The Oxford Compendium of Visual Illusions PDF Download

Author: Arthur Gilman Shapiro
Publisher: Oxford University Press
ISBN: 019979460X
Category : Medical
Languages : en
Pages : 833

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Book Description
Visual illusions are compelling phenomena that draw attention to the brain's capacity to construct our perceptual world. The Compendium is a collection of over 100 chapters on visual illusions, written by the illusion creators or by vision scientists who have investigated mechanisms underlying the phenomena. --

Author: Arthur G. Shapiro
Publisher: Oxford University Press
ISBN: 0190631686
Category : Psychology
Languages : en
Pages :

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Book Description
Visual illusions cut across academic divides and popular interests: on the one hand, illusions provide entertainment as curious tricks of the eye; on the other hand, scientific research related to illusory phenomena has given generations of scientists and artists deep insights into the brain and principles of mind and consciousness. Numerous thinkers (including Aristotle, Descartes, Da Vinci, Escher, Goethe, Galileo, Helmholtz, Maxwell, Newton, and Wittgenstein) have been lured by the apparent simplicity of illusions and the promise that illusory phenomena can elucidate the puzzling relationship between the physical world and our perceptual reality. Over the past thirty years, advances in imaging and electrophysiology has dramatically expanded the range of illusions and enabled new forms of analysis, thereby creating new and exciting ways to consider how the brain constructs our perceptual world. The Oxford Compendium of Visual Illusions is a collection of over one hundred chapters about illusions, displayed and discussed by the researchers who invented and conducted research on the illusions. Chapters include full-color images, associated videos, and extensive references. The book is divided into eleven sections: first, a presentation of general history and viewpoints on illusions, followed by sections on geometric, color, motion, space, faces, and cross-category illusions. The book will be of interest to vision scientists, neuroscientists, psychologists, physicists, philosophers, artists, designers, advertisers, and educators curious about applied aspects of visual perception and the brain.

Author: Matthew Luckiesh
Publisher:
ISBN:
Category : Hallucinations and illusions
Languages : en
Pages : 276

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Author: Oliver Sacks
Publisher: Vintage
ISBN: 030795725X
Category : Science
Languages : en
Pages : 326

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Book Description
NATIONAL BESTSELLER • The "poet laureate of medicine" (The New York Times) and author of The Man Who Mistook His Wife for a Hat weaves together stories of mind-altering experiences to reveal what they tell us about our brains, our folklore and culture, and why the potential for hallucination exists in us all. “An absorbing plunge into a mystery of the mind.” —Entertainment Weekly To many people, hallucinations imply madness, but in fact they are a common part of the human experience. These sensory distortions range from the shimmering zigzags of a visual migraine to powerful visions brought on by fever, injuries, drugs, sensory deprivation, exhaustion, or even grief. Hallucinations doubtless lie behind many mythological traditions, literary inventions, and religious epiphanies. Drawing on his own experiences, a wealth of clinical cases from among his patients, and famous historical examples ranging from Dostoevsky to Lewis Carroll, the legendary neurologist Oliver Sacks investigates the mystery of these sensory deceptions: what they say about the working of our brains, how they have influenced our folklore and culture, and why the potential for hallucination is present in all humans.

Author: Susana Martinez-Conde
Publisher: Scientific American / Farrar, Straus and Giroux
ISBN: 0374120404
Category : Art
Languages : en
Pages : 178

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Book Description
A collection of visual illusions with explanations of the science behind them, gathered from the Best Illusions of the Year contest. --

Author: Stephen M. Kosslyn
Publisher: Oxford University Press
ISBN: 0190292512
Category : Psychology
Languages : en
Pages : 260

