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Author: Damian Atkinson Publisher: ISBN: 9781443852975 Category : Authors, English Languages : en Pages : 0
Book Description
The Catholic convert and women of letters Alice Meynell (1847â "1922) ranks as a sophisticated essayist and poet of the late Victorian period and the early twentieth century. She had the advantage of an educated father and a musical mother who spent much of their early time with the family visiting Europe, especially Italy. Aliceâ (TM)s father was a friend of Dickens and her mother was admired by Dickens. Alice and her sister Elizabeth, later the famed artist Lady Butler, were educated privately and more so by their travels. This background gave Alice a great interest in art, music, poetry and literature. Her conversion to Catholicism in 1868 was the rock of her existence and coloured her entire life. Alice and her convert husband Wilfrid were very involved in the journalistic world as she was a contributor to the Scots / National Observer, Dublin Review, Tablet, Athenaeum, Speaker, Spectator, and the Magazine of Art. Alice was also an important unsigned contributor to the Pall Mall Gazette â ~Wares of Autolycusâ (TM) column for many years. Together Wilfrid and Alice edited and wrote for their own illustrated monthly Merry England from 1883â "95. Contributors included Aliceâ (TM)s close friend Katharine Tynan, Coventry Patmore, Andrew Lang, and Francis Thompson, whose â oeThe Hound of Heavenâ was first published by them. They also managed the Weekly Register from 1881â "98. The two journals kept Alice very busy as did her large family. Aliceâ (TM)s letters show her literary work, both poetry and essays, and her relationship with John Lane, who published many of her books, an arrangement not always easy. She discusses her work with poets such as John Freeman and John Drinkwater, and her admiration for Coventry Patmore with the writer Frederick Page. She was obviously considered important for aspiring and established poets who sought her approbation. She visited America in late 1901 for a short lecture tour which was fairly successful but also gave her some lifelong friends. She supported womenâ (TM)s suffrage and marched, although she was against its militancy. Alice was ambivalent about the First World War and her final years were spent writing and editing anthologies.
Author: Damian Atkinson Publisher: ISBN: 9781443852975 Category : Authors, English Languages : en Pages : 0
Book Description
The Catholic convert and women of letters Alice Meynell (1847â "1922) ranks as a sophisticated essayist and poet of the late Victorian period and the early twentieth century. She had the advantage of an educated father and a musical mother who spent much of their early time with the family visiting Europe, especially Italy. Aliceâ (TM)s father was a friend of Dickens and her mother was admired by Dickens. Alice and her sister Elizabeth, later the famed artist Lady Butler, were educated privately and more so by their travels. This background gave Alice a great interest in art, music, poetry and literature. Her conversion to Catholicism in 1868 was the rock of her existence and coloured her entire life. Alice and her convert husband Wilfrid were very involved in the journalistic world as she was a contributor to the Scots / National Observer, Dublin Review, Tablet, Athenaeum, Speaker, Spectator, and the Magazine of Art. Alice was also an important unsigned contributor to the Pall Mall Gazette â ~Wares of Autolycusâ (TM) column for many years. Together Wilfrid and Alice edited and wrote for their own illustrated monthly Merry England from 1883â "95. Contributors included Aliceâ (TM)s close friend Katharine Tynan, Coventry Patmore, Andrew Lang, and Francis Thompson, whose â oeThe Hound of Heavenâ was first published by them. They also managed the Weekly Register from 1881â "98. The two journals kept Alice very busy as did her large family. Aliceâ (TM)s letters show her literary work, both poetry and essays, and her relationship with John Lane, who published many of her books, an arrangement not always easy. She discusses her work with poets such as John Freeman and John Drinkwater, and her admiration for Coventry Patmore with the writer Frederick Page. She was obviously considered important for aspiring and established poets who sought her approbation. She visited America in late 1901 for a short lecture tour which was fairly successful but also gave her some lifelong friends. She supported womenâ (TM)s suffrage and marched, although she was against its militancy. Alice was ambivalent about the First World War and her final years were spent writing and editing anthologies.
