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The Postmodern Short Story

Author: Farhat Iftekharrudin
Publisher: Praeger
ISBN: 9780313323751
Category : Literary Criticism
Languages : en
Pages : 0

Book Description
Short stories are usually defined in terms of characteristics of modernism, in which the story begins in the middle, develops according to a truncated plot, and ends with an epiphany. This approach tends to ignore postmodernism, a movement often characterized by a negation of objective reality where plots are seemingly abandoned, surfaces are extraordinary, and symbols turn inward on themselves. This book examines postmodern forms and characteristic themes by analyzing a group of short stories that make use of postmodern narrative strategies, including nonfictional fiction, gender profiling, and death as an image. The volume begins with a discussion of the blurred lines between fiction and nonfiction in the short story and imaginative personal essay. It then looks at the role of women in works by such authors as Sandra Cisneros, Leslie Marmon Silko, Joyce Carol Oates, and Lorrie Moore. This is followed by a section of chapters on postmodern masculinity and short fiction. The next section focuses on death as an image and theme in works by Richard Ford, Richard Brautigan, and James Joyce. The final set of chapters considers postmodern short fiction from South Africa and Canada.

Postmodern Approaches to the Short Story

Author: Farhat Iftekharrudin
Publisher: Bloomsbury Publishing USA
ISBN: 0313058091
Category : Literary Criticism
Languages : en
Pages : 171

Book Description
Postmodernism, as a mode of the contemporary short story, has been clearly established and recognized by short story theorists. But postmodern theory, as pervasive as it has become among academics in the last half century, has scarcely been applied to the short story genre in particular. Many contemporary scholars, nonetheless, are currently making use of certain postmodern thematic approaches to help them determine meanings of particular short stories. T Short story theory began with Edgar Allan Poe's review of Twice-Told Tales, a collection of stories by his contemporary, Nathaniel Hawthorne. But theoretical discussions of the short story languished until modernism and the new criticism provided impetus for further development. Surprisingly, though, the next large critical movement, postmodernism, failed to address the short story as a genre. But while there is little postmodern theory concerning the short story, contemporary scholars have used certain postmodern critical approaches to help determine meaning. This book demonstrates the effect of postmodern theory on the study of the short story genre. The expert contributors to this volume examine such topics as genre and form, the role of the reader, cultural and ethnic diversity, and feminist perspectives on the short story. In doing so, they apply postmodern theoretical approaches to international short stories, be they in the traditional mode, the modern mode, or the postmodern mode. The volume looks at fiction by Edith Wharton, Henry James, Katherine Mansfield, and other authors, and at Iranian short fiction, the postcolonial short story, the fantastic in short fiction, and other subjects.

Modernism, Postmodernism, and the Short Story in English

Author:
Publisher: Brill
ISBN: 9401208328
Category : Literary Criticism
Languages : en
Pages : 275

Book Description
How can the short story help to redefine modernism, postmodernism and their interrelationship? What is the status of the short story in modern literary history? These are the central questions that the essays collected in this volume try to answer from different perspectives through readings of short fiction in English and accounts of the genre’s theorisations. The essays by a group of international scholars tackle theoretical issues that are central in approaches to both “movements” such as periodisation, autonomy, high vs. popular literature, totality vs. fragmentation, surface vs. depth, otherness, representation, and, above all, the subject and its vicissitudes. Because it blends theory-based arguments into the approaches to the short fiction of mainly canonical authors (Joyce, Woolf, Lewis, Ballard, Carter, Rushdie, or Wallace), Modernism, Postmodernism, and the Short Story in English is of interest not only to readers and scholars of the short story, but also to those coming from the fields of literary theory and literary history.

The Cambridge Companion to the English Short Story

Author: Ann-Marie Einhaus
Publisher: Cambridge University Press
ISBN: 1316033597
Category : Literary Criticism
Languages : en
Pages : 263

Book Description
This Companion provides an accessible overview of short fiction by writers from England, Scotland, Ireland, Wales, and other international sites. A collection of international experts examine the development of the short story in a variety of contexts from the early nineteenth century to the present. They consider how dramatic changes in the publishing landscape during this period - such as the rise of the fiction magazine and the emergence of new opportunities in online and electronic publishing - influenced the form, covering subgenres from detective fiction to flash fiction. Drawing on a wealth of critical scholarship to place the short story in the English literary tradition, this volume will be an invaluable guide for students of the short story in English.