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Book Description
When we try to remember whether we left a window open or closed, do we actually see the window in our mind? If we do, does this mental image play a role in how we think? For almost a century, scientists have debated whether mental images play a functional role in cognition. In The Case for Mental Imagery, Stephen Kosslyn, William Thompson, and Giorgio Ganis present a complete and unified argument that mental images do depict information, and that these depictions do play a functional role in human cognition. They outline a specific theory of how depictive representations are used in information processing, and show how these representations arise from neural processes. To support this theory, they seamlessly weave together conceptual analyses and the many varied empirical findings from cognitive psychology and neuroscience. In doing so, they present the conceptual grounds for positing this type of internal representation and summarize and refute arguments to the contrary. Their argument also serves as a historical review of the imagery debate from its earliest inception to its most recent phases, and provides ample evidence that significant progress has been made in our understanding of mental imagery. In illustrating how scientists think about one of the most difficult problems in psychology and neuroscience, this book goes beyond the debate to explore the nature of cognition and to draw out implications for the study of consciousness. Student and professional researchers in vision science, cognitive psychology, philosophy, and neuroscience will find The Case for Mental Imagery to be an invaluable resource for understanding not only the imagery debate, but also and more broadly, the nature of thought, and how theory and research shape the evolution of scientific debates.

Author: Manfred Fahle
Publisher: Oxford University Press, USA
ISBN: 0198505825
Category : Medical
Languages : en
Pages : 362

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Book Description
Describes a range of exciting new approaches to neuropsychological investigation and provides a broad overview of visual neuropsychology. The book starts by examining the neural basis of perception - presenting important new research using single-unit recordings. It then considers disturbances of visual perception such a agnosia, neglect, blindsight, and achromatopsia, describing what we now know about recovery and rehabilitation from cerebral visual disorders. Throughout, the book refers to new and adapted techniques for measuring brain activity, including multi-unit sum potential recording, fMRI, and transranial magnetic-stimulation. With contributions from leading scientists in the vision sciences, it provides a state-of-the-art review of the topic.

Author: Alan Gilchrist
Publisher: Oxford University Press
ISBN: 9780198040514
Category : Psychology
Languages : en
Pages : 448

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Book Description
How the human visual system determines the lightness of a surface, that is, its whiteness, blackness, or grayness, remains--like vision in general--a mystery. In fact, we have not even been able to create a machine that can determine, through an artificial vision system, whether an object is white, black, or gray. Although the photoreceptors in the eye are driven by light, the light reflected by a surface does not reveal its shade of gray. Depending upon the level of illumination, a surface of any shade of gray can reflect any amount of light. In Seeing Black and White Alan Gilchrist ties together over 30 years of his own research on lightness, and presents the first comprehensive, historical review of empirical work on lightness, covering the past 150 years of research on images ranging from the simple to the complex. He also describes and analyzes the many theories of lightness--including his own--showing what each can and cannot explain. Gilchrist highlights the forgotten-yet-exciting work done in the first third of the twentieth century, describing several crucial experiments and examining the brilliant but nearly unknown work of the Hungarian gestalt theorist, Lajos Kardos. Gilchrists review also includes a survey of the pattern of lightness errors made by humans, many of which result in delightful illusions. He argues that because these errors are not random, but systematic, they are the signature of our visual software, and so provide a powerful tool that can reveal how lightness is computed. Based on this argument and the concepts of anchoring, grouping, and frames of reference, Gilchrist presents a new theoretical framework that explains an unprecedented array of lightness errors. As both the first comprehensive overview of research on lightness and the first unified presentation of Gilchrists new theoretical framework Seeing Black and White will be an invaluable resource for vision scientists, cognitive psychologists, and cognitive neuroscientists.

Author: J. O. Robinson
Publisher: Courier Corporation
ISBN: 0486151182
Category : Science
Languages : en
Pages : 302

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Book Description
Well-rounded perspective on the ambiguities of visual display emphasizes geometrical optical illusions: framing and contrast effects, distortion of angles and direction, and apparent "movement" of images. 240 drawings. 1972 edition.

Author: Diana Deutsch
Publisher: Oxford University Press
ISBN: 0190206845
Category : Psychology
Languages : en
Pages : 272

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Book Description
In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech--many of which she herself discovered--have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns--differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.