The Tomb and the Tiara PDF Download

Author: Julian Gardner
Publisher:
ISBN:
Category : Cardinals
Languages : en
Pages : 292

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Author: Elizabeth Valdez Del Alamo
Publisher: Routledge
ISBN: 1351758039
Category : Social Science
Languages : en
Pages : 497

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This title was first published in 2000: Reverent memorial for the dead was the inspiration for the production of a significant category of artworks during the Middle Ages - artworks aimed as much at the laity as at the clergy, and intended to maintain, symbolically, the presence of the dead. Memoria, the term that describes the formal, liturgical memory of the dead, also includes artworks intended to house and honour the deceased. This book explores the ways in which medieval Christians sought to memorialize the deceased: with tombs, cenotaphs, altars and other furnishings connected to a real or symbolic burial site. A dozen essays analyze strategies for commemoration from the 4th to the 15th century: the means by which human memory could be activated or manipulated through the interaction between monuments, their setting, and the visitor. Building upon from the growing body of literature on memory in the Middle Ages, the collection focuses on the tomb monument and its context as a complex to define what is to be remembered, to fix memory, and to facilitate recollection. Remembering depended upon the emotionally charged interaction between the visitor, the funerary monument, strategically placed images or inscriptions, the liturgy and its participants. Commemorative artworks may consolidate social bonds as well as individual memory, as put forth in this volume. Parallels are drawn between mnemonic devices utilized in the Middle Ages, the design of monuments and contemporary scientific research in cognitive neuropsychology. The papers were originally presented at the 1994 meetings of the College Art Association and the International Congresses of Medieval Studies at Western Michigan University, Kalamazoo, and the University of Leeds, England, in 1995.

Author:
Publisher: BRILL
ISBN: 904744261X
Category : History
Languages : en
Pages : 480

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This collection presents the broadest range of experiences faced during the Schism, center and periphery, clerical and lay, male and female, Christian and Muslim, theology, including exegesis of Scripture, diplomacy, French literature, reform, art, and finance.

Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300106254
Category : Art
Languages : en
Pages : 596

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Painters, draftsmen, goldsmiths, sculptors, and designers, the Pollaiuolo brothers of fifteenth-century Florence produced some of the most beautiful works of the Italian Renaissance.

Author: Wendy J. Reardon
Publisher: McFarland
ISBN: 147660231X
Category : Religion
Languages : en
Pages : 320

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The traditions associated with a pope’s death have changed from when they were buried in the catacombs of Rome. Various ceremonies, rites and rituals developed over time, but a formal procedure was not initiated until the early 1300s and even then was not always strictly followed. This comprehensive reference book provides information on the deaths, funerals and burial places of each pope and antipope from St. Peter (Apostle) to John Paul I. (Innocent X was almost gnawed by rats because no one would bury him; Alexander VI was stuffed into a carpet and pummeled into his coffin; and the corpse of Formosus was physically put on trial...) The Introduction presents a brief history of papal funerals and tombs, and also covers modern burials. A unique feature of the book is its presentation of all papal epitaphs, in their original language and in English—many translated for the first time.

Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 888

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Author: Carol M. Richardson
Publisher: BRILL
ISBN: 9004171835
Category : History
Languages : en
Pages : 553

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The fifteenth century was a critical juncture for the College of Cardinals. They were accused of prolonging the exile in Avignon and causing the schism. At the councils at the beginning of the period their very existence was questioned. They rebuilt their relationship with the popes by playing a fundamental part in reclaiming Rome when the papacy returned to its city in 1420. Because their careers were usually much longer than that of an individual pope, the cardinals combined to form a much more effective force for restoring Rome. In this book, shifting focus from the popes to the cardinals sheds new light on a relatively unknown period for Renaissance art history and the history of Rome. Dr. Carol M. Richardson has been awarded the Philip Leverhulme Prize (2008) in the field of History of Arts.

Author: ErinE. Benay
Publisher: Routledge
ISBN: 1351567284
Category : Art
Languages : en
Pages : 305

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Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 20:11-19, known as the Noli me tangere) and that of Christ?s post-Resurrection appearance to Thomas (John 20:24-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period.

Author: Claudia Bolgia
Publisher: Cambridge University Press
ISBN: 052119217X
Category : History
Languages : en
Pages : 373

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Book Description
An exploration of the significance of medieval Rome, both as a physical city and an idea with immense cultural capital.

Author: Charles George Herbermann
Publisher:
ISBN:
Category : Catholic Church
Languages : en
Pages : 886

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