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Author: Gerald M. Pinciss Publisher: A&C Black ISBN: 9780826418265 Category : Literary Criticism Languages : en Pages : 202
Book Description
By concentrating on a dozen of his best-known plays, and analysing their structural and theatrical elements as well as their distinctive language, inventive plotting and unique characters, this book demystifies Shakespeare for theatre lovers. It enables us to step behind the curtain to learn why Shakespeare is considered the greatest dramatist.
Author: Gerald M. Pinciss Publisher: A&C Black ISBN: 9780826418265 Category : Literary Criticism Languages : en Pages : 202
Book Description
By concentrating on a dozen of his best-known plays, and analysing their structural and theatrical elements as well as their distinctive language, inventive plotting and unique characters, this book demystifies Shakespeare for theatre lovers. It enables us to step behind the curtain to learn why Shakespeare is considered the greatest dramatist.
Author: Manjula Martin Publisher: Simon and Schuster ISBN: 1501134590 Category : Literary Collections Languages : en Pages : 304
Book Description
A collection of essays from today’s most acclaimed authors—from Cheryl Strayed to Roxane Gay to Jennifer Weiner, Alexander Chee, Nick Hornby, and Jonathan Franzen—on the realities of making a living in the writing world. In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It’s an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? As contributors including Jonathan Franzen, Cheryl Strayed, Roxane Gay, Nick Hornby, Susan Orlean, Alexander Chee, Daniel Jose Older, Jennifer Weiner, and Yiyun Li candidly and emotionally discuss money, MFA programs, teaching fellowships, finally getting published, and what success really means to them, Scratch honestly addresses the tensions between writing and money, work and life, literature and commerce. The result is an entertaining and inspiring book that helps readers and writers understand what it’s really like to make art in a world that runs on money—and why it matters. Essential reading for aspiring and experienced writers, and for anyone interested in the future of literature, Scratch is the perfect bookshelf companion to On Writing, Never Can Say Goodbye, and MFA vs. NYC.
Author: Jackson R. Bryer Publisher: ISBN: Category : American drama Languages : en Pages : 352
Book Description
On the evening of January 29, 1948, a new musical, 'Look, Ma, I'm Dancin'!', opened at New York's New Adelphi Theatre, marking the Broadway debut of a young playwriting team, Jerome Lawrence and Robert E. Lee, who were responsible for the show's book. Forty-six years later, Lawrence and Lee are reworking their most recent play, Whisper In The Mind, for a potential New York production, but the intervening decades have seen major changes in the landscape of the American theatre. Many of these changes are discussed and debated in this collection of interviews and are exemplified in the careers of the dramatists included.
Author: Susan Letzler Cole Publisher: Routledge ISBN: 1136676899 Category : Performing Arts Languages : en Pages : 279
Book Description
Playwrights in Rehearsal is an inside look at the writer's role in the creative process of bringing his or her words to life on stage. Susan Letzler Cole, granted rare access to some of the major playwrights of our time, recounts her participation in rehearsal with Arthur Miller, Sam Shepard, Tony Kushner and Suzan-Lori Parks, and others.
Author: Jean-Claude van Italie Publisher: Hal Leonard Corporation ISBN: 1476844836 Category : Performing Arts Languages : en Pages : 108
Book Description
(Applause Books). A series of 13 written workshops covering: conflict and character: the dominant image: Tennessee Williams and Arthur Miller; Overheard voices: Ibsen and Shakespeare; The solo performance piece: listening for stories; Terror and vulnerability: Ionesco; The point of absurdity: creating without possessing: Pinter and Beckett; and much more.
Author: Joan Herrington Publisher: Routledge ISBN: 1136542124 Category : Drama Languages : en Pages : 312
Book Description
August Wilson penned his first play after seeing a man shot to death. Horton Foote began writing plays to create parts for himself as an actor. Edward Albee faced commercial pressures to modify his scripts-and resisted. After Wit, Margaret Edson swore off playwriting altogether and decided to keep her day job as a kindergarten teacher, instead. The Playwright's Muse presents never-before-published interviews with some of the greatest names of American drama-all recent winners of the Pulitzer Prize. In these scintillating exchanges with eleven leading dramatists, we learn about their inspirations and begin to grasp how the creative process works in the mind of a writer. We learn how their first plays took shape, how it felt to read their first reviews, and what keeps them writing for theater today. Introductory essays on each playwright's life and work, written by theater artists and scholars with strong professional relationships to their subjects, provide additional insight into the writers' contributions to contemporary theater.
Author: Jeffrey Sweet Publisher: Yale University Press ISBN: 0300228058 Category : Literary Criticism Languages : en Pages : 304
Book Description
The art and craft of playwriting as explored in candid conversations with some of the most important contemporary dramatists Edward Albee, Lanford Wilson, Lynn Nottage, A. R. Gurney, and a host of other major creative voices of the theater discuss the art of playwriting, from inspiration to production, in a volume that marks the tenth anniversary of the Yale Drama Series and the David Charles Horn Foundation Prize for emerging playwrights. Jeffrey Sweet, himself an award-winning dramatist, hosts a virtual roundtable of perspectives on how to tell stories onstage featuring extensive interviews with a gallery of gifted contemporary dramatists. In their own words, Arthur Kopit, Marsha Norman, Christopher Durang, David Hare, and many others offer insights into all aspects of the creative writing process as well as their personal views on the business, politics, and fraternity of professional theater. This essential work will give playwrights and playgoers alike a deeper and more profound appreciation of the art form they love.
Author: Anne García-Romero Publisher: University of Arizona Press ISBN: 0816533865 Category : Literary Criticism Languages : en Pages : 256
Book Description
A key way to view Latina plays today is through the foundational frame of playwright and teacher Maria Irene Fornes, who has trained a generation of theatre artists and transformed the field of American theatre. Fornes, author of Fefu and Her Friends and Sarita and a nine-time Obie Award winner, is known for her plays that traverse cultural, spiritual, and aesthetic borders. In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes, Anne García-Romero considers the work of five award-winning Latina playwrights in the early twenty-first century, offering her unique perspective as a theatre studies scholar who is also a professional playwright. The playwrights in this book include Pulitzer Prize–winner Quiara Alegría Hudes; Obie Award–winner Caridad Svich; Karen Zacarías, resident playwright at Arena Stage in Washington, DC; Elaine Romero, member of the Goodman Theatre Playwrights Unit in Chicago, Illinois; and Cusi Cram, company member of the LAByrinth Theater Company in New York City. Using four key concepts—cultural multiplicity, supernatural intervention, Latina identity, and theatrical experimentation—García-Romero shows how these playwrights expand past a consideration of a single culture toward broader, simultaneous connections to diverse cultures. The playwrights also experiment with the theatrical form as they redefine what a Latina play can be. Following Fornes’s legacy, these playwrights continue to contest and complicate Latina theatre.
Author: Gerald M. Pinciss
Author: Gerald M. Pinciss
Author: Manjula Martin
Author: Jackson R. Bryer
Author: William Packard
Author: Susan Letzler Cole
Author: Jean-Claude van Italie
Author: Joan Herrington
Author: Jeffrey Sweet
Author: Roger M. Busfield
Author: Anne García-Romero