Author: Damian Atkinson Publisher: Cambridge Scholars Publishing ISBN: 1443863564 Category : Literary Collections Languages : en Pages : 445
Book Description
The Catholic convert and women of letters Alice Meynell (1847–1922) ranks as a sophisticated essayist and poet of the late Victorian period and the early twentieth century. She had the advantage of an educated father and a musical mother who spent much of their early time with the family visiting Europe, especially Italy. Alice’s father was a friend of Dickens and her mother was admired by Dickens. Alice and her sister Elizabeth, later the famed artist Lady Butler, were educated privately and more so by their travels. This background gave Alice a great interest in art, music, poetry and literature. Her conversion to Catholicism in 1868 was the rock of her existence and coloured her entire life. Alice and her convert husband Wilfrid were very involved in the journalistic world as she was a contributor to the Scots / National Observer, Dublin Review, Tablet, Athenaeum, Speaker, Spectator, and the Magazine of Art. Alice was also an important unsigned contributor to the Pall Mall Gazette ‘Wares of Autolycus’ column for many years. Together Wilfrid and Alice edited and wrote for their own illustrated monthly Merry England from 1883–95. Contributors included Alice’s close friend Katharine Tynan, Coventry Patmore, Andrew Lang, and Francis Thompson, whose “The Hound of Heaven” was first published by them. They also managed the Weekly Register from 1881–98. The two journals kept Alice very busy as did her large family. Alice’s letters show her literary work, both poetry and essays, and her relationship with John Lane, who published many of her books, an arrangement not always easy. She discusses her work with poets such as John Freeman and John Drinkwater, and her admiration for Coventry Patmore with the writer Frederick Page. She was obviously considered important for aspiring and established poets who sought her approbation. She visited America in late 1901 for a short lecture tour which was fairly successful but also gave her some lifelong friends. She supported women’s suffrage and marched, although she was against its militancy. Alice was ambivalent about the First World War and her final years were spent writing and editing anthologies.
Author: Damian Atkinson Publisher: Cambridge Scholars Publishing ISBN: 1443893013 Category : Languages : en Pages : 626
Book Description
A farmer’s daughter, a convent girl, a lover of the Irish countryside, a poet, novelist and short story writer, a journalist, a friend of the English during war and peace, a fighter for justice, a Catholic, but able to see and decry the interference of religion in politics: this is in part Katharine Tynan Hinkson (1859–1931), usually known as Katharine Tynan, who lived in Ireland and England, and wrote through the turbulent times of Irish politics, suffrage, the Great War, and civil war in Ireland. Her background was rural Ireland, her father being a prosperous land-owning farmer. Educated locally and at a convent, she left aged fourteen and spent much time reading and enjoying the countryside, which became a foundation for her poetry and storytelling. She was aware of the politics of Ireland through her politically active father, and she joined the short-lived Ladies’ Land League in 1881 and was a fervent admirer of Charles Stewart Parnell. Her first major literary friendship was with her mentor, the Jesuit Father Matthew Russell, editor of the Irish Monthly, who published much of her work. He introduced Katharine to the Catholic literary couple Wilfrid and Alice Meynell in London in 1884, a visit which formed a deep love and admiration for Alice. The Meynells published much of her poetry in the Weekly Register and Merry England. Katharine made many visits to England and settled in England in 1893 after her marriage to Harry Hinkson, making it her home until returning to Ireland in 1912. After the Great War, she moved between England and Ireland, finally settling in London where she died. Katharine’s life spanned Anglo-Irish politics, the suffrage movement, the Easter Rising of 1916, the Great War (her two sons served in the British Army) and its aftermath. Her letters cover these events and the friendships and correspondence with many literary persons, including George William Russell (A.E.), G. K. Chesterton, Wilfrid Scawen Blunt, Clement King Shorter, the writer Frank James Mathew and the novelist May Sinclair. An early friend of W. B. Yeats, she was seen as part of the Irish literary revival, although in a minor role. Throughout her life she suffered from very poor eyesight. She published five autobiographies, which, together with the letters, provide us with valuable insight into her life and times.
Author: Sarah Parker Publisher: Taylor & Francis ISBN: 1003853641 Category : Literary Criticism Languages : en Pages : 241
Book Description
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.
