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Author: Anna Batori Publisher: Springer ISBN: 3319759515 Category : Performing Arts Languages : en Pages : 207
Book Description
This book examines the structuring of space in Romanian and Hungarian cinema, and particularly how space is used to express the deep imprint of a socialist past on a post-socialist present. It considers this legacy of the Eastern European socialist regimes by interrogating the suffocating, tyrannical and enclosing structures that are presented in film. By tracing such paradigmatic models as horizontal and vertical enclosure, this book aims to show how enclosed spatial structuring restages the post-socialist era to produce an implicit and collective form of remembrance. While closely scrutinizing the interplay of location and image, Space in Romanian and Hungarian Cinema offers a new approach to the cinema of the region, which unites the filmic productions under a defined, post-socialist Eastern European spatial umbrella. By simultaneously portraying the gloom of a socialist past, while also conveying a sense of longing for a pre-capitalist era, these films convey how sense of unity and also ambivalence is a defining hallmark of Eastern European cinema.
Author: Anna Batori Publisher: Springer ISBN: 3319759515 Category : Performing Arts Languages : en Pages : 207
Book Description
This book examines the structuring of space in Romanian and Hungarian cinema, and particularly how space is used to express the deep imprint of a socialist past on a post-socialist present. It considers this legacy of the Eastern European socialist regimes by interrogating the suffocating, tyrannical and enclosing structures that are presented in film. By tracing such paradigmatic models as horizontal and vertical enclosure, this book aims to show how enclosed spatial structuring restages the post-socialist era to produce an implicit and collective form of remembrance. While closely scrutinizing the interplay of location and image, Space in Romanian and Hungarian Cinema offers a new approach to the cinema of the region, which unites the filmic productions under a defined, post-socialist Eastern European spatial umbrella. By simultaneously portraying the gloom of a socialist past, while also conveying a sense of longing for a pre-capitalist era, these films convey how sense of unity and also ambivalence is a defining hallmark of Eastern European cinema.
Author: Andrea Virginás Publisher: Rowman & Littlefield ISBN: 1793613443 Category : Performing Arts Languages : en Pages : 353
Book Description
This book analyzes Hungarian and Romanian cinema employs a film historical overview to merge the study of small national cinemas with film genre theory and cultural theory.
Author: Andrei Gorzo Publisher: Editura Universității „Lucian Blaga” din Sibiu ISBN: 6061219598 Category : Performing Arts Languages : en Pages : 246
Book Description
“A stellar representative of the New Romanian Cinema, Radu Jude also belongs to a select group of politically-minded East European filmmakers who have taken as their subject the nature of the media and the circulation of images (Vertov and Eisenstein, Dušan Makavejev, the Ukrainian documentari- an Sergei Loznitsa). For that reason, Andrei Gorzo and Veronica Lazăr’s Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude is both welcome and essential.” / J. Hoberman, author of The Red Atlantis: Communist Culture in the Absence of Communism “Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude delivers what it promises in its title, and offers more. It locates Radu Jude’s films against the backdrop of the New Romanian Cinema, a phenomenon which put Romanian cinema on the map of European and world cinema, arguing that Jude overcame a certain sterility and timidity of this movement by creating a very rich and versatile body of work, comprising films of different genres and formats. At the same time as offering a meticulous and thought-provoking analysis of Jude’s films, the authors use them to explore the strengths and limitations of the auteurist paradigm, both in Romania and more widely.” / Ewa Mazierska, Professor of Film Studies, University of Central Lancashire “This impressive study of filmmaker Radu Jude is invaluable not only for its acute critical observations, but also for its intelligent, informed commentary on Romanian cinema, culture, and society in general. I learned something impor- tant on virtually every page. Highly recommended.” / James Naremore, author of The Magic World of Orson Welles, Acting in the Cinema, and On Kubrick “Andrei Gorzo and Veronica Lazăr offer a comprehensive and refined analysis of the films of Radu Jude, a filmmaker who has emerged with one of the most uncompromising voices ranging from the farcical macabre political satire to a philosophical interrogation of representation, and who has addressed the most daring topics after the first wave of the so-called New Romanian Cinema. The monograph manages to combine a wide-angle film-historical and cultural perspective with an in-depth investigation unravelling the ways in which Jude’s cinema is ‘updating’ the legacy of European modernism in order to engage with pressing issues of Romanian culture and history.” / Ágnes Pethő, Professor of Film Studies, Sapientia Hungarian University of Transylvania
Author: László Strausz Publisher: Springer ISBN: 3319552724 Category : Performing Arts Languages : en Pages : 257
Book Description
This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation.
