Author: Carmen Giménez
Publisher:
ISBN: 9788496209725
Category : Painting, Spanish
Languages : en
Pages : 444
Book Description
Spanish Painting from El Greco to Picasso
Author: Carmen Giménez
Publisher:
ISBN: 9788496209725
Category : Painting, Spanish
Languages : en
Pages : 444
Book Description
Publisher:
ISBN: 9788496209725
Category : Painting, Spanish
Languages : en
Pages : 444
Book Description
Spanish Painting from El Greco to Picasso
Author: Carmen Giménez
Publisher:
ISBN:
Category : Painting, Spanish
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Painting, Spanish
Languages : en
Pages : 456
Book Description
The Spanish Portrait
Author: Javier Portús Pérez
Publisher: Nouvelles éditions Scala
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
Presents a survey of the development of this genre in Spanish art from the 15th century to the early decades of the 20th, through a selection of 87 works.
Publisher: Nouvelles éditions Scala
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
Presents a survey of the development of this genre in Spanish art from the 15th century to the early decades of the 20th, through a selection of 87 works.
Spanish Painting: From Velazquez to Picasso
Author: Jacques Lassaigne
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 166
Book Description
"Biographical and bibliographical notices by A. Busuioceanu"; v. 1, p. 125-135. CONTENTS.--[1] From the Catalan frescos to El Greco.
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 166
Book Description
"Biographical and bibliographical notices by A. Busuioceanu"; v. 1, p. 125-135. CONTENTS.--[1] From the Catalan frescos to El Greco.
Picasso - El Greco
Author: Carmen Giménez
Publisher: Hatje Cantz
ISBN: 9783775752138
Category :
Languages : en
Pages : 200
Book Description
Tracing the contours of Picasso's evolving dialogue with the master of phantasmagorical figuration In his youth, Pablo Picasso (1881-1973) frequented the Prado Museum, rejecting a formal education in favor of studying the works of the old masters himself. El Greco (1541-1614) particularly captivated his attention, and his admiration soon bloomed into inspiration. Signature features of El Greco's style were regenerated by Picasso's reverent, if also subversive, hand. During his Blue Period (1901-04), the artist incorporated El Greco's penchant for elongated figures, sober backgrounds and a touch of mysticism and mannerism; during his late career, he more explicitly embraced his fascination with the Spanish Golden Age, evoking El Greco's palette of warm browns and ochers. Indeed, Picasso helped spearhead a resurgence of interest in El Greco, whose work--while acclaimed by his contemporaries in the 16th century for its undeniable ingenuity--was largely forgotten following his death, until the early 1900s. By engaging in a dialogue with his predecessor, Picasso established a point of historical continuity in his work--a grounding presence in the midst of his radical formal interventions. This volume juxtaposes 40 masterpieces by the artists, underscoring the depth and longevity of this engagement.
Publisher: Hatje Cantz
ISBN: 9783775752138
Category :
Languages : en
Pages : 200
Book Description
Tracing the contours of Picasso's evolving dialogue with the master of phantasmagorical figuration In his youth, Pablo Picasso (1881-1973) frequented the Prado Museum, rejecting a formal education in favor of studying the works of the old masters himself. El Greco (1541-1614) particularly captivated his attention, and his admiration soon bloomed into inspiration. Signature features of El Greco's style were regenerated by Picasso's reverent, if also subversive, hand. During his Blue Period (1901-04), the artist incorporated El Greco's penchant for elongated figures, sober backgrounds and a touch of mysticism and mannerism; during his late career, he more explicitly embraced his fascination with the Spanish Golden Age, evoking El Greco's palette of warm browns and ochers. Indeed, Picasso helped spearhead a resurgence of interest in El Greco, whose work--while acclaimed by his contemporaries in the 16th century for its undeniable ingenuity--was largely forgotten following his death, until the early 1900s. By engaging in a dialogue with his predecessor, Picasso established a point of historical continuity in his work--a grounding presence in the midst of his radical formal interventions. This volume juxtaposes 40 masterpieces by the artists, underscoring the depth and longevity of this engagement.