Author: Lesa Scholl Publisher: Bloomsbury Publishing ISBN: 1350256528 Category : Literary Criticism Languages : en Pages : 168
Book Description
Through an interdisciplinary lens of theology, medicine, and literary criticism, this book examines the complicated intersections of food consumption, political economy, and religious conviction in nineteenth-century Britain. Scholarship on fasting is gendered. This book deliberately faces this gendering by looking at the way in which four Victorian women writers - Christina Rossetti, Alice Meynell, Elizabeth Gaskell and Josephine Butler - each engage with food restraint from ethical, social and theological perspectives. While many studies look at fasting as a form of spiritual discipline or punishment, or alternatively as anorexia nervosa, this book positions limiting food consumption as an ethical choice in response to the food insecurity of others. By examining their works in this way, this study repositions feminine religious practice and writing in relation to food consumption within broader contexts of ecocriticism, economics and social justice.
Author: Joseph Bristow Publisher: University of Toronto Press ISBN: 1487546092 Category : Literary Criticism Languages : en Pages : 326
Book Description
The fin de siècle not only designated the end of the Victorian epoch but also marked a significant turn towards modernism. Extraordinary Aesthetes critically examines literary and visual artists from England, Ireland, and Scotland whose careers in poetry, fiction, and illustration flourished during the concluding years of the nineteenth century. This collection draws special attention to the exceptional contributions that artists, poets, and novelists made to the cultural world of the late 1880s and 1890s. The essays illuminate a range of established, increasingly acknowledged, and lesser-known figures whose contributions to this brief but remarkably intense cultural period warrant close attention. Such figures include the critically neglected Mabel Dearmer, whose stunning illustrations appear in Evelyn Sharp’s radical fairy tales for children. Equally noteworthy is the uncompromising short fiction of Ella D’Arcy, who played a pivotal role in editing the most famous journal of the 1890s, The Yellow Book. The discussion extends to a range of legendary writers, including Max Beerbohm, Oscar Wilde, and W.B. Yeats, whose works are placed in dialogue with authors who gained prominence during this period. Bringing women’s writing to the fore, Extraordinary Aesthetes rebalances the achievements of artists and writers during the rapidly transforming cultural world of the fin de siècle.
Author: Dustin Friedman Publisher: Cambridge University Press ISBN: 1009081632 Category : Literary Criticism Languages : en Pages : 676
Book Description
The 1890s were once seen as marginal within the larger field of Victorian studies, which tended to privilege the realist novel and the authors of the mid-century. In recent decades, the fin de siècle has come to be viewed as one of the most dynamic decades of the Victorian era. Viewed by writers and artists of the period as a moment of opportunity, transition, and urgency, the 1890s are pivotal for understanding the parameters of the field of Victorian studies itself. This volume makes a case for why the decade continues to be an area of perennial fascination, focusing on transnational connections, gender and sexuality, ecological concerns, technological innovations, and other current critical trends. This collection both calls attention to the diverse range of literature and art being produced during this period and foregrounds the relevance of the Victorian era's final years to issues and crises that face us today.
Author: Damian Atkinson Publisher: Routledge ISBN: 1351882074 Category : Literary Criticism Languages : en Pages : 392
Book Description
The text of the book consists of some 150 letters (out of a corpus of 2,500) written by the late nineteenth-century poet, critic, editor and journalist W.E. Henley, to various figures of the period, e.g. R.L. Stevenson, H. G. Wells, J.M. Barrie, William Archer, Rodin, Wilde, Kipling, Arthur Morrison, Alice Meynell, and Edmund Gosse. Letters are also included to other figures within Henley’s immediate circle, his wife Anna, his financial backer Fitzroy Bell, Charles Baxter the arbitrator in the quarrel between Henley and Stevenson, and his Edinburgh art collector friend Hamilton Bruce. Each letter is fully annotated. An introduction places Henley within the period and provides a biographical account of his life and literary work which is reflected in his letters. Of particular importance is the role of Henley as editor of London, the Magazine of Art, the Scots Observer and later the National Observer and the New Review.
Author: Damian Atkinson
Author: Damian Atkinson
Author: Damian Atkinson
Author: Damian Atkinson
Author: Sarah Parker
Author: Lesa Scholl
Author: George Meredith
Author: Joseph Bristow
Author: Dustin Friedman
Author: George Meredith
Author: Damian Atkinson