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Author: Simon McKeown Publisher: Cambridge Scholars Publishing ISBN: 1443820067 Category : Art Languages : en Pages : 630
Book Description
The emblem, a Renaissance literary genre which combined text and image, conveyed erudition, admonishment, propaganda, and piety with unparalleled concision and economy. It arose out of humanist circles in the early sixteenth century and quickly became established as a staple tool in religious, political, and social discourses across the major European languages. In recent years the emblem has come to be regarded by scholars working in all areas of the humanities and cultural studies as an interdisciplinary matrix of extraordinary utility in gaining insights into the mentalities and preoccupations of the early modern era. Within its apparently slender frame, the emblem embraces questions of foremost philological, semiotic, and iconographical importance, and encompasses ideas and assumptions of exceedingly far range and reach. This collection of essays attests to the pervasiveness of the emblem, both within Renaissance and Baroque Europe, and in those parts of the wider world where European influence came to bear. It seeks to follow the development of the emblem from its beginnings in various forms of bimedial artefact, from early illustrated books and hieroglyphs, to medals and ancient coins; we then witness its deployment as a propagandistic tool in the temporal and confessional disputes of Europe. Thereafter, the emblem appears in non-European contexts, emerging as a place of cultural exchange as it became assimilated within indigenous visual traditions. The latter parts of the book concentrate on the often subliminal role emblems played in diverse literary texts, as well as their ongoing vitality in praxis or in the burgeoning area of emblem scholarship within early modern studies.
Author: Simon McKeown Publisher: Cambridge Scholars Publishing ISBN: 1443820067 Category : Art Languages : en Pages : 630
Book Description
The emblem, a Renaissance literary genre which combined text and image, conveyed erudition, admonishment, propaganda, and piety with unparalleled concision and economy. It arose out of humanist circles in the early sixteenth century and quickly became established as a staple tool in religious, political, and social discourses across the major European languages. In recent years the emblem has come to be regarded by scholars working in all areas of the humanities and cultural studies as an interdisciplinary matrix of extraordinary utility in gaining insights into the mentalities and preoccupations of the early modern era. Within its apparently slender frame, the emblem embraces questions of foremost philological, semiotic, and iconographical importance, and encompasses ideas and assumptions of exceedingly far range and reach. This collection of essays attests to the pervasiveness of the emblem, both within Renaissance and Baroque Europe, and in those parts of the wider world where European influence came to bear. It seeks to follow the development of the emblem from its beginnings in various forms of bimedial artefact, from early illustrated books and hieroglyphs, to medals and ancient coins; we then witness its deployment as a propagandistic tool in the temporal and confessional disputes of Europe. Thereafter, the emblem appears in non-European contexts, emerging as a place of cultural exchange as it became assimilated within indigenous visual traditions. The latter parts of the book concentrate on the often subliminal role emblems played in diverse literary texts, as well as their ongoing vitality in praxis or in the burgeoning area of emblem scholarship within early modern studies.
Author: John Manning Publisher: Brepols Publishers ISBN: Category : Art Languages : en Pages : 444
Book Description
Antwerp and Amsterdam were among the most active publishing centres for emblematic forms in Europe during the sixteenth and seventeenth centuries. Nowhere else was the emblematic mode more integrated into the literary and artistic culture than in the Low Countries. The essays are revised versions of papers presented at the Fourth International Emblem Conference held at Leuven in 1996. The table of contents provides an overview of the variety of topics and approaches represented in the volume.
Author: Ingrid Hoepel Publisher: Cambridge Scholars Publishing ISBN: 1527527697 Category : Art Languages : en Pages : 510
Book Description
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems entered personal life; they infiltrated festive culture, too. In such environments beyond the book, emblems were transported, adapted, and embedded in new functional contexts shaped by social, political, or religious conditions, but also by architectonical and regional art historical parameters. The results of these transformations are often of an intricate and complex meaning. The combination of word and image that constitutes the emblem still has resonance in contemporary art and architecture. The study of emblems allows us to look back at the collaborative endeavours of creative minds of earlier times from across Europe and beyond. At a time when that continent is under strain, and the world in general seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Author: Karl A.E. Enenkel Publisher: BRILL ISBN: 9004347070 Category : Art Languages : en Pages : 700
Book Description
This interdisciplinary volume aims to address the multiple connections between emblematics and the natural world in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious.
Author: James B. Minahan Publisher: Bloomsbury Publishing USA ISBN: 0313344973 Category : Reference Languages : en Pages : 1097
Book Description
These two volumes offer an unprecedented collection of flags, seals, and symbols used every day around the world. In today's global society it is necessary to recognize and identify not only our own symbols, but symbols from nations and territories far removed from home. Empowering readers to identify symbols in daily use all over the world, The Complete Guide to National Symbols and Emblems features an extensive collection of international symbols and cultural emblems never before compiled in such a concise and easy-to-use work. It is inclusive of all the UN member states and some of the most prominent stateless nations. This refreshing alternative to other commonly used sites blends both the political and cultural, including not only flags, national seals, and national anthems, but also foods and recipes, national heroes, sports teams, festivals, and pivotal events that figure in the formation of national identity. This versatile source will prove valuable to a wide audience, benefiting not only high school and undergraduate student researchers, but international businesses, journalists, and government offices.
Author: Joseph R. Chambers Publisher: National Aeronautis & Space Administration ISBN: Category : Technology & Engineering Languages : en Pages : 164
Book Description
This publication's first objective is to convey detailed information regarding the designers and design process for the emblems of NASA and its predecessor, the National Advisory Committee for Aeronautics (NACA). The second objective is to briefly illustrate the applications of these respected and admired insignias and seals within the cultures of each agency. For this task, photographs and descriptions are used to exemplify applications to buildings, equipment, aircraft and spacecraft, correspondence and documents, and personal memorabilia such as pins, awards, and retirement plaques. The material presented herein is organized chronologically and covers the subject from the first days of the NACA in 1915 to the current-day situation in NASA.
Author: Simon McKeown
Author: Simon McKeown
Author: John Manning
Author: Giles Chapman
Author: Ingrid Hoepel
Author: Karl A.E. Enenkel![The Complete Guide to National Symbols and Emblems [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/D7rOEAAAQBAJ?fife=w80-h100)
Author: James B. Minahan
Author: 
Author: Joseph R. Chambers
Author: Lester C. Olson
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