El Greco
Author: Michael Scholz-Hänsel
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 104
Book Description
A prophet of modernism: Strong colors and sinuous figures El Greco (1541-1614) was born Doménikos Theotokópoulos in Crete in 1541. He arrived in Venice in 1566, where his work was greatly influenced by Titian and Tintoretto. However when he made an offer to the Pope to paint over Michelangelo's Last Judgement in the spirit of the Counter Reformation, he incurred the wrath of Roman artists to such an extent that a career in Italy was no longer conceivable. El Greco settled in Spain, in Toledo, where he received numerous commissions from the Church and the nobility. Between 1586 and 1588 he created one of the great works of European painting, the monumental Burial of the Count of Orgaz for a chapel altar in the parish church of Santo Tomé in Toledo. El Greco confined his palette to a small number of very expressively used shades, with an evident preference for pale purple, pink, and yellow and greyish tones. He located the iconographical events in a space that he dramatized by means of light and atmospheric phenomena. His oeuvre had a wide-ranging impact on art up to and including modern 20th-century painting. Paul Cézanne and later Picasso and the Expressionists regarded El Greco as a prophet of modernism. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 104
Book Description
A prophet of modernism: Strong colors and sinuous figures El Greco (1541-1614) was born Doménikos Theotokópoulos in Crete in 1541. He arrived in Venice in 1566, where his work was greatly influenced by Titian and Tintoretto. However when he made an offer to the Pope to paint over Michelangelo's Last Judgement in the spirit of the Counter Reformation, he incurred the wrath of Roman artists to such an extent that a career in Italy was no longer conceivable. El Greco settled in Spain, in Toledo, where he received numerous commissions from the Church and the nobility. Between 1586 and 1588 he created one of the great works of European painting, the monumental Burial of the Count of Orgaz for a chapel altar in the parish church of Santo Tomé in Toledo. El Greco confined his palette to a small number of very expressively used shades, with an evident preference for pale purple, pink, and yellow and greyish tones. He located the iconographical events in a space that he dramatized by means of light and atmospheric phenomena. His oeuvre had a wide-ranging impact on art up to and including modern 20th-century painting. Paul Cézanne and later Picasso and the Expressionists regarded El Greco as a prophet of modernism. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
El Greco to Goya
Author: National Gallery (Great Britain)
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 76
Book Description
The National Gallery has one of the finest collections of Spanish paintings outside Spain, and this book features nearly all the pictures normally on display.
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 76
Book Description
The National Gallery has one of the finest collections of Spanish paintings outside Spain, and this book features nearly all the pictures normally on display.
Painting in Spain
Author: Jonathan Brown
Publisher: Yale University Press
ISBN: 9780300064742
Category : Art
Languages : en
Pages : 326
Book Description
El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
Publisher: Yale University Press
ISBN: 9780300064742
Category : Art
Languages : en
Pages : 326
Book Description
El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
Spain, a History in Art
Author: Bradley Smith
Publisher: Doubleday Books
ISBN:
Category : Art
Languages : en
Pages : 302
Book Description
Spanish history thru art.
Publisher: Doubleday Books
ISBN:
Category : Art
Languages : en
Pages : 302
Book Description
Spanish history thru art.
