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Author: Barbara Doscher Publisher: Scarecrow Press ISBN: 0810827085 Category : Medical Languages : en Pages : 353
Book Description
Describes the anatomy and physiology of breathing and phonation and examines the acoustical laws necessary for an understanding of resonation. Extensive bibliography.
Author: Barbara Doscher Publisher: Scarecrow Press ISBN: 0810827085 Category : Medical Languages : en Pages : 353
Book Description
Describes the anatomy and physiology of breathing and phonation and examines the acoustical laws necessary for an understanding of resonation. Extensive bibliography.
Author: Barbara M Doscher Publisher: Rowman & Littlefield ISBN: 1538178885 Category : Languages : en Pages : 399
Book Description
This expanded edition of Barbara Doscher's seminal vocal pedagogy work includes a new introduction by John Nix as well as a new appendix with reflections and practical insights from singing teachers. This classic text describes the anatomy and physiology of breathing and phonation and examines acoustics for an understanding of resonation.
Author: Barbara M. Doscher Publisher: Scarecrow Press ISBN: 1461658780 Category : Music Languages : en Pages : 387
Book Description
The repertoire files of the late Dr. Barbara Doscher, in which she noted her tips, observations on each particular piece, and notes on how to best teach it, comprise a unique trove of wisdom unmatched by any other source. Laboriously transcribed and annotated by John Nix, one of Doscher's students, the notes are presented here as a companion volume to her best-selling text, The Functional Unity of the Singing Voice. Entries are divided by broad category (art song, arias, folk songs, oratorio, musicals, etc.) and are arranged by song title. Each entry includes author, poet or librettist, key(s) available, ranges (for each key), tessitura, difficulty level, voice types, comments, a summary of the text, and notes as to genre, language, and editions available. Five comprehensive indexes facilitate searching. As a guide to selecting vocal repertoire, this book's practical and sometimes colorful comments on each song or aria will assist the vocal instructor in matching the student's ability and range to the appropriate piece. This distillation of Barbara Doscher's many years of experience in the teaching studio is a necessary addition to any vocal instructor's collection, as well as a valuable resource for the individual singer.
Author: Meribeth A. Dayme Publisher: Springer Science & Business Media ISBN: 3211887288 Category : Music Languages : en Pages : 245
Book Description
During the past decades, "Dynamics of the singing voice" has successfully been established as a reference text for teachers of singing, singers, choral conductors and organists, speech and voice therapists, laryngologists and other health professionals, psychologists and those in linguistics. It discusses the physiological, psychological, musical and emotional aspects of the voice, particularly as they relate to singing but also to speaking. The book provides a greater understanding of how the voice works and the many factors involved in singing as well as an objective discussion of singing without reference to specific techniques. In this fifth edition, the author has now updated and rearranged the content. Furthermore she has added a new chapter on vocal pedagogic aspects in order to meet the requirements of the art of singing of the 21st century. Thus this new book provides the reader with the established concepts in combination with the latest knowledge about modern approaches to the singing voice.
Author: Meribeth Bunch Publisher: Springer Science & Business Media ISBN: 3709120659 Category : Medical Languages : en Pages : 205
Book Description
Every discipline tends to develop its own particular language and ways of communicating. This is true also about the various disciplines that talk about and describe the human voice - particularly as it relates to singing. The aim of this book is to bridge any gaps in communication, foster better understanding of the singing voice and encourage collaboration between those involved in performance, teaching, therapy and medicine. Because there is increasing interest in research in all these disciplines, creating a "common ground" for communication about the singing voice is essential for mutual understanding and for effective prevention and treatment of disorders in singers. One object for the artistic and scientific professions is to understand each other better by finding a vocabulary and terminology which they can share and use effectively. Difficulty in communication often arises when a singer or teacher of singing attempts to describe something sensory in nature by use of imagery and sign-language to non-singers, including the health and medical profes sions; and, in the same way, the use of obscure and sometimes frightening terminology by those in the medical sciences when offering explanations to singers. Teaching and simple language was and is needed from both sides. A number of advances are helping to create rapid change in bridging gaps in communication and in adding new information: 1. The formation of Associations for Performing Arts Medicine on a na tional and international scale are bringing new awareness to those who work with singers and other artists.
