, by considering tragedy's relationship to other genres (including history plays, tragicomedy, and satiric drama), and by showing how Shakespeare's tragedies respond to the pressures of early modern politics, religion, and ideas about humanity and the natural world. The second section is devoted to current textual issues; while the third offers new critical readings of each of the tragedies, from Titus Andronicus to Coriolanus. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with the extraordinary diversity of twentieth and twenty-first century re-workings of Shakespearean tragedy. The thirteen essays of the book's final section seek to expand readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia. Offering the richest and most diverse collection of approaches to Shakespearean tragedy currently available, the Handbook will be an indispensable resource for students both undergraduate and graduate levels, while the lively and provocative character of its essays make will it required reading for teachers of Shakespeare everywhere.

Author: Margreta De Grazia
Publisher: Cambridge University Press
ISBN: 1107495482
Category : Literary Criticism
Languages : en
Pages : 380

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Book Description
Written by a team of leading international scholars, this Companion is designed to illuminate Shakespeare's works through discussion of the key topics of Shakespeare studies. Twenty-one essays provide lively and authoritative approaches to recent scholarship and criticism for readers keen to expand their knowledge and appreciation of Shakespeare. The book contains stimulating chapters on traditional topics such as Shakespeare's biography and the transmission of his texts. Individual readings of the plays are given in the context of genre as well as through the cultural and historical perspectives of race, sexuality and gender, and politics and religion. Essays on performance survey the latest digital media as well as stage and film. Throughout the volume, contributors discuss Shakespeare in a global as well as a national context, a dramatist with a long and constantly mutating history of reception and performance.

Author:
Publisher: BRILL
ISBN: 9004361596
Category : Drama
Languages : en
Pages : 259

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Book Description
Shakespeare as German Author explores in particular the Bard’s reception in Germany 1760-1830 that witnessed the birth of modern German aesthetics and literary production. The volume highlights the connection between Shakespeare’s mind (“Geist Shakespeares”) and the German mind (“deutscher Geist”).