The Discovery of Spain
Author: Christopher Baker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
This unprecedented survey contains contributions from renowned scholars and illustrates the work of the Spanish masters Velázquez, El Greco, Goya and Picasso, and the British artists David Wilkie, David Roberts, John Phillip, Arthur Melville and David Bomberg This lavishly illustrated book celebrates the impact of Spanish culture on British art and collecting from the 1790s to the 1930s - the Napoleonic period to the Spanish Civil War. Spain is now a familiar and much-loved part of the British view of Europe, but in the eighteenth and nineteenth centuries it was still relatively unknown. This book captures the excitement of this era, a time when Spain's architecture, customs, fashions and painting were 'discovered' and created a sensation in Britain. This unprecedented survey contains contributions from renowned scholars and illustrates the work of the Spanish masters Velázquez, El Greco, Murillo, Goya and Picasso, and the British artists David Wilkie, David Roberts, John Frederick Lewis, John Phillip, Arthur Melville and David Bomberg. AUTHOR: Dr David Howarth is a Reader in History of Art, Edinburgh University. He specialises in Spanish art and culture. and has also written extensively on the material culture of early modern Britain. He is co-guest curator (with Paul Stirton) of the forthcoming National Galleries of Scotland, 2009 International Festival exhibition, The Discovery of Spain. Paul Stirton is a Senior Lecturer in History of Art at the University of Glasgow, and visiting Professor at the Bard Graduate Center, New York. He is author (with Juliet Kinchin) of 'Is Mr Ruskin Living too Long?': Selected Writings of E.W. Godwin, Oxford, 2005. Michael Jacobs is a writer, art histiorian and hispanist. His many books include The Good and Simple Life: Artist colonies in Europe and America, Andalucia. He is a Senior Honorary Research Fellow of the Hispanics Department of the University of Glasgow. Dr Claudia Heide is a Visiting Lecturer in History of Art at Edinburgh University. She specialises in Islamic Spain. She co-edited a series of essays (Edinburgh University Press forthcoming) on Pascual Gayangos, the nineteenth century Spanish antiquarian and Arabist. Dr Nicholas Tromans is a Senior Lecturer in History of Art at Kingston University and a world authority on the Scottish painter Sir David Wilkie about whom he published a monograph entitled: David Wilkie: Painter of Everyday Life (Edinburgh University Press, 2007). He was recently catalogue editor for the Tate Britain exhibition on British Orientalist painting. Dr Hilary Macartney is a Lecturer in the Department of the Institute for Medieval Studies, University of Leeds. She is the world authority on Sir William Stirling Maxwell, the Victorian pioneer British art historian of Spanish painting. She has published extensively in both Britain and Spain on aspects of Spanish art and culture. ILLUSTRATIONS 140 colour & 20 b/w illustrations
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
This unprecedented survey contains contributions from renowned scholars and illustrates the work of the Spanish masters Velázquez, El Greco, Goya and Picasso, and the British artists David Wilkie, David Roberts, John Phillip, Arthur Melville and David Bomberg This lavishly illustrated book celebrates the impact of Spanish culture on British art and collecting from the 1790s to the 1930s - the Napoleonic period to the Spanish Civil War. Spain is now a familiar and much-loved part of the British view of Europe, but in the eighteenth and nineteenth centuries it was still relatively unknown. This book captures the excitement of this era, a time when Spain's architecture, customs, fashions and painting were 'discovered' and created a sensation in Britain. This unprecedented survey contains contributions from renowned scholars and illustrates the work of the Spanish masters Velázquez, El Greco, Murillo, Goya and Picasso, and the British artists David Wilkie, David Roberts, John Frederick Lewis, John Phillip, Arthur Melville and David Bomberg. AUTHOR: Dr David Howarth is a Reader in History of Art, Edinburgh University. He specialises in Spanish art and culture. and has also written extensively on the material culture of early modern Britain. He is co-guest curator (with Paul Stirton) of the forthcoming National Galleries of Scotland, 2009 International Festival exhibition, The Discovery of Spain. Paul Stirton is a Senior Lecturer in History of Art at the University of Glasgow, and visiting Professor at the Bard Graduate Center, New York. He is author (with Juliet Kinchin) of 'Is Mr Ruskin Living too Long?': Selected Writings of E.W. Godwin, Oxford, 2005. Michael Jacobs is a writer, art histiorian and hispanist. His many books include The Good and Simple Life: Artist colonies in Europe and America, Andalucia. He is a Senior Honorary Research Fellow of the Hispanics Department of the University of Glasgow. Dr Claudia Heide is a Visiting Lecturer in History of Art at Edinburgh University. She specialises in Islamic Spain. She co-edited a series of essays (Edinburgh University Press forthcoming) on Pascual Gayangos, the nineteenth century Spanish antiquarian and Arabist. Dr Nicholas Tromans is a Senior Lecturer in History of Art at Kingston University and a world authority on the Scottish painter Sir David Wilkie about whom he published a monograph entitled: David Wilkie: Painter of Everyday Life (Edinburgh University Press, 2007). He was recently catalogue editor for the Tate Britain exhibition on British Orientalist painting. Dr Hilary Macartney is a Lecturer in the Department of the Institute for Medieval Studies, University of Leeds. She is the world authority on Sir William Stirling Maxwell, the Victorian pioneer British art historian of Spanish painting. She has published extensively in both Britain and Spain on aspects of Spanish art and culture. ILLUSTRATIONS 140 colour & 20 b/w illustrations