Author: Ingrid Lewis Publisher: Springer Nature ISBN: 3030334368 Category : Performing Arts Languages : en Pages : 346
Book Description
This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning’s collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, this book makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.
Author: Ewa Mazierska Publisher: Bloomsbury Publishing USA ISBN: 150133719X Category : Performing Arts Languages : en Pages : 256
Book Description
Popular Music and the Moving Image in Eastern Europe is the first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre. With the fall of state socialism - and with it, the need for economically viable film and media industries - brought about an unprecedented upsurge of films utilizing popular music, and a greater recognition of popular cinema as a legitimate object of study. Popular Music and the Moving Image in Eastern Europe fills the gap and demonstrates why the popular music-cinema interface needs to be theorized with respect to the political, ideological, and social forces invested in popular culture.
Author: Temenuga Trifonova Publisher: Bloomsbury Publishing USA ISBN: 150136250X Category : Performing Arts Languages : en Pages : 291
Book Description
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
Author: Hajnal Király Publisher: Cambridge Scholars Publishing ISBN: 1527568946 Category : Performing Arts Languages : en Pages : 304
Book Description
This volume examines the various forms of mobility in the cinema of the Visegrad countries and Romania, bringing together the cross-disciplinary research of mostly native scholars. Divided into four thematic sections, it expands the reader’s understanding of the political transition and the social changes it triggered, the transforming perceptions of gender roles and especially masculinity. The spaces of “in betweenness” and contact zones, whether geographical, interethnic or communicative, (im)mobility and transmedial encounters of Eastern European subjectivity are recurring figures of both cinematic representations and their theoretical analyses. In-depth and transcultural in their nature, the investigations gathered in this volume are informed by political, social and cultural history, genre, gender and spatial theory, cultural studies, sociology and political science, and, of equal importance, the rich personal experience of the authors who witnessed many of the discussed phenomena in “close-up”.
Author: Anna Barcz Publisher: Bloomsbury Publishing ISBN: 135009837X Category : Literary Criticism Languages : en Pages : 251
Book Description
For more than 40 years Eastern European culture came under the sway of Soviet rule. What is the legacy of this period for cultural attitudes to the environment and the contemporary battle to confront climate change? This is the first in-depth study of the legacy of the Soviet era on attitudes to the environment in countries such as Poland, Hungary and Ukraine. Exploring responses in literature, culture and film to political projects such as the collectivisation of agricultural land, the expansion of the mining industry and disasters such as the Chernobyl explosion, Anna Barcz opens up new understandings of local political traditions and examines how they might be harnessed in the cause of contemporary environmental activism. The book covers works by writers such as Christa Wolf, the Nobel Prize winner Svetlana Alexievich and film-makers such as Béla Tarr, Andrzej Wajda and Wladyslaw Pasikowski.
Author: Andrea Virginás Publisher: Cambridge Scholars Publishing ISBN: 144386031X Category : Social Science Languages : en Pages : 301
Book Description
The “spatial”, the “bodily”, and the “memory turn” in the humanities and cultural studies are well-canonized developments. These features of our being in the world are fundamental in the medium of cinema, which is an art of spaces, bodies, and memories, increasingly so today when the analogue platform has been running parallel with the digitalized method of filmmaking. The three nodal concepts define the tripartite structure of this volume, composed of an overview study and twelve case-studies of post-1989 Eastern European film and cinema. The overarching questions of space representation and construction, bodies on screen, issues of national identification in a postcolonial framework, and cinema as a form of cultural memory are explored through the lens of specific national cinemas or contemporary Croatian, Hungarian, Polish, Serbian, Slovakian, Slovenian, and Romanian films. In addition to investigating the cohesive forces that mark the postcommunist Eastern European region as a coherent cultural entity in its cinematic representations, the volume also stands as a witness to the importance of transnational approaches.
Author: Anna Batori
Author: Anna Batori
Author: Andrea Virginás
Author: Andrei Gorzo
Author: László Strausz
Author: Ingrid Lewis
Author: Ewa Mazierska
Author: Temenuga Trifonova
Author: Hajnal Király
Author: Anna Barcz
Author: Andrea Virginás