The Devil and the Lady, and Unpublished Early Poems PDF Download
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Author: A Baugh Publisher: Routledge ISBN: 1136892990 Category : Literary Criticism Languages : en Pages : 857
Book Description
First published in 1959. The scope of this four volume work makes it valuable as a work of reference, connecting one period with another an placing each author clearly in the setting of his time. This is the fourth volume and includes the Nineteeth Century and after (1789-1939).
Author: Michael J. Crowe Publisher: CUP Archive ISBN: 9780521359863 Category : Science Languages : en Pages : 708
Book Description
This is the first in-depth study in English of the international debate that developed between 1750 and 1900 concerning the question of the existence of extraterrestrial intelligent life. Taking a history of ideas approach, the author describes the controversies that-arose over this question and reveals the great extent to which this issue influenced astronomical, philosophical, and religious thought. Professor Crowe shows that the majority of the leading astronomers of the last two centuries participated in this debate and he analyzes how their views interacted with new developments such as Newtonian mechanics, stellar astronomy, Darwinian theory, and astrophysics. This fascinating and critical history shows that the longstanding and widespread belief in extraterrestrial life has for centuries acted to alter major areas of our intellectual life.
Author: Clyde de L. Ryals Publisher: University of Pennsylvania Press ISBN: 151280620X Category : Literary Criticism Languages : en Pages : 284
Book Description
One of Keats' finest sonnets begins: "Much have I traveled," yet Keats traveled very little, only to Italy where he died. Shelley, also an introspective and intellectual, dabbled in politics, often with a comic effect and although he could not swim, he was devoted to sailing. Wordsworth marched to France, praising the Revolution, which he later regretted. Coleridge wandered to Germany and German metaphysics. Later he created the Ancient Mariner which is the mythic centerpiece of the Romantic period. Each of these poets feels that the occupation of a poet demand a dedication to a life of action as well as inward discovery. Consequently, the image of "the journey," with its double reference to natural and psychic realities, is one of the unifying motifs of nineteenth-century poetry. Alfred Tennyson, the author claims, was one of the last poets able to make both voyages, but he could only do so with great effort and at great expense. By nature introspective , he found the life of the mind far more appealing than the life of action; yet he knew, like Milton and Keats before him, that great poetry demands the voyage without as well as the voyage within. His early poetry, then, is concerned with the pull of the two voyages, and thus it becomes, in Arnold's worlds, the dialogue of the mind with itself. There is for modern readers something intensely interesting about such a divided personality, for we see in Tennyson almost the same dilemma that faces contemporary artists. Often when we read his poems we feel that Tennyson is of our age. But then at times he seems as remote from us as Bishop Wilberforce and his anti-Darwin fulminations. What, then, is there about Tennyson that makes him appear so modern and yet so dated? The answer is not easily given, although this has been one of the primary concerns of Tennyson's critics. In this book, the author shows how Tennyson became the mental voyager exploring both the inner and outer worlds, and further, how in making the two voyages he followed the pattern of development of other Romantic artists of the nineteenth century. He examines certain themes and images in Tennyson's early verse which in their frequent recurrence attain symbolic status, and by doing so, he shows that there is a very clear-cut pattern in Tennyson's poetry, one which is repeated time and again throughout the poet's work to 1850.
Author: Jerome Hamilton Buckley Publisher: Routledge ISBN: 1136263276 Category : Literary Collections Languages : en Pages : 310
Book Description
First Published in 1966. This volume is selected collection of what can be constituted as ‘Victorian Temper’ with parallel motifs in Victorian painting and in the plastic arts, The author draws most freely upon literary sources, including a good many minor writers whose work, whatever its subsequent fate, was in its day broadly representative. He has sought an interpretation of what might be called the Victorian temper rather than a reappraisal of Victorian talents.