The Cambridge Introduction to the American Short Story

Author: Martin Scofield
Publisher: Cambridge University Press
ISBN: 1139457659
Category : Literary Criticism
Languages : en
Pages : 239

Book Description
This wide-ranging introduction to the short story tradition in the United States of America traces the genre from its beginnings in the early nineteenth century with Irving, Hawthorne and Poe via Fitzgerald, Hemingway and Faulkner to O'Connor and Carver. The major writers in the genre are covered in depth with a general view of their work and detailed discussion of a number of examples of individual stories. The Cambridge Introduction to the American Short Story offers a comprehensive and accessible guide to this rich literary tradition. It will be invaluable to students and readers looking for critical approaches to the short story and wishing to deepen their understanding of how authors have approached and developed this fascinating and challenging genre. Further reading suggestions are included to explore the subject in more depth. This is an invaluable overview for all students and readers of American fiction.

Writing the Nation: A Concise Introduction to American Literature 1865 to Present

Author: Amy Berke
Publisher: Good Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 742

Book Description
Writing the Nation displays key literary movements and the American authors associated with the movement. Topics include late romanticism, realism, naturalism, modernism, and modern literature. Contents: Late Romanticism (1855-1870) Realism (1865-1890) Local Color (1865-1885) Regionalism (1875-1895) William Dean Howells Ambrose Bierce Henry James Sarah Orne Jewett Kate Chopin Mary E. Wilkins Freeman Charles Waddell Chesnutt Charlotte Perkins Gilman Naturalism (1890-1914) Frank Norris Stephen Crane Turn of the Twentieth Century and the Growth of Modernism (1893 - 1914) Booker T. Washington Zane Grey Modernism (1914 - 1945) The Great War Une Generation Perdue... (a Lost Generation) A Modern Nation Technology Modernist Literature Further Reading: Additional Secondary Sources Robert Frost Wallace Stevens William Carlos Williams Ezra Pound Marianne Moore T. S. Eliot Edna St. Vincent Millay E. E. Cummings F. Scott Fitzgerald Ernest Hemingway Arthur Miller Southern Renaissance – First Wave Ellen Glasgow William Faulkner Eudora Alice Welty The Harlem Renaissance Jessie Redmon Fauset Zora Neale Hurston Nella Larsen Langston Hughes Countee Cullen Jean Toomer American Literature Since 1945 (1945 - Present) Southern Literary Renaissance - Second Wave (1945-1965) The Cold War and the Southern Literary Renaissance Economic Prosperity The Civil Rights Movement in the South New Criticism and the Rise of the MFA Program Innovation Tennessee Williams James Dickey Flannery O'Connor Postmodernism Theodore Roethke Ralph Ellison James Baldwin Allen Ginsberg Adrienne Rich Toni Morrison Donald Barthelme Sylvia Plath Don Delillo Alice Walker Leslie Marmon Silko David Foster Wallace

The Soho Press Book of '80s Short Fiction

Author: Dale Peck
Publisher: Soho Press
ISBN: 1616955465
Category : Fiction
Languages : en
Pages : 593

Book Description
In The Soho Press Book of '80s Short Fiction, editor Dale Peck offers readers a fresh take on a seminal period in American history, when Ronald Reagan was president, the Cold War was rushing to its conclusion, and literature was searching for ways to move beyond the postmodern unease of the 1970s. Morally charged by newly politicized notions of identity but fraught with anxiety about a body whose fragility had been freshly emphasized by the AIDS epidemic, the 34 works gathered here are individually vivid, but taken as a body of work, they challenge the prevailing notion of the ’80s as a time of aesthetic as well as financial maximalism. Formally inventive yet tightly controlled, they offer a more expansive, inclusive view of the era’s literary accomplishments. The anthology blends early stories from writers like Denis Johnson, Jamaica Kincaid, Mary Gaitskill, and Raymond Carver, which have gone on to become part of the American canon, with remarkable and often transgressive work from some of the most celebrated writers of the underground, including Dennis Cooper, Eileen Myles, Lynne Tillman, and Gary Indiana. Peck has also included powerful work by writers such as Gil Cuadros, Essex Hemphill, and Sam D’Allesandro, whose untimely deaths from AIDS ended their careers almost before they had begun. Almost a third of the stories are out of print and unavailable elsewhere. The Soho Press Book of ’80s Short Fiction is a daring reappraisal of a decade that is increasingly central to our culture.

The Postmodern Short Story PDF Download