The NPR Curious Listener's Guide to Blues PDF Download

Author: David Evans
Publisher: Penguin
ISBN: 9780399530722
Category : Music
Languages : en
Pages : 294

View

Book Description
Examining the changing face of the genre from its beginnings at the end of the 19th century to its international popularity today, this book traces the social climate that inspired the blues and takes a look at the unmistakable influences that blues had on 20th-century music. Includes information on performances from Muddy Waters to Eric Clapton.

Author: Max Morath
Publisher: Penguin
ISBN: 1101203110
Category : Music
Languages : en
Pages : 256

View

Book Description
Every major singer from Frank Sinatra to Christina Aguilera. Every major composer from Irving Berlin to Stephen Sondheim. Every major song from a century of favorites. Every major musician and lyricist. Every major styling from blues, jazz, and country to folk, big band, and rock and roll The most recorded songs of all time. A guide to understanding the "standard" lingo. The evolution of popular music from Tin Pan Alley to contemporary musical theater, and more.

Author: Loren Schoenberg
Publisher: Penguin
ISBN: 9780399527944
Category : Music
Languages : en
Pages : 310

View

Book Description
A concise history of jazz The noteworthy composers and musicians, from Jelly Roll Morton and Thelonious Monk to Miles Davis and Charles Mingus Major performers from Louis Armstrong and Ella Fitzgerald to Nat King Cole and Duke Ellington Classic songs and compositions The most influential recordings of all time A complete guide to jazz terminology and lingo Valuable resources for the Curious Listener

Author: Kip Lornell
Publisher: Perigee Trade
ISBN:
Category : Music
Languages : en
Pages : 260

View

Book Description
A comprehensive listener's guide to American folk music provides a concise history of the musical genre and its most important performers, along with an A-to-Z glossary of terms, information on stylistic variations, helpful resources, and a listing of dozens of essential folk music CDs.

Author: David Evans
Publisher: University of Illinois Press
ISBN: 0252091124
Category : Music
Languages : en
Pages : 442

View

Book Description
This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment. Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff.

Author: Fiona Ritchie
Publisher: Penguin
ISBN: 0399530711
Category : Music
Languages : en
Pages : 0

View

Book Description
Includes a concise history of Celtic music, entries on noteworthy composers and musicians, listings of classic songs and compositions, a dictionary of Celtic music terminology, and a listing of the fifty most influential Celtic music CDs.

Author: Julia Simon
Publisher: Penn State Press
ISBN: 027109673X
Category : Music
Languages : en
Pages : 255

View

Book Description
This volume explores concepts of freedom and bondage in the blues and argues that this genre of music explicitly calls for a reckoning while expressing faith in a secular justice to come. Placing blues music within its historical context of the post-Reconstruction South, Jim Crow America, and the civil rights era, Julia Simon finds a deep symbolism in the lyrical representations of romantic and sexual betrayal. The blues calls out and indicts the tangled web of deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Surveying blues music from the 1920s to the early twenty-first century, Simon’s analyses focus on economic relations, such as sharecropping, house contract sales, debt peonage, criminal surety, and convict lease. She demonstrates how the music reflects this exploitative economic history and how it is shaped by commodification under racialized capitalism. As Simon assesses the lyrics, technique, and styles of a wide range of blues musicians, including Bessie Smith, Blind Lemon Jefferson, Big Bill Broonzy, Muddy Waters, B. B. King, Albert Collins, and Kirk Fletcher, she argues forcefully that the call for racial justice is at the heart of the blues. A highly sophisticated interpretation of the blues tradition steeped in musicology, social history, and critical-cultural hermeneutics, Debt and Redemption not only clarifies blues as an aesthetic tradition but, more importantly, proves that it advances a theory of social and economic development and change.

Author: Chris Nickson
Publisher: Perigee Trade
ISBN: 9780399530326
Category : Music
Languages : en
Pages : 0

View

Book Description
Discover world music--for illumination, enlightenment, and inspiration. Like few other musical forms, world music encompasses hundreds of different traditions and cultures, many intoxicating moods, and a richly diverse catalogue of music and musicians. THE MUSICIANS, including: Paco de Lucia, King Sunny Ade, Ravi Shankar, The Gipsy Kings, Tito Puente, Bob Marley, Beny Moré, The Chieftains, Wu Man, Sheila Chandra, and Miriam Makeba THE STYLES, including: African reggae, Indonesian gamelan, Brazilian bossa nova, Hindu Carnatic, Chinese opera, Russian folk, Nordic fiddle and ballad, Argentine tango, Parisian bal-musette, Spanish flamenco, Greek rembetika, and Trinidad calypso

Author: Julia Simon
Publisher: Penn State Press
ISBN: 0271093722
Category : Music
Languages : en
Pages : 282

View

Book Description
Lonnie Johnson is a blues legend. His virtuosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. Yet Johnson mastered multiple instruments. He recorded with jazz icons such as Duke Ellington and Louis Armstrong, and he played vaudeville music, ballads, and popular songs. In this book, Julia Simon takes a closer look at Johnson’s musical legacy. Considering the full body of his work, Simon presents detailed analyses of Johnson’s music—his lyrics, technique, and styles—with particular attention to its sociohistorical context. Born in 1894 in New Orleans, Johnson's early experiences were shaped by French colonial understandings of race that challenge the Black-white binary. His performances call into question not only conventional understandings of race but also fixed notions of identity. Johnson was able to cross generic, stylistic, and other boundaries almost effortlessly, displaying astonishing adaptability across a corpus of music produced over six decades. Simon introduces us to a musical innovator and a performer keenly aware of his audience and the social categories of race, class, and gender that conditioned the music of his time. Lonnie Johnson’s music challenges us to think about not only what we recognize and value in “the blues” but also what we leave unexamined, cannot account for, or choose not to hear. The Inconvenient Lonnie Johnson provides a reassessment of Johnson’s musical legacy and complicates basic assumptions about the blues, its production, and its reception.

Author: Gerhard Kubik
Publisher: Univ. Press of Mississippi
ISBN: 1626746591
Category : Music
Languages : en
Pages : 464

View

Book Description
A CHOICE 2018 Outstanding Academic Title In Jazz Transatlantic, Volume I, renowned scholar Gerhard Kubik takes the reader across the Atlantic from Africa to the Americas and then back in pursuit of the music we call jazz. This first volume explores the term itself and how jazz has been defined and redefined. It also celebrates the phenomena of jazz performance and uncovers hidden gems of jazz history. The volume offers insights gathered during Kubik's extensive field work and based on in-depth interviews with jazz musicians around the Atlantic world. Languages, world views, beliefs, experiences, attitudes, and commodities all play a role. Kubik reveals what is most important--the expertise of individual musical innovators on both sides of the Atlantic, and hidden relationships in their thoughts. Besides the common African origins of much vocabulary and structure, all the expressions of jazz in Africa share transatlantic family relationships. Within that framework, musicians are creating and re-creating jazz in never-ending contacts and exchanges. The first of two volumes, Jazz Transatlantic, Volume I examines this transatlantic history, sociolinguistics, musicology, and the biographical study of personalities in jazz during the twentieth century. This volume traces the African and African American influences on the creation of the jazz sound and traces specific African traditions as they transform into American jazz. Kubik seeks to describe the constant mixing of sources and traditions, so he includes influences of European music in both volumes. These works will become essential and indelible parts of jazz history.