Author: George LewisPublisher:
ISBN:
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages :
Book Description
The Oxford Handbook of Critical Improvisation Studies: Improvisation technology as mode of redesigning the urban
Author: George LewisPublisher:
ISBN:
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages :
Book Description
The Oxford Handbook of Critical Improvisation Studies
Author: George LewisPublisher: Oxford University Press
ISBN: 019989292X
Category : Music
Languages : en
Pages : 601
Book Description
V. 1. Cognitions -- v. 2. Critical theories
The Oxford Handbook of Critical Improvisation Studies
Author: George E. LewisPublisher: Oxford University Press
ISBN: 0199892938
Category : Music
Languages : en
Pages : 640
Book Description
Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
The Urban Improvise
Author: Kristian KloecklPublisher: Yale University Press
ISBN: 0300249349
Category : Architecture
Languages : en
Pages : 237
Book Description
A book for architects, designers, planners, and urbanites that explores how cities can embrace improvisation to improve urban life The built environment in today’s hybrid cities is changing radically. The pervasiveness of networked mobile and embedded devices has transformed a predominantly stable background for human activity into spaces that have a more fluid behavior. Based on their capability to sense, compute, and act in real time, urban spaces have the potential to go beyond planned behaviors and, instead, change and adapt dynamically. These interactions resemble improvisation in the performing arts, and this book offers a new improvisation-based framework for thinking about future cities. Kristian Kloeckl moves beyond the smart city concept by unlocking performativity, and specifically improvisation, as a new design approach and explores how city lights, buses, plazas, and other urban environments are capable of behavior beyond scripts. Drawing on research of digital cities and design theory, he makes improvisation useful and applicable to the condition of today’s technology-imbued cities and proposes a new future for responsive urban design.
Cybernetics: state of the art
Author: Werner, Liss C.Publisher: Universitätsverlag der TU Berlin
ISBN: 3798329532
Category : Architecture
Languages : en
Pages : 206
Book Description
CYBERNETICS: STATE OF THE ART is the first volume of the book series CON-VERSATIONS. Driven by cybernetic thinking, it engages with pressing questions for architecture, urban planning, design and automated infrastructure; in an age of increasing connectivity, AI and robotization and an evolutionary state of the Anthropocene - perpetuating angst-ridden anxiety as well as excitement and joy of a future, that we will be able to predict with less and less certainty. The book, with a foreword by Omar Khan, discusses cybernetic principles and devices developed in the late 20th century – mainly developed by Ross Ashby and Gordon Pask (second-order cybernetics), to learn from for a future of mutual relationship and conversation between man and machine. The anthology reviews and previews cybernetics as design strategy in computational architecture, urban design and socio-ecological habitats - natural and artificial. It weaves together cybernetic-architectural theories with applications and case studies ranging from regional planning to the smart home. Nine chapters written by an international group of authors from four academic generations are structured into two complimenting parts. While ‘A Concept and a Shape’ focuses on the history and theory of cybernetics, its temporary disappearance and future impact (Raúl Espejo, Michael Hohl, Paul Pangaro, Liss C. Werner), ‘System 5’ – relating to Stafford Beer’s project ‘Cybersyn’ - discusses applications, the role of the individual and human feedback; also with a strong theoretical underpinning (Raoul Bunschoten, Delfina Fantini van Ditmar, Timothy Jachna, Arun Jain, Kristian Kloeckl). CYBERNETICS: STATE OF THE ART invites the reader to enjoy a glimpse into the past to enjoy and discuss a cybernetic future. CYBERNETICS: STATE OF THE ART mit einem Vorwort von Omar Khan ist die erste Buchausgabe der Serie CON-VERSATIONS. Auf kybernetisches Denken und Schaffen basierend, diskutiert CON-VERSATIONS Fragen zu Architektur, Stadtplanung, Gestaltungsstrategien und automatisierter Infrastruktur in einer evolutionär zunehmenden Vernetzung durch künstliche Intelligenz, Robotisierung; im Zeitalter der Anthropozän, in einem Zustand der sich verewigenden angstbeherrschten Unruhe - wie auch einer besonderen Lust auf eine Zukunft, die wir mit immer weniger Sicherheit voraussagen können. Das Konzept ‚Kybernetik zweiter Ordnung’ des späten 20igsten Jahrhunderts, u.a. entwickelt von Ross Ashby und Gordon Pask, begründet das Buch. Es genießt einen Rückblick und eine Vorschau in eine kybernetische Zukunft der gemeinsamen kausalen Beziehung zwischen Mensch und Maschine. Die Autoren schlagen Kybernetik als Entwurfsstrategie für computer-generierte/-gestützte Architektur, Stadtplanung und natürlich und künstliche sozio-ökologische Lebensumwelten vor. Das Buch kombiniert kybernetisch-architektonische Theorie mit Fallstudien reichend von Regionalplanung zu ‚Smart Home’. Neun Kapitel, geschrieben von einer internationalen Autorenschaft aus vier akademischen Generationen, sind in zwei sich ergänzende Buchteile strukturiert. ‘A Concept and a Shape’, mit Kapiteln von Raúl Espejo, Michael Hohl, Paul Pangaro, Liss C. Werner, diskutiert Geschichte und Wissenschaft der Kybernetik sowie ihr temporäres Verschwinden und Einfluss auf die Zukunft. ‚System 5’ (in Anlehnung an Stafford Beer’s Projekt ‚Cybersyn’) mit Kapiteln von Raoul Bunschoten, Delfina Fantini van Ditmar, Timothy Jachna, Arun Jain, Kristian Kloeckl, beschreibt kybernetische Praxis, die Rolle des Individuums und ‚Human Feedback’ - ebenfalls mit einem starken theoretischen Fundament. CYBERNETICS: STATE OF THE ART lädt den Leser ein, einen aufschlussreichen Blick in die Vergangenheit zu werfen, um eine kybernetische Zukunft zu genießen und zu diskutieren.
The Oxford Handbook of Critical Improvisation Studies
Author: George LewisPublisher:
ISBN: 9780199983827
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages :
Book Description
Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
The Oxford Handbook of Critical Improvisation Studies, Volume 1
Author: George E. LewisPublisher: Oxford University Press
ISBN: 0190627964
Category : Music
Languages : en
Pages : 608
Book Description
Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
The Oxford Handbook of Critical Improvisation Studies
Author: George E. LewisPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
The Oxford Handbook of Critical Improvisation Studies
Author: George LewisPublisher: Oxford University Press
ISBN: 0195370937
Category : Music
Languages : en
Pages : 617
Book Description
V. 1. Cognitions -- v. 2. Critical theories
Structure and Improvisation in Creative Teaching
Author: R. Keith SawyerPublisher: Cambridge University Press
ISBN: 1139500341
Category : Psychology
Languages : en
Pages : 319
Book Description
With an increasing emphasis on creativity and innovation in the twenty-first century, teachers need to be creative professionals just as students must learn to be creative. And yet, schools are institutions with many important structures and guidelines that teachers must follow. Effective creative teaching strikes a delicate balance between structure and improvisation. The authors draw on studies of jazz, theater improvisation and dance improvisation to demonstrate that the most creative performers work within similar structures and guidelines. By looking to these creative genres, the book provides practical advice for teachers who wish to become more creative professionals.