Author: Meribeth A. Dayme Publisher: Springer Science & Business Media ISBN: 3709136911 Category : Medical Languages : en Pages : 197
Book Description
Every discipline tends to develop its own particular language and ways of communicating. This is true also about the various disciplines that talk about and describe the human voice - particularly as it relates to singing. The aim of this book is to bridge any gaps in communication, foster better understanding of the singing voice and encourage collaboration between those involved in performance, teaching, therapy and medicine. Because there is increasing interest in research in all these disciplines, creating a "common ground" for communication about the singing voice is essential for mutual understanding and for effective prevention and treatment of disorders in singers. One object for the artistic and scientific professions is to understand each other better by finding a vocabulary and terminology which they can share and use effectively. Difficulty in communication often arises when a singer or teacher of singing attempts to describe something sensory in nature by use of imagery and sign-language to non-singers, including the health and medical profes sions; and, in the same way, the use of obscure and sometimes frightening terminology by those in the medical sciences when offering explanations to singers. Teaching and simple language was and is needed from both sides. A number of advances are helping to create rapid change in bridging gaps in communication and in adding new information: 1. The formation of Associations for Performing Arts Medicine on a na tional and international scale are bringing new awareness to those who work with singers and other artists.
Author: Cornelius L. Reid Publisher: Oxford University Press ISBN: 0190683937 Category : Music Languages : en Pages : 256
Book Description
Great vocal teachers from the 16th century through the early 19th century discovered through trial and error how to properly develop the singing voice, and the term bel canto came to be applied to both the manner of singing and the vocal music of that period. But by 1858, according to Rossini, the term was already being misused and wrongly confused with fioriture. Well-schooled in the teaching of singing, Rossini more accurately describes bel canto as being composed of: the building of the instrument; technique, or the means of using the instrument; and style, of which the ingredients are taste and feeling. In this 50th anniversary edition of The Free Voice, renowned vocal pedagogue Cornelius L. Reid articulates the teaching principles of his own school of functional vocal training, grounded firmly in the old principles while remaining in line with a modern understanding of the physical value of the vocal instrument. The muscles that move the vocal folds and the vocal folds themselves are involuntary, and as such, the singing voice is not an instrument that can be manipulated directly. Reid's approach to singing is one of indirect control, stemming from an understanding of the vocal registers and how specific patterns of pitch, intensity, and vowel affect the vocal folds. Through the vocal exercises outlined in this book, and catered to each individual, a poorly coordinated musculature can be brought to efficiency. Only when the musculature of the vocal mechanism is well-balanced and coordinated can the voice be free, and the natural beauty and resonance of the individual voice come through without force.
Author: Richard Miller Publisher: Schirmer ISBN: Category : Education Languages : en Pages : 408
Book Description
The coordinated vocal onset and release: establishin dynamic muscle equilibrium through onset and release ; The supported singin voice: breath management in singing ; Agility in singing: flexible application of breath power ; The resonant voice: supraglottic cinsiderations in singing ; The well-balansed vowel: vowel differentiation in singing ; Resonance balancing through nasal consonants: the influences of nasal continuants on resonator adjustment ; Resonance balancing through non-nasal consonants on reonator adjustment ; Sustaining the voice: sostenuto ; Unifying the registers of male voices ; Unifying the registers of the female voice ; Vowel modification in singing: aggiustamento ; Range extension and stabilization in singing ; Messa di voce and dynamic control ; Vibrancy in singing: vibrato and vocal timbre ; Coordinating technique and communication ; Pedagogical attitudes: the aesthetics of vocal timre ; Healthy singing ; Appendix 1. Laryngeal structure and function ; Appendix 2. The structure and mechanics of the breath apparatus ; Appendix 3. The physiology of the vocal tract resonator system ; Appendix 4. The physical factors of vocal registration ; Appendix 5. Influences of various voiced and unvoices consonants on resonator adjustment ; Appendix 6. International phonetic alphabet (IPA) symbols.
Author: Michael S. Benninger Publisher: Plural Publishing ISBN: Category : Medical Languages : en Pages : 220
Book Description
Each type of performer, whether singer, voiceover artists, dancer/singers, instrumentalist/singers, brings specific issues to the voice treatment team and requires special individual attention from the various members of the team, from laryngologist to speech pathologist, singing or voice teacher. The Singer's Voice identifies these individuals, presents reports on cases with special needs and offers myriad solutions that help to preserve the voice and prevent further damage. It is written by a world-leading group of dedicated professionals from an array of disciplines related to the care and treatment of individuals who use their voices in professional settings. Ranging from current day performers to choral conductors to past rock and roll musicians, all contributors have shown a dedication to the care of the singer and performer through their studios, academic training, their research interests and experience, and their clinical and/or their performance background. The content is thoroughly practical and written to be accessible to a wide range of voice professionals, particularly singing and voice teachers; instructors in the various performing arts; those who provide medical and allied health care; and, indeed, performers and students themselves.
Author: Barbara Doscher
Author: Barbara Doscher
Author: Barbara M Doscher
Author: Barbara M. Doscher
Author: Meribeth A. Dayme
Author: Meribeth Bunch
Author: Meribeth A. Dayme
Author: Cornelius L. Reid
Author: Richard Miller
Author: Victor Alexander Fields
Author: Michael